The Art of City Sketching: A Field Manual guides readers through the process of freehand architectural sketching and explains orthographic, diagrammatic, three-dimensional, and perceptual-type drawings. The book presents hundreds of drawings of historic buildings and urban spaces, examples, and exercises, which help readers develop their drawing skills and employ sketching as an analytical tool. The book is divided into three parts, based on the reader's skill level: beginner, intermediate, and advanced. As an architect and field sketching instructor, the author shows that through drawing the reader can discover, analyze, and comprehend the built environment.
The new edition of The Art of City Sketching expands on the drawing techniques of the previous version by adding new drawing examples, exercises, and two new chaptersāChiaroscuro and Storyboard. New drawing tips, demonstrations, and composition "do's and don'ts" will support readers when they illustrate their viewpoint of the city by using simple drawing tools. The lessons in this book will allow readers to mix method with imagination and sensibility.
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Part I of The Art of City Sketching is geared towards all beginners interested in sketching but uncertain of their drawing skills and visualization techniques. Part I helps these readers interpret the built environment through orthographic projections. Orthographic projections describe multiple views of an object, space, or building on a flat drawing surface using only two dimensions. These drawings project exterior and interior views of a subject. Unlike perspectives, orthographic drawings are not actual depictions of a subject at eye level. Instead, they are abstract illustrations of a subject from beyond the viewerās optical capacity, projecting a unique depiction of that subject on paper. Hence, two-dimensional drawings allow an objective study of a buildingās shape, attributes, components, and context.
The goals of Part I are twofold (1) to familiarize the reader with two-dimensional drawings (i.e., elevations, sections, and plans), and (2) to graphically document and analyze the built environment. Each chapter of Part I explores a specific orthographic drawing type and illustrates the potential of each drawing type to study and examine a building or place.
Each chapter presents a list of line types used to generate two-dimensional drawings, as well as the proper line weight value. In addition, all chapters provide numerous drawing examples, step-by-step demonstrations, and technical tips, while attendant exercises continually challenge the readerās drawing and composition skills.
1.0 Analytical diagrams of the Church of San Giorgio Maggiore in Venice, Italy
Lesson 1: Elevations
Objectives
This introductory chapter teaches readers how to analyze and sketch building faƧades or elevations. Elevations investigate and dissect a buildingās faƧade and its components. This process takes imagination, creativity, practice, and a comprehensive look into its architectural, structural, and ornamental elements. Lesson 1 examines the process of creating elevations using three basic design principles: proportion, geometry, and regulating lines.
1.1 Elevation sketch of the Einstein Tower in Potsdam, Germany
The application section in this chapter explains the proper line work used to create elevations. With the aid of several illustrations, this chapter provides the necessary tools to study and analyze existing building faƧades. All exercises should be completed in the sketchbook.
At the end of Lesson 1, readers will be able to analyze and draw well-proportioned building elevations, and apply proper line weight value.
Introduction: What is an elevation?
An elevation depicts a two-dimensional projection of a three-dimensional object, building, or site. Elevations illustrate the height and width or the height and length of a subject. To put it simply, an elevation is a flat, orthographic projection, or the expression of a sketch on one geometrical plane, that illustrates the faƧade, or face, of a subject (Figures 1.2, 1.3).
1.2 Use geometry and regulating lines to draw a face in elevation
1.3 Depiction of faƧades on paper
A faƧade marks a clear division between public and private realms. It stands between the exterior public space and the interior private spaces of the building. Over time a buildingās faƧade can develop into a city symbol or landmark. For example, the faƧade of a building projects the philosophy of the building (e.g., Christianity for a church) and the affluence of the community. Collectively, building faƧades define a public space (e.g., street, boulevard, or city square) and provide an aesthetic character to that public space and city. A sleek...
Table of contents
Cover
Half Title
Title Page
Copyright Page
Dedication
Contents
About the Author
Foreword by Andrea Ponsi
Preface
Acknowledgments
Contributors
Introduction
Sketching Supplies
General Drawing Tips
Part I Beginner: Orthographic Projection
Part II Intermediate: 3D Projection
Part III Advanced: Perceptual Projection
Conclusion
Bibliography
Index
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Yes, you can access The Art of City Sketching by Michael C. Abrams,Michael Abrams in PDF and/or ePUB format, as well as other popular books in Architecture & Architecture General. We have over one million books available in our catalogue for you to explore.