
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
From Jim Crow to Jay-Z traces black male representations to chattel slavery and American minstrelsy as early examples of fetishization and commodification of black male subjectivity. Continuing with diverse discussions including black action films, heavyweight prizefighting, Elvis Presley's performance of blackness, and white rappers such as Vanilla Ice and Eminem, White establishes a sophisticated framework for interpreting and critiquing black masculinity in hip-hop music and culture. Arguing that black music has undeniably shaped American popular culture and that hip-hop tropes have exerted a defining influence on young male aspirations and behavior, White draws a critical link between the body, musical sound, and the construction of identity.
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Information
Table of contents
- Cover
- Title Page
- Copyright
- Contents
- Acknowledgments
- Introduction
- 1 Shadow and Act: American Popular Music and the Absent Black Presence
- 2 The Fire This Time: Black Masculinity and the Politics of Racial Performance
- 3 Affective Gestures: Hip-hop Aesthetics, Blackness and the Literacy of Performance
- 4 Real Niggas: Black Men, Hard Men, and the Rise of Gangsta Culture
- 5 Whiteness and the New Masculine Desire
- Epilogue
- Appendix
- Notes
- References
- Index