MIDNIGHT RADIO
VOICE
Are you there?
Are you listening?
This thing on?
Listen, now; those things youâre hearing? Theyâre not true.
Or they might be true, you just donât know; those things youâre hearing are just your head. Inside it.
Nowhere else.
Inside is strange; a mysterious â you have a very active mind âŚ
What is it â tell me â you think youâre thinking?
What is it you think youâre hearing now?
What do you think is happening to you?
Who cares what I think; what do you?
You donât know, do you ⌠Poor boy âŚ
Youâre just a boy; you shouldnât be up this late âŚ
Itâs a comfort to you, I know; to know there are people like you, awake this far into the night âŚ
(Their eyeballs disappear; their eyeballs turn to glue.)
Some people are lonely, and some are sick.
Thatâs just how life is.
Let me tell you whatâs happening:
Iâm older than your father is.
One day youâll find yourself in that small town where I am from, and you wonât even know that youâre there; that Iâd been there, born there, grown up there, as they say; but youâll feel it in your bones.
Your bones grow while you sleep, you know.
Theyâre meant to.
So sleep ⌠or youâll remain a child forever âŚ
Youâre a traveler; I know âŚ
Let me tell you how it is:
What have you got against people?
What have you got against things?
What are you afraid of ?
Microbes, the invisible divisible.
Your hands in hot water, gloves of frothing soap; the hot water makes the soap fall off, fall away into the drain down to the pipes down to the sea, away, imagined âŚ
You can only imagine the sea âŚ
Youâll see the sea one day âŚ
Have you? already?
Iâm impressed.
â Where are your hands right now?
Show me:
Put them on your desk.
Your pillow, I meant.
You know what Iâm saying: unlace them.
Who do you think youâre praying to?
Why?
Youâve got demons, son: thatâs clear âŚ
Inside. Your head.
Metaphorically speaking. They could be anywhere; this house, this body.
You know what that is?
A metaphor is:
True; and not true.
It is, and itâs not.
It happened; yet not really ⌠Not yet.
It is magic.
Everything you are afraid of has already occurred.
Think about it âŚ
Letâs consider this, then, the facts, shall we?
How many brothers and sisters do you have?
That many? Thatâs too many âŚ
And which one is it that sleeps inside your room? That one over there: is he older?
Heâs no good, is he? No. No use.
And how many parents?
Thatâs a tricky question âŚ
We all of us have two âŚ
(Even I know that.)
I myself have no children, you see.
I wanted to but, you see â .
Iâm older than your father, like I said. Your father is a boy in menâs clothing.
Iâve had affairs â count them â of the heart; I was a free spirit ever since my youth, but mainly now Iâm not.
No children that is except you. Youâre mine. All mine. All who are listening now âŚ
You understand?
You see?
Donât you trust me implicitly?
You must not trust me implicitly. That was a trick question. Do you know who I am? from whence I speak? You imagine, I suspect, a small room in a dark building somewhere on the island of Manhattan. Not so far off.
(In the Garden there were two trees: two humans too.)
Letâs get back to you:
Something is wrong in this house, in your head; and you do not know what it is.
You know, and do not know.
Thatâs called metaphor.
Something in the family like a â . Like a what?
Whatâs that noise? There.
Now, listen:
Hear it?
Someone is moving about inside the house after you all have gone to bed, to sleep; someone is awake at this hour of the night standing up there on the attic steps, or walking down the hallway, at the door to your â no: heâs past now farther down still, down the hallway to the â someone has closed the bathroom door âŚ
I think I know who that is âŚ
But you tell me.
Because I know you know now too.
Look around: Iâm not stupid, and neither are you. But youâre in the dark, so to speak, on certain issues. And the sooner you learn the truth, the sooner we can get on with whatever it is weâre meant to get on with.
The good work. Like this. My nighttime ministry.
You got it?
Now listen:
Weâre going to take a few callers here soon, maybe, if I feel like it, but â Iâm from a family myself. A big one. And for the record I know what itâs like to be small. Of the many unhappy multitudes. Which is why I dedicate my life to what I do: language is first nature. A duck to water. My motherâs tongue. Itâs like Iâm no body these days, anymore. Ha ha. A mouth, a brain, and some voice some people find comforting, soothing. Some do not. Others are scared of me. I donât know why. It hurts my feelings. Some people do and others do not. It bothers me sometimes, to be so unpopular that I have to speak at night ⌠But how else could I be here with you?
You ought to be sleeping, you know; like children âŚ
Why?
Your bones grow while you sleep ⌠Like I said âŚ
Whatâs keeping you awake? Let Daddy help you âŚ
Itâs your brother, I know: catâs out; the other one, who does not sleep in your room ⌠who sleeps above your head, in the attic.
Heâs the one you hear in the house. Heâs very ill, you know.
No one thinks so. No one speaks it: heâs tried to murder someone. Did you know that? He threw himself out the window of his room in the attic over your head â and no one ever speaks of it. He tried to murder himself. But heâs alive.
Not a bruise! Not one broken bone!
Angels caught him as he fell ⌠says your mother (who doesnât like church).
The trees, caught him as he fell ⌠The fanning branches of the snowy evergreen; the bed of snow ⌠(You skeptic. Youâre too young to believe.)
But how do you know?
But:
How do you know he fell at all?
Thatâs right. You heard me:
How do you know something happened at all the way you think it happened?
You werenât there.
Remember: youâre just a boy.
You did not see him fall. â You would have liked to have seen that: it would have been a riot. It would have left you mute. A saint. It might have made birds nest in your hands. It could have made your heart implode.
What you did see ⌠was him walking up out of the trees, out from under the evergreens where heâd fallen. He fell. The snow was on his back âŚ
But how do you know?
(You take it on faith.)
How do you know he took his own â tried to take it ⌠?
You donât: you were not there. You donât know. So shut up.
And murder is such a shame, the condition of wanting to murder oneâs own self, oneâs body, your mother has impelled you to shut up; and your father has kept quiet too, even unto you.
So say nothing too.
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