The Greatest Ghost and Horror Stories Ever Written: volume 1 (The Dunwich Horror, The Tell-Tale Heart, Green Tea, The Monkey's Paw, The Willows, The Shadows on the Wall, and many more!)

M. R. James, E. F. Benson, H. P. Lovecraft, Edgar Allan Poe, Saki, J. Sheridan Le Fanu, Franz Kafka, Robert W. Chambers, W. W. Jacobs, Lafcadio Hearn, Ambrose Bierce, Walter De La Mare, Vernon Lee, Mary E. Wilkins Freeman, F. Marion Crawford, William Hope Hodgson, Arthur Machen, Algernon Blackwood, Charlotte Perkins

• Publisher: Dark Chaos
• Year: 2019
• eBook ISBN: 9789897784316
• Topic: Literature
• Subtopic: Literary Collections
• Index: Literature

If you were looking for the Holy Bible of the horror anthologies, consider yourself lucky, because you just found it!Cosmic horror, supernatural events, ghost stories, weird fiction, mystical fantasies, occult narratives, this book plunges you into dark domains and brings you face to face with surreal monstrosities. This first volume of "The Greatest Ghost and Horror Stories Ever Written" features 30 stories by an all-star cast, including Ambrose Bierce, Algernon Blackwood, Robert W. Chambers, M. R. James, H. P. Lovecraft, Edgar Allan Poe, Arthur Machen, Sheridan Le Fanu, Walter De La Mare, Franz Kafka, Robert E. Howard, John Metcalfe, W. W. Jacobs and Lafcadio Hearn, among many others!

The Beckoning Fair One

by Oliver Onions

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 1

The three or four “To Let” boards had stood within the low paling as long as the inhabitants of the little triangular “Square” could remember, and if they had ever been vertical it was a very long time ago. They now overhung the palings each at its own angle, and resembled nothing so much as a row of wooden choppers, ever in the act of falling upon some passer-by, yet never cutting off a tenant for the old house from the stream of his fellows. Not that there was ever any great “stream” through the square; the stream passed a furlong and more away, beyond the intricacy of tenements and alleys and byways that had sprung up since the old house had been built, hemming it in completely; and probably the house itself was only suffered to stand pending the falling-in of a lease or two, when doubtless a clearance would be made of the whole neighborhood.

It was of bloomy old red brick, and built into its walls were the crowns and clasped hands and other insignia of insurance companies long since defunct. The children of the secluded square had swung upon the low gate at the end of the entrance-alley until little more than the solid top bar of it remained, and the alley itself ran past boarded basement windows on which tramps had chalked their cryptic marks. The path was washed and worn uneven by the spilling of water from the eaves of the encroaching next house, and cats and dogs had made the approach their own. The chances of a tenant did not seem such as to warrant the keeping of the “To Let” boards in a state of legibility and repair, and as a matter of fact they were not so kept.

For six months Oleron had passed the old place twice a day or oftener, on his way from his lodgings to the room, ten minutes’ walk away, he had taken to work in; and for six months no hatchet-like notice-board had fallen across his path. This might have been due to the fact that he usually took the other side of the square. But he chanced one morning to take the side that ran past the broken gate and the rain-worn entrance alley, and to pause before one of the inclined boards. The board bore, besides the agent’s name, the announcement, written apparently about the time of Oleron’s own early youth, that the key was to be had at Number Six.

Now Oleron was already paying, for his separate bedroom and workroom, more than an author who, without private means, habitually disregards his public, can afford; and he was paying in addition a small rent for the storage of the greater part of his grandmother’s furniture. Moreover, it invariably happened that the book he wished to read in bed was at his working-quarters half a mile and more away, while the note or letter he had sudden need of during the day was as likely as not to be in the pocket of another coat hanging behind his bedroom door. And there were other inconveniences in having a divided domicile. Therefore Oleron, brought suddenly up by the hatchet-like notice-board, looked first down through some scanty privet-bushes at the boarded basement windows, then up at the blank and grimy windows of the first floor, and so up to the second floor and the flat stone coping of the leads. He stood for a minute thumbing his lean and shaven jaw; then, with another glance at the board, he walked slowly across the square to Number Six.

He knocked, and waited for two or three minutes, but, although the door stood open, received no answer. He was knocking again when a long-nosed man in shirt-sleeves appeared.

“I was arsking a blessing on our food,” he said in severe explanation.

Oleron asked if he might have the key of the old house; and the long-nosed man withdrew again.

Oleron waited for another five minutes on the step; then the man, appearing again and masticating some of the food of which he had spoken, announced that the key was lost.

“But you won’t want it,” he said. “The entrance door isn’t closed, and a push’ll open any of the others. I’m a agent for it, if you’re thinking of taking it —”

Oleron recrossed the square, descended the two steps at the broken gate, passed along the alley, and turned in at the old wide doorway. To the right, immediately within the door, steps descended to the roomy cellars, and the staircase before him had a carved rail, and was broad and handsome and filthy. Oleron ascended it, avoiding contact with the rail and wall, and stopped at the first landing. A door facing him had been boarded up, but he pushed at that on his right hand, and an insecure bolt or staple yielded. He entered the empty first floor.

He spent a quarter of an hour in the place, and then came out again. Without mounting higher, he descended and recrossed the square to the house of the man who had lost the key.

“Can you tell me how much the rent is?” he asked.

The man mentioned a figure, the comparative lowness of which seemed accounted for by the character of the neighborhood and the abominable state of unrepair of the place.

“Would it be possible to rent a single floor?”

The long-nosed man did not know; they might...

“Who are they?”

The man gave Oleron the name of a firm of lawyers in Lincoln’s Inn.

“You might mention my name — Barrett,” he added.

Pressure of work prevented Oleron from going down to Lincoln’s Inn that afternoon, but he went on the morrow, and was instantly offered the whole house as a purchase for fifty pounds down, the remainder of the purchase-money to remain on mortgage. It took him half an hour to disabuse the lawyer’s mind of the idea that he wished anything more of the place than to rent a single floor of it. This made certain hums and haws of a difference, and the lawyer was by no means certain that it lay within his power to do as Oleron suggested; but it was finally extracted from him that, provided the notice-boards were allowed to remain up, and that, provided it was agreed that in the event of the whole house letting, the arrangement should terminate automatically without further notice, something might be done. That the old place should suddenly let over his head seemed to Oleron the slightest of risks to take, and he promised a decisi...

Table of contents

• Title Page Content
• The Ambitious Guest
• The Ash-Tree
• The Beckoning Fair One
• Caterpillars
• The Demon of the Flower
• The Double Admiral
• The Dunwich Horror
• The Frontier Guards
• Gabriel-Ernest
• The Graveyard Rats
• Green Tea
• In the Penal Colony
• Lazarus
• Lukundoo
• The Messenger
• The Monkey’s Paw
• Mujina
• An Occurrence at Owl Creek Bridge
• Out of the Deep
• Pigeons from Hell
• Prince Alberic and the Snake Lady
• The Shadows on the Wall
• The Striding Place
• The Tell-Tale Heart
• The Thing in the Cellar
• The Upper Berth
• The Voice in the Night
• The White People
• The Willows
• The Yellow Wallpaper