SelfPub3
  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

About this book

SelfPub3 is a concept and a publishing era defined by the concept: that any author (with the requisite skills) now has the means to establish a sustainable and scalable business.

It is also a campaign from the Alliance of Independent Authors (#selfpub3.0) that works with authors, readers, literary organizations, and creative industries to support independent authors in acquiring the three necessary skills: writing, publishing and creative business.

The SelfPub3 era, the era of author enterprise, began around 2018. In this era, writers are moving beyond exclusively signing all rights to a single 3rd-party publisher, or exclusively self-publishing with one platform or service, into true creative and commercial independence.

This short book outlines both the concept and campaign and aims to explain to self-publishing authors why SelfPub3 is important, the tools and techniques driving this trend, and how to take part in this movement that is enabling authors in more number than ever before to earn a living from writing and publishing books.

Information

Year
2023
Print ISBN
9781913349936
eBook ISBN
9781913349417
Part II

Self-Publishing 3.0 Drivers

Chapter 4

Direct sales

Direct selling is authors selling books to readers from their own author website or app. Direct sales not only bring higher revenue, they allow authors to learn more about their readers, create a closer relationship with them, and strengthen their author platform in numerous ways.
A direct sales strategy means authors stop sending readers to other retailers by default and think of them as services to aid discovery and sales growth. Instead of moving through a chain of distribution and retail intermediaries, all of whom take a cut from the profit on the sale, direct sales allow authors to net the full profit on the book, minus a small transactional fee.
When investing in ads or other kinds of book promotion, the author guides readers to purchase on their own site instead of someone else’s. The author pays a small transaction fee to an e-commerce platform, approx 5% per transaction, a lot less than the minimum 30% charged by retailers like Amazon, Kobo, and others, and a further 30% of those net payments charged by aggregators.
This is not a recommendation to take books off such retailers, who make amazing things happen for authors every day. It’s not either/or but both.
One of the big advantages of digital bookselling over physical sales is that the reader encounters a buy button just when they are reading about a book and deciding whether they like the sound of it. It’s fine for authors who are contractually published to have a brochure site that points elsewhere to buy—they are only receiving a small single-figure percentage of each sale—but indie authors generally find it impossible to build a sustainable business without a transactional website.
A transactional website will also host an author’s ā€œtraffic generatorā€: a blog, vlog, or podcast that brings readers to their website and encourages traffic that makes them attractive to other authors and influencers. The site can also generate sales coupons and other incentives for targeted book promotions, host crowdfunders, patronage, other special projects, and display social media accounts.

Informing Readers

Most readers are shocked when they discover that when they spend $10 in a bookstore, the author receives less than $1.
Readers think all writers are rich, that if they’ve heard of the author they must be famous and, by corollary, if they haven’t, they’re not. They are truly shocked to hear that most writers in the trade-publishing model are earning less than the minimum wage.
They mostly have no idea about how they can support authors in their endeavors, what a difference it makes to authors when they buy directly instead of on another online store, and how much a donation or other form of patronage means to an author’s ability to keep going. It is up to authors to inform them.
When readers understand what a difference it makes to authors if they are a patron, what a difference it makes if they buy direct rather than from somebody else, they want to help with that and be part of the publishing adventure.
There are some disadvantages to selling directly from an author website and some key challenges to overcome. The biggest disadvantage is that sales do not count toward any kind of ranking on Amazon or a media bestseller list. In wide circles, this is known as ā€œbank before rank.ā€ However, a lot of authors leverage their success in online retailers, as reader-purchase algorithms make them more visible to new readers, especially on Amazon. If you sell most books on your author website, you are accepting that you are unlikely to hit the top of the charts and also that you will lose any advantages of exclusivity.
There are other practical challenges, costs, and responsibilities of owning and maintaining a transactional website, including tax responsibilities and service terms and conditions. So, a transactional website takes more time and thought to set up, yes, but the advantages, in terms of independence, control, and business intelligence, greatly outweigh the disadvantages.
Authors set up for direct sales are also well-prepared for an incoming technology that many feel has the potential to further decentralize publishing: the blockchain. See ALLi’s white paper Authors and the Blockchain (SelfPublishingAdvice.org/blockchain) for more on this.
For more on direct sales, see The Ultimate Guide to Selling Books on Your Author Website in ALLi’s Self-Publishing Advice Center:
SelfPublishingAdvice.org/directselling
Chapter 5

Publishing wide

Multiple Retailers, Regions & Formats

To ā€œgo wideā€ or ā€œpublish wideā€ is to distribute and sell books via multiple platforms, uploading directly to platforms such as Kobo or Apple Books or uploading to multiples sites via an aggregator like Draft2Digital, PublishDrive, or StreetLib. Or, most often, both.
As a guiding principle, and recognizing that there are time constraints and other factors at play, ALLi advises authors to go wide—to make their writing available wherever people might find and enjoy it, through as many different retailers, regions, and formats as possible, given their personal limitations of time, money, and other resources.
The principle is that the more retailers, regions, and formats a book is in, the stronger its foundation for consistent, long-term income. This means valuing the principle of non-exclusivity, espoused in Chapter 3.
Exclusivity can sometimes encourage a distributor to help with promotion of the book—though not always directly or on demand. If a book is available exclusively through a specific vendor, and it shows signs of doing well (lots of readers picking it up, reviewing it, etc.), authors may get a friendly and helpful boost from that vendor. They may find their book listed in a promotional email or placed in a prominent position on a results page. These sorts of perks may happen anyway, if the book really is doing well, whether authors are wide or exclusive.
In addition to the dangers of exclusivity outlined in Chapter 3, it’s worth noting that, from a business perspective, Amazon is the most competitive store. Since the time Amazon Advertising was launched, it is also the one that costs the most to get visibility. While non-Amazon retailers are smaller, it can be much easier to establish a foothold there.
The more outlets an author has, the less dependent they are on any one. ALLi has many, many members who publish wide to just as much success as Amazon-exclusive authors. All of these wide publishers have one thing in common. They understand that being wide is a long-term strategy, and they are committed to it. Building a presence and garnering sales on Apple Books, Barnes & Noble, Kobo, Google Play, and IngramSpark takes time.
Going wide is also more human centred. While Amazon runs on algorithms, the best visibility spots on the other retailers are curated by humans. Only Google Play could be considered as predominantly algorithmic, and there too the best visibility spots there are hand-curated.
Widely published books have a much higher chance than Kindle Unlimited books of being accepted for BookBub featured deals and other promotion services. A single featured deal will skyrocket your sales on all retailers, which will likely get the attention of the merchandising teams, who may in turn feature your book in their promos, thus driving even more sales. This is how presence is built on non-Amazon retailers.

ALLi Recommendations for Publishing Wide

To avail of the best financial return on the widest possible distribution, ALLi recommends that, time permitting, you upload directly to the e-book Big Five—Amazon’s KDP, Apple Books, Barnes & Noble’s Nook, Google Play, and Kobo Writing Life—and use one or more e-book aggregators to cover the rest of the world.
If you use those five for your e-books, together with Amazon KDPP and IngramSpark for print as described above, and ACX and Findaway Voices or similar for audio, you have covered the channels that account for 97% of e-book, p-book, and a-book sales around the western world and maximized your income from them.
The benefits of uploading directly to the big retailers include faster payments, up-to-date sales figures (important for measuring the effectiveness of marketing), more direct control of metadata (particularly categories and keywords which are important for discoverability), and the ability to manipulate pricing quickly and easily (important for promotion).
And, of course, aggregators like PublishDrive, Smashwords, Draft2Digital, and Streetlib take their payment on top of that which is paid to the publishing platforms.
ā€œTime permittingā€ is a key condition for indie authors though. As writers, especially if we have day jobs and other commitments, our writing time must be protected. The drawback to going direct to all five e-book retailers is that each one has different dashboards and requirements so it can be time-consuming, especially if you have a lot of titles.
And not everyone ...

Table of contents

  1. Cover
  2. Copyright
  3. Title Page
  4. Contents
  5. Introduction to the Second Edition
  6. 1. SelfPub3 and Author Income
  7. 2. History of Self-Publishing and the Creator Economy
  8. 3. Licensing Intellectual Property
  9. 4. The Four Drivers of SelfPub3
  10. 5. Business Models and Income Streams
  11. 6. The Future of Self-Publishing
  12. Acknowledgements
  13. Other Guides
  14. About ALLi

Trusted byĀ 375,005 students

Access to over 1.5 million titles for a fair monthly price.

Study more efficiently using our study tools.

Frequently asked questions

Yes, you can cancel anytime from the Subscription tab in your account settings on the Perlego website. Your subscription will stay active until the end of your current billing period. Learn how to cancel your subscription
No, books cannot be downloaded as external files, such as PDFs, for use outside of Perlego. However, you can download books within the Perlego app for offline reading on mobile or tablet. Learn how to download books offline
Perlego offers two plans: Essential and Complete
  • Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
  • Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.5M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Both plans are available with monthly, semester, or annual billing cycles.
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1.5 million books across 990+ topics, we’ve got you covered! Learn about our mission
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more about Read Aloud
Yes! You can use the Perlego app on both iOS and Android devices to read anytime, anywhere — even offline. Perfect for commutes or when you’re on the go.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app
Yes, you can access SelfPub3 by Orna A. Ross,Alliance of Independent Authors, Alliance of Independent Authors in PDF and/or ePUB format, as well as other popular books in Languages & Linguistics & Authorship. We have over 1.5 million books available in our catalogue for you to explore.