Media and Cultural Studies
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Media and Cultural Studies

Keyworks

Meenakshi Gigi Durham, Douglas M. Kellner, Meenakshi Gigi Durham, Douglas M. Kellner

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eBook - PDF

Media and Cultural Studies

Keyworks

Meenakshi Gigi Durham, Douglas M. Kellner, Meenakshi Gigi Durham, Douglas M. Kellner

Book details
Table of contents
Citations

About This Book

Bringing together a range of core texts into one volume, this acclaimed anthology offers the definitive resource in culture, media, and communication.

  • A fully revised new edition of the bestselling anthology in this dynamic and multidisciplinary field
  • New contributions include essays from Althusser through to Henry Jenkins, and a completely new section on Globalization and Social Movements
  • Retains important emphasis on the giant thinkers and "makers" of the field: Gramsci on hegemony; Althusser on ideology; Horkheimer and Adorno on the culture industry; Raymond Williams on Marxist cultural theory; Habermas on the public sphere; McLuhan on media; Chomsky on propaganda; hooks and Mulvey on the subjects of visual pleasure and oppositional gazes
  • Features a substantial critical introduction, short section introductions and full bibliographic citations

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Information

Year
2009
ISBN
9781405150309
Edition
1

Table of contents

  1. Preface to the Revised Edition
  2. Adventures in Media and Cultural Studies: Introducing the KeyWorks
  3. Part I Culture, Ideology, and Hegemony
  4. Introduction to Part I
  5. 1 The Ruling Class and the Ruling Ideas
  6. 2 (i) History of the Subaltern Classes; (ii) The Concept of “Ideology”; (iii) Cultural Themes: Ideological Material
  7. 3 The Work of Art in the Age of Mechanical Reproduction
  8. 4 The Culture Industry: Enlightenment as Mass Deception
  9. 5 The Public Sphere: An Encyclopedia Article
  10. 6 Ideology and Ideological State Apparatuses (Notes Towards an Investigation)
  11. Part II Social Life and Cultural Studies
  12. Introduction to Part II
  13. 7 (i) Operation Margarine; (ii) Myth Today
  14. 8 The Medium is the Message
  15. 9 The Commodity as Spectacle
  16. 10 Introduction: Instructions on How to Become a General in the Disneyland Club
  17. 11 Base and Superstructure in Marxist Cultural Theory
  18. 12 (i) From Culture to Hegemony; (ii) Subculture: The Unnatural Break
  19. 13 Encoding/Decoding
  20. 14 On the Politics of Empirical Audience Research
  21. Part III Political Economy
  22. Introduction to Part III
  23. 15 Contribution to a Political Economy of Mass-Communication
  24. 16 On the Audience Commodity and its Work
  25. 17 A Propaganda Model
  26. 18 Not Yet the Post-Imperialist Era
  27. 19 Gendering the Commodity Audience: Critical Media Research, Feminism, and Political Economy
  28. 20 (i) Introduction; (ii) The Aristocracy of Culture
  29. 21 On Television
  30. Part IV The Politics of Representation
  31. Introduction to Part IV
  32. 22 Visual Pleasure and Narrative Cinema
  33. 23 Stereotyping
  34. 24 Eating the Other: Desire and Resistance
  35. 25 British Cultural Studies and the Pitfalls of Identity
  36. 26 Under Western Eyes: Feminist Scholarship and Colonial Discourses
  37. 27 Hybrid Cultures, Oblique Powers
  38. Part V The Postmodern Turn and New Media
  39. Introduction to Part V
  40. 28 The Precession of Simulacra
  41. 29 Postmodernism, or the Cultural Logic of Late Capitalism
  42. 30 Feminism, Postmodernism and the “Real Me”
  43. 31 Postmodern Virtualities
  44. 32 Quentin Tarantino’s Star Wars?: Digital Cinema, Media Convergence, and Participatory Culture
  45. Part VI Globalization and Social Movements
  46. Introduction to Part VI
  47. 33 Disjuncture and Difference in the Global Cultural Economy
  48. 34 The Global and the Local in International Communications
  49. 35 The Processes: From Nationalisms to Transnationalisms
  50. 36 Globalization as Hybridization
  51. 37 (Re)Asserting National Television And National Identity Against the Global, Regional, and Local Levels of World Television
  52. 38 Oppositional Politics and the Internet: A Critical/ Reconstructive Approach
  53. Acknowledgments
  54. Index