
Orpheus in the Academy
Monteverdi's First Opera and the Accademia degli Invaghiti
- 242 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
This book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera's performance, and to which the libretto author, Alessandro Striggio the Younger, belonged. Arguing that the Invaghiti played a key role in shaping the development of Orfeo, the author explores the philosophical underpinnings of the Invaghiti and Italian academies of the era. Drawing on new primary sources, he shows how the Invaghiti's ideas about literature, dramaturgy, music, gender, and aesthetics were engaged and contested in the creation and staging of Orfeo. Relevant to researchers of music history, performance, and Renaissance and Baroque Italy, this study sheds new light on Monteverdi's opera as an intellectual and philosophical work.
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Information
Table of contents
- Cover
- Half Title
- Series
- Title
- Copyright
- Dedication
- Contents
- List of examples
- List of figures
- List of tables
- Acknowledgments
- Introduction: âThe Invaghiti Orfeoâ
- 1 The world of the Italian academies
- 2 The Invaghitiâs literary theater
- 3 Musical virtuosity and the Orphic ideal
- 4 Oratory and noble virtĂš
- 5 Ideals of gender, patriarchal guidance, and educational privilege
- 6 The mystical architecture of Orfeo
- Envoi: Orpheusâs exit from the academy
- Bibliography
- Index