She Gets the Girl

TikTok made me buy it! The New York Times bestseller

Rachael Lippincott, Alyson Derrick

• Publisher: Simon & Schuster Children's UK
• Year: 2022
• Print ISBN: 9781398502635
• eBook ISBN: 9781398502642

Read the instant New York Times bestseller and TikTok sensation -- THE new swoon-worthy hate-to-love rom com from #1 New York Times bestselling co-author of Five Feet Apart Rachael Lippincott and debut writer Alyson Derrick. The perfect summer read for fans of Adam Silvera, Casey McQuiston, Becky Albertalli and Alice Oseman's HEARTSTOPPER series!

Alex and Molly are two girls who don’t belong on the same planet, let alone the same college campus . . .​

Alex Blackwood is a little bit headstrong, with a dash of chaos and a whole lot of flirt. She knows how to get the girl. Keeping her on the other hand . . . not so much.

Molly Parker has everything in her life totally in control, except for her complete awkwardness with just about anyone besides her mum. She knows she’s in love with the impossibly cool Cora Myers. She just . . . hasn’t actually talked to her yet.

When the girls' paths cross unexpectedly, and Alex discovers Molly’s hidden crush, they realise they might have a common interest after all. Because maybe if Alex can help Molly to get her dream girl, she can prove to her ex that she’s serious about love.

As the two embark on their five-step plans to get their girls to fall for them, though, they both begin to wonder if maybe they’re the ones falling . . . for each other.

Read what everyone is saying about She Gets the Girl:

'Adorable. There's no better word to describe this book. It is so full of hilarious & cute moments that it is bursting at the seams.' - Amazon reviewer 
'A great sapphic rom-com style story. I truly loved reading this book from start to finish!' - Amazon reviewer 
'The ending made me swoon.' - Amazon reviewer 
'Both hilarious and poignant, no doubt in my mind that this gem will be one of the best books I read this year.' - Amazon reviewer 

CHAPTER 1 ALEX

Every single person in this room is looking at Natalie Ramirez.

The hipster dude clutching an IPA like it’s his firstborn son. The girl wearing a faded Nirvana shirt that screams Urban Outfitters. Brendan, the bartender, too distracted to realize he’s made not one but two rumless rum and Cokes. All of them have their eyes glued to the stage.

I finish wiping up a few water rings clinging to the counter and throw my white bar towel over my shoulder, craning my neck around the sea of people to get a better view.

The stage lights cast an odd purplish hue over everything. Her face is outlined in shades of lilac and violet, and her long black hair shines a deep burgundy. I watch as her hands move up and down the neck of the guitar without so much as a second glance, every fret memorized, the feel of the strings ingrained in her fingertips.

Because while all eyes are on her, Natalie Ramirez is only looking at me.

She gives me a small, secret smile. The same one that gave me butterflies five whole months ago, when her band first performed at Tilted Rabbit.

It was the best performance I’ve seen in the three years I’ve worked here. Being a small local venue, we’ve had our fair share of Alanis Morissette wannabes and weekend warrior cover bands. There was a guy just last week who tried to go full Neutral Milk Hotel and play a saw for an hour straight, the sound so screeching that everyone except my coworkers and his girlfriend left the building.

To be honest, between the iffy music, the weird hours, and the less-than-ideal pay, the turnover rate here is pretty high. I’d have quit ages ago, but… my mom needs money for rent. Plus, I do too, now that I’m leaving for college.

And I guess it’s all right. Because if I had quit, I wouldn’t have been there that night five months ago, and I wouldn’t be here right now, catching Natalie Ramirez’s gaze from behind the bar.

My stomach sinks as I realize this is the last time I’ll hear her play for a while, and even though I try to push that feeling away, it lingers. It sticks around through saying a final farewell to the ragtag crew of coworkers that let me study at the bar on school nights, through waiting for Natalie to get done with her celebratory drinks backstage before her band goes on their first-ever tour next week, and through the two of us veering off to spend my last night here at home exactly how I want to spend it.

With her.

We’re barely through the door of her cramped Manayunk apartment before she’s kissing me, her lips tasting like the cheese pizza and warm beer she has after every show.

It’s a blur of kicked-off Converse shoes and hands sliding up my waist as she pulls off my black T-shirt, the two of us stumbling across the space she escaped to after graduating last year from Central High, the public school just across the city from mine.

This place has pretty much been my escape all summer too, so I lead us effortlessly across the worn wooden floor into her room, dodging her bandmates’ instruments and sheet music and scattered shoes. Her bedsprings squeak as we tumble back onto her messy sheets, the door clicking shut behind us.

The moment is so alive, so perfect, but that feeling I had earlier still sits heavy on my chest. It’s impossible to not think about the bus that will whisk me away to college in the morning. The prickling nervousness I feel over leaving the place where I’ve lived my whole life. My mom, on the other side of the city, probably half a handle of tequila deep after spending the afternoon guilting me over “leaving her” just like Dad left us.

But, most importantly, I want to finally have the conversation I’ve been avoiding. The conversation about how I want to make this work long distance.

I zero in on the feeling of Natalie’s skin under my fingertips, her body pressed up against mine, working up the courage to pull away, to say something, when I feel her soft whisper against my lips.

“I love you.”

I pull her closer, so wrapped up in her that I hardly register what she just said. So wrapped up in what I’m struggling to say that I almost say it back.

More than almost. My mouth forms around the words. “I lo—”

Wait.

My eyes fly open and my heart hammers in my chest as I jerk away, those three words bringing with them a flood of moments much different from this one.

Thrown plates and screaming. My dad stooping down to say “I love you” before he got in the car and drove away, into a new life.

A life without me. Never to be seen or heard from again.

I can’t possibly say them to her now. Not like this. Not when I’m the one leaving.

I see the question in her face illuminated in the glow of the yellow streetlight outside her window, so I quickly disguise my sudden movement by reaching out to run my fingertips along the black strap of her bra.

“I, uh. I loved that new song you guys played tonight,” I whisper, trying my best to cover the words that almost came out of my mouth. I kiss her again, harder now, the kind of kiss that usually ends any conversation. But what she said lingers in the air around us like a thick fog.

“Alex,” she says, pulling her lips off mine. She studies my face, her eyes searching for something.

“Yeah?” I say, avoiding her gaze as I look down at her fingers laced with mine, the chipped black paint on her nails.

“Sometimes…” She lets out a long sigh. “Sometimes I wonder what exactly this is to you.”

I lean back and squint at her, finally meeting her gaze. “What do you mean?”

“I mean my band is going on tour. You’re leaving tomorrow for college. You’re going to be all the way in Pittsburgh,” she says as she sits back and pulls her black hair into a bun, a sign the moment is slipping away. Fast.

There’s a long pause. I can tell she’s still searching. Still waiting for me to say the words she wants me to say. “It’s our last night, and I want to know what we are. That I mean something to you. That this is going to work long distance, and you won’t just ghost me and see other people. That I’m not just…”

Yes. “Natalie.” I scooch closer to her. “I wanted to talk to you about that. I—”

My phone vibrates loudly on the white sheets beneath us, the screen lighting up to show a text from Megan Baker, littered with winky face emojis, and a message reading: HMU if ur ever back in the city!

Natalie squeezes her eyes shut, angry now, like she’s found the answer, but it’s one she didn’t want. “Megan Baker? That girl that plays the triangle in that Fleetwood Mac cover band? For real, Alex?”

“Natalie,” I say as I reach out for her. “Come on. It’s not—”

“No,” she says as she pushes my hands away and stands up, her jaw locking. I notice her hazel eyes are glistening, tears threatening to spill out of the corners. “This is so… typical. This is so fucking typical. I try to get close and you pull this. We’ve been seeing each other for five months, and I haven’t been able to trust you for a single one of them.”

“Natalie. Come on. We’ve been over this. I went on, like, three dates. Four, max. I thought things were ruined between us. I thought we were done.” I swing my legs over the bed and stand, all of this feeling very familiar, in exactly the way I didn’t want tonight to go. “And only one was with Megan. She means nothing to me.”

“How can I trust you in Pittsburgh, when you’re getting texts like this when we’re in the same city?” she asks, glowering up at me.

“Texts like what?” I snort, and turn the phone to face her. “She wished me safe travels and all I said was thanks. Then she’s the one that—”

“Just admit it, Alex. It’s impossible for you to have a conversation without flirting. I saw you tonight talking to that girl at the bar during my set. It’s why you said no when I asked you to change your plans and come on tour with us last month. Why you avoided every conversation about what happens when you leave. You would rather flirt around in Pittsburgh than actually have a real connection.” She shakes her head, her voice breaking as she looks away, out the window. “You’ve never chosen me. Never really been all the way in.”

A familiar wave of guilt washes over me. For those dates I went on at the very beginning, and the times I’ve maybe crossed the line between talking and flirting during my shifts at Tilted Rabbit.

But I am in. I didn’t date anyone like this all through high school. I kept it casual with everyone because, well… I never wanted them to know the truth. The part of me I keep hidden. A wrecked home life and a mom too drunk off her ass to even take care of herself, let alone me.

But Natalie’s different.

She’s been different since she tried to surprise me with takeout after our third date and found my mom passed out on our porch. I ghosted her for two whole weeks out of embarrassment, going on other dates, sure she would never want to stick around after that, but… she didn’t give up. She’s the only person to get close enough to know the truth and stick by me anyway, baggage and all.

Now, though, her voice is cold when she talks next. Distant. “You may have a phone filled with numbers, but at the end of the day, without me, you have no one. You’re alone.”

I’m taken aback. We’ve had fights before, but I’ve never seen her quite like this. “Alone? That’s ridiculous.”

“Is it? Friends. Relationships. You push everyone away when they get too close. It’s a miracle I’m still here! We’ve been together for five months and I haven’t met any of your friends. Just your past hookups. Because that’s all you have, Alex. You don’t have any friends.” She turns her head back to face me. “I’m here, and I care about you. I’ve supported you through all the shit with your mom, when no one else ever would. I mean, you almost said ‘I love you too,’ Alex. I know you did,” she says. “But you stopped yourself. Why?”

“I… I don’t know. I just…”

I’m stumbling over words. I don’t know how to say because it was more than I was expecting.

“All right, Alex,” she says, crossing her arms over her chest. “I’ll give you another chance. Actually tell me how you feel. Tell me you love me too.”

She has me cornered, and she knows it. Why is she doing this? “Natalie, look, I…”

My voice trails off into silence.

“Wow.” Natalie lets out a huff of air as she shakes her head. “Sometimes I think you really might end up just like your mom.”

I stand there, stunned. She, more than anyone, knows that was a low blow. How nothing in this world scares me more than that.

I try to steady myself as the room starts to feel smaller and smaller, my chest tight when I try to take a breath as memories swim to the surface. My parents screaming at each other from across the house. The sound of glass shattering into a million pieces. The back bumper of my dad’s car fading into the distance.

And for the first time in five whole months, I feel like running away, just like I always have.

I grab my T-shirt and angrily pull it back on. “You think you know everything, huh? You want me to tell you how I feel, Natalie?” I say, the fear and rage boiling to the surface. “I feel like you don’t know shit about me.”

“And whose fault is that?”

We stare at each other for a long moment, her chest heaving, the sharp lines of her collarbones intensifying.

“Get out,” she says finally, her voice low.

I don’t even fight it. “Gladly,” I say, plastering a smirk on my face, like I don’t care. It feels familiar, and I hate it.

I push past her out the bedroom door and grab my duffel bag off the floor, pulling it onto my shoulder as I angrily jam my feet into my shoes. The...

Table of contents

• Cover
• Title Page
• Dedication
• Chapter 1: Alex
• Chapter 2: Molly
• Chapter 3: Alex
• Chapter 4: Molly
• Chapter 5: Alex
• Chapter 6: Molly
• Chapter 7: Alex
• Chapter 8: Molly
• Chapter 9: Alex
• Chapter 10: Molly
• Chapter 11: Alex
• Chapter 12: Molly
• Chapter 13: Alex
• Chapter 14: Molly
• Chapter 15: Alex
• Chapter 16: Molly
• Chapter 17: Alex
• Chapter 18: Molly
• Chapter 19: Alex
• Chapter 20: Molly
• Chapter 21: Alex
• Chapter 22: Molly
• Chapter 23: Alex
• Chapter 24: Molly
• Chapter 25: Alex
• Chapter 26: Molly
• Chapter 27: Alex
• Chapter 28: Molly
• Chapter 29: Alex
• Chapter 30: Molly
• Chapter 31: Alex
• Chapter 32: Molly
• Chapter 33: Alex
• Chapter 34: Molly
• Chapter 35: Alex
• Chapter 36: Molly
• Chapter 37: Alex
• Acknowledgments
• About the Authors
• Copyright