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This Human Body
Who feels it knows it, Lord.
— BOB MARLEY
THE HUMAN CONDITION
Life is unreliable. Pain is unavoidable. All we accumulate we will lose, and all those we love will disappoint us and disappear from our lives — if we don’t go first. We have a frustrating lack of control over what experience comes our way and how we react to it. It is not easy, this human life.
And yet we feel it should be easier.
We succumb to the delusion that others have it easy, imagining our friends or colleagues have somehow figured things out that we haven’t. I so well remember feeling insecure or confused and that I should be different. As if my life could be perfect, if only I could be perfect. (No pressure!) And of course, nobody anywhere has ever managed that — and yet we keep on trying as if it were possible, exhausting ourselves in the process.
Recognizing this truth is quite relieving. All the while I imagine I should have it all figured out, that I ought to be more successful, more attractive, or more intelligent, I can’t help but feel there is something wrong with me. And then of course, there must be someone to blame. Surely it is someone’s fault that my life doesn’t correspond to my idealized version of it. (My fault? My parents? God’s? Those are, after all, the usual suspects). But human life is complex and unpredictable. When we see that life cannot possibly meet our exact wishes and preferences, we relax. We begin to forgive our human frailties and failings and to treat ourselves more gently.
We allow ourselves to be less than perfect.
In this relief, we find that imperfection is completely natural — that it is the inherent nature of having a human life. We move from reaching for perfection, to bathing in the relief at imperfection. The chef at Moulin de Chaves, the meditation retreat center where I live and teach in Southwest France, once wrote on the fridge door, quoting me from a teaching I had just given, “Freedom of being is the absence of anxiety about imperfection.” She thought it was a wipeable marker, but it turned out to be indelible ink and lasted several years. Eventually however, even “permanent” ink succumbs to the infallibility of impermanence.
LOST IN THOUGHT
A journalist visiting the monastery of my early teacher Ajahn Buddhadasa asked him how he would describe the state of humanity. Ajahn’s reply was, “Lost in thought.”
That is the default condition for most of us, most of the time. Like James Joyce’s Mr. Duffy, who “lived a short distance from his body,” we are caught up in abstraction, reaction, and interpretation — lost in ideas rather than immersed in life’s immediacy. We tell ourselves and each other stories about our experience (increasingly documented on Instagram or Facebook) rather than really inhabiting it. We are tense in ways we barely notice — leaving ourselves and losing ourselves until we don’t know any different.
Embodied awareness is the way back home — intimacy with where and how we are right now, with what is happening and how we are meeting it. Ease and intimacy with ourselves is not only possible, it is our most natural state. Yet having spent decades developing our inner discourse, we find ourselves quite attached to it. We could blame our habitually distracted state on “modern life,” and maybe particularly on the internet and the screens that increasingly fill both our work lives and leisure time. We could speculate about how disembodiment is a byproduct of increasingly urban lives and our subsequent estrangement from the natural world. But disconnection is nothing new. The habit of losing ourselves in drama and detail is as old as humanity, developing as language and culture developed, growing as the very human capacity for thought and abstraction itself grew.
We are Homo sapiens sapiens, beings that know that we know, that can not only experience life, but also describe our experience, refer to our experience — and abstract our experience.
So how do you come back to yourself and be at home in your experience? How do you meet the world without leaving yourself?
RELAX . . . AND BE ATTENTIVE
More than twenty-five centuries ago, Buddha was already pointing at how we get lost in thought and inviting us to come back. After years of ascetic practices, trying to “transcend” his body but weakening and abusing it in the process, he changed his approach after remembering resting in the shade of a tree as a teenager. He recalled both the ease and relaxation of being at home in his own skin and the alertness as he let his surroundings meet his senses. These two qualities woke him up to this essence of skillful attention: relaxing into bodily experience and being attentive to what arises.
Most of the ways we know to relax involve some way of going unconscious (having a drink, watching TV, taking a nap). And most ways we know how to focus or concentrate involve some sense of strain. We furrow our brow, screw up our face, concentrate “hard” on something we are doing. Relaxation and focus seem like opposites — if we relax, we are unfocused. If we focus, we are not relaxed.
Yet relaxation and focus can (and in meditative awareness need to) go together. In sports we call it being “in the zone.” There is something deeply compelling about watching an athlete who is both totally committed and absorbed, yet also relaxed, graceful, effortless. Roger Federer is an exquisite example. Skilled musicians also show us this, focused on the melody, the rhythm, the technique, while also completely absorbed in the mood and pleasure of the music.
Sports and music show us the possibility of simultaneous relaxation and focus. Meditative awareness, though, differs in several important ways.
First, there is neither action nor goal into which these qualities are poured. In meditation we relax into and focus on simply being here — on what arises naturally rather than on what we are doing or creating. There is nothing to accomplish, nothing that should happen. We are entering into what is without trying to get anywhere. Hence the classic meditation adage: Nothing to do, nowhere to go, no one to be.
Second, athletes and musicians’ attention is being held by strong stimuli (the running, the tennis match, the song being sung or played). Intensity attracts attention easily (people at the movies have no trouble sitting down and focusing for a couple of hours). But in meditation we are entering into the most ordinary and uncompelling elements of experience — the breathing body, sensations, and sounds. Attending to these nonstimulating elements trains the attention: it becomes steadier, subtler, more penetrating.
A third difference is that we are exploring experience for the purpose of wisdom. We meditate to be awake to the nature of experience, to see reality clearly, to understand ourselves and life in a way that is freeing. This makes meditation distinctly different from other absorbing activities. Some will say “Dance is my meditation,” or “Painting is my meditation, because I get absorbed in it. I forget myself and feel one with the music, the painting, the world.” That is beautiful — but it is not transformational meditation. The main feature of a transformational meditative practice is not to attain an absorption state — the main feature is wisdom. We meet experience deeply not just to feel it, but to understand our relationship to it, and in doing so to let go of the drama and tension we habitually create.
Most of us are so used to holding certain tension patterns that we don’t notice them. A friend of mine was giving someone a massage, and when she lifted the person’s arm, it just stayed there, stiffly. “Relax,” she said. “I am relaxed,” he replied (stiffly!). “What about your arm?” she asked. And then, of course, he could feel it and soften the muscles there. When attention goes somewhere, then we notice. Once we feel and understand the tension, we can soften it.
Check in right now as you are reading this.
How are the muscles in your face? Your shoulders?
If there are tensions, see if they can soften. And as you continue reading, see if you can do so while continuing to sense into bodily life.
In meditation, relaxation and focus support and enhance each other. The more we focus, the more we feel tensions and can relax them. The more we relax, the more conscious we are, and the more we notice. We become aware of subtle tensions and can let them soften, deepening the relaxation and the depth of contact with our experience, which in turn allows us to find other “nonrelaxed” zones. As well as muscular tensions we start to find energetic knots, psychological blockages, emotional holding, and more. There seems to be literally no limit to our capacity to both focus and relax. And our bodily experience is the ground for this whole exploration.
Cultivating both focus and relaxation, we meet experience more fully. We start to taste the truth of one of my favorite statements of the Buddha, one which in some ways gives us the thread and flow of this whole book:
The entire universe
arises and passes
right here
in this body.
EMBODIED ATTENTION
How important, then, that we learn to be right here, in this body! If the whole universe is showing up right here, what a tragedy if I keep missing it through the endless involvement in my own drama. Embodied awareness is the essence of meditation. Body and consciousness cannot be separated — a human body is a conscious body. Take the consciousness away and you have . . . a corpse, a lump of rotting flesh. No consciousness, no body.
If you want to be really at home in your skin, you have to embody your experience. Listening not only with your ears but with your whole being, with your cells. Listening to your sensory life closely, with care, as if to a new language — one of sensation, energy, density and space, mood and feeling, tension and relaxation.
What might that be like, right now? Reading these pages, what is it like to be sitting here? Let your attention drop for a moment into the felt sense of your experience, just as it is. Feel your lower body, and the density of sensation caused by the pressure of your buttocks and thighs on the seat, the cushion, chair, or floor.
Take your time with this. Relax into it. Feel along your arms. Feel your hands holding this book. How much tension is required to keep holding it? Obviously some, or it will drop from your grip. But are there any extra, unnecessary tensions involved? Some habitual tendency to hold yourself a little more tightly than necessary? To draw yourself into the familiar knot of self? And if so, might it soften, even a little?
Can you taste the softening? Feel the ease of letting unnecessary tension drop? Can you let focus and relaxation come together, right now? Sensing your experience, feeling what it is like — letting yourself relax.
What about your face? We often hold tension around the eyes or in the jaw. As you explore, feel from the inside. Invite everything to relax, but without demanding, without expecting any particular result.
See if you can settle a little more fully into the felt experience of sitting here, reading these words, meeting life from inside experience.
INSIDE EXPERIENCE
In the old Buddhist texts, evocative language points us clearly into the intimacy of meditative awareness. The texts distinguish clearly between embodied (yoniso) and disembodied (ayoniso) attention (manisikara).
If you are familiar with yogic tradition and language, you may recognize yoni as meaning “vagina,” though here it more precisely means “womb.” Embodied attention, then, is literally “from the womb” — that is, grounded down in the lower belly. While mostly our attention is disembodied, disconnected, cut off from the visceral immediacy of our lives, here we are asked to inhabit our center of gravity, to be awake in our womb. Those without the certain female organs may be feeling left out here, but we are talking about an energetic womb, not a biological one — felt as the deepest place in us. The womb is the source of life both literally (we all come directly from the womb)and energetically; this is the center of embodied, or we might say em-bellied, attention.
A woman of about thirty-five, a successful academic with a busy mind, was on retreat with me recently. We explored together how she could drop her attention down into her lower body, using her breathing to settle her attention in her abdomen. Initially she felt nothing, and so I encouraged her to rest he...