eBook - PDF
Instruments of Empire
Filipino Musicians, Black Soldiers, and Military Band Music during US Colonization of the Philippines
- 296 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Instruments of Empire
Filipino Musicians, Black Soldiers, and Military Band Music during US Colonization of the Philippines
About this book
WINNER OF THE BEST BOOK AWARD PUBLISHED IN 2021 BY THE FILIPINO STUDIES SECTION IN THE ASSOCIATION OF ASIAN AMERICAN STUDIES
At the turn of the twentieth century, the United States extended its empire into the Philippines while subjugating Black Americans in the Jim Crow South. And yet, one of the most popular musical acts was a band of "little brown men," Filipino musicians led by an African American conductor playing European and American music. The Philippine Constabulary Band and Lt. Walter H. Loving entertained thousands in concert halls and world's fairs, held a place of honor in William Howard Taft's presidential parade, and garnered praise by bandmaster John Philip Sousaâall the while facing beliefs and policies that Filipinos and African Americans were "uncivilized."
Author Mary Talusan draws on hundreds of newspaper accounts and exclusive interviews with band members and their descendants to compose the story from the band's own voices. She sounds out the meanings of Americans' responses to the band and identifies a desire to mitigate racial and cultural anxieties during an era of overseas expansion and increasing immigration of nonwhites, and the growing "threat" of ragtime with its roots in Black culture. The spectacle of the band, its performance and promotion, emphasized a racial stereotype of Filipinos as "natural musicians" and the beneficiaries of benevolent assimilation and colonial tutelage. Unable to fit Loving's leadership of the band into this narrative, newspapers dodged and erased his identity as a Black American officer.
The untold story of the Philippine Constabulary Band offers a unique opportunity to examine the limits and porousness of America's racial ideologies, exploring musical pleasure at the intersection of Euro-American cultural hegemony, racialization, and US colonization of the Philippines.
At the turn of the twentieth century, the United States extended its empire into the Philippines while subjugating Black Americans in the Jim Crow South. And yet, one of the most popular musical acts was a band of "little brown men," Filipino musicians led by an African American conductor playing European and American music. The Philippine Constabulary Band and Lt. Walter H. Loving entertained thousands in concert halls and world's fairs, held a place of honor in William Howard Taft's presidential parade, and garnered praise by bandmaster John Philip Sousaâall the while facing beliefs and policies that Filipinos and African Americans were "uncivilized."
Author Mary Talusan draws on hundreds of newspaper accounts and exclusive interviews with band members and their descendants to compose the story from the band's own voices. She sounds out the meanings of Americans' responses to the band and identifies a desire to mitigate racial and cultural anxieties during an era of overseas expansion and increasing immigration of nonwhites, and the growing "threat" of ragtime with its roots in Black culture. The spectacle of the band, its performance and promotion, emphasized a racial stereotype of Filipinos as "natural musicians" and the beneficiaries of benevolent assimilation and colonial tutelage. Unable to fit Loving's leadership of the band into this narrative, newspapers dodged and erased his identity as a Black American officer.
The untold story of the Philippine Constabulary Band offers a unique opportunity to examine the limits and porousness of America's racial ideologies, exploring musical pleasure at the intersection of Euro-American cultural hegemony, racialization, and US colonization of the Philippines.
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Yes, you can access Instruments of Empire by Mary Talusan in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Military & Maritime History. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- INSTRUMENTS OF EMPIRE
- Title
- Copyright
- CONTENTS
- Dedication
- Acknowledgments
- Introduction: Worldâs Fairs, Symphony Halls, and Americaâs Racial Others
- 1 Instruments of Empire: Brass Bands, Black Soldiers, and American Imperialism in the Philippines
- 2 Marching to Racial Progress: Civilizing Filipinos at the 1904 St. Louis Worldâs Fair
- 3 Hearing with an Imperial Ear: Racializing the PC Band on their Tour of America in 1909
- 4 Sounding Philippine Nationalism at the Panama-Pacific International Exposition of 1915
- 5 Musical Resonances of Empire: The Golden Gate International Exposition and the End of an Era
- Notes
- Bibliography
- ABOUT THE AUTHOR