The Song Is You
eBook - ePub

The Song Is You

Musical Theatre and the Politics of Bursting into Song and Dance

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

The Song Is You

Musical Theatre and the Politics of Bursting into Song and Dance

About this book

Musicals, it is often said, burst into song and dance when mere words can no longer convey the emotion. This book argues that musicals burst into song and dance when one body can no longer convey the emotion. Rogers shows how the musical's episodes of burlesque and minstrelsy model the kinds of radical relationships that the genre works to create across the different bodies of its performers, spectators, and creators every time the musical bursts into song. These radical relationships—borne of the musical's obsessions with "bad" performances of gender and race—are the root of the genre's progressive play with identity, and thus the source of its subcultural power. However, this leads to an ethical dilemma: Are the musical's progressive politics thus rooted in its embrace of regressive entertainments like burlesque and minstrelsy?

The Song Is You shows how musicals return again and again to this question, and grapple with a guilt that its joyous pleasures are based on exploiting the laboring bodies of its performers. Rogers argues that the discourse of "integration"—which claims that songs should advance the plot—has functioned to deny the radical work that the musical undertakes every time it transitions into song and dance. Looking at musicals from The Black Crook to Hamilton, Rogers confronts the gendered and racial dynamics that have always under-girded the genre, and asks how we move forward.

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Yes, you can access The Song Is You by Bradley Rogers in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Performing Arts. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Series Page
  3. Title Page
  4. Copyright
  5. Epigraph
  6. Contents
  7. Acknowledgments
  8. Introduction: Bursting into Song and Dance
  9. 1. The Dancing Tableau of Oklahoma!
  10. 2. Bring on the Girls: The Princess Theatre and the (Tired) Businesswoman
  11. 3. His Innermost Being: Brecht, Musicals, and the Politics of Identification
  12. 4. The Rhythmic Integration of Blackness: Rouben Mamoulian and Show Boat
  13. 5. The Exotic and Erotic Economy of Musical Impersonation
  14. 6. “Get Out of That Dress”: David Henry Hwang’s Flower Drum Song
  15. 7. The Through-Sung Musical: From Ballet Ballads to Hamilton
  16. Conclusion: Rethinking the “Delivery System”
  17. Notes
  18. Bibliography
  19. Index
  20. Series List