
The Song Is You
Musical Theatre and the Politics of Bursting into Song and Dance
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Musicals, it is often said, burst into song and dance when mere words can no longer convey the emotion. This book argues that musicals burst into song and dance when one body can no longer convey the emotion. Rogers shows how the musical's episodes of burlesque and minstrelsy model the kinds of radical relationships that the genre works to create across the different bodies of its performers, spectators, and creators every time the musical bursts into song. These radical relationshipsâborne of the musical's obsessions with "bad" performances of gender and raceâare the root of the genre's progressive play with identity, and thus the source of its subcultural power. However, this leads to an ethical dilemma: Are the musical's progressive politics thus rooted in its embrace of regressive entertainments like burlesque and minstrelsy?
The Song Is You shows how musicals return again and again to this question, and grapple with a guilt that its joyous pleasures are based on exploiting the laboring bodies of its performers. Rogers argues that the discourse of "integration"âwhich claims that songs should advance the plotâhas functioned to deny the radical work that the musical undertakes every time it transitions into song and dance. Looking at musicals from The Black Crook to Hamilton, Rogers confronts the gendered and racial dynamics that have always under-girded the genre, and asks how we move forward.
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Information
Table of contents
- Cover
- Series Page
- Title Page
- Copyright
- Epigraph
- Contents
- Acknowledgments
- Introduction: Bursting into Song and Dance
- 1. The Dancing Tableau of Oklahoma!
- 2. Bring on the Girls: The Princess Theatre and the (Tired) Businesswoman
- 3. His Innermost Being: Brecht, Musicals, and the Politics of Identification
- 4. The Rhythmic Integration of Blackness: Rouben Mamoulian and Show Boat
- 5. The Exotic and Erotic Economy of Musical Impersonation
- 6. âGet Out of That Dressâ: David Henry Hwangâs Flower Drum Song
- 7. The Through-Sung Musical: From Ballet Ballads to Hamilton
- Conclusion: Rethinking the âDelivery Systemâ
- Notes
- Bibliography
- Index
- Series List