Study Guide to The Prince and the Pauper by Mark Twain

Intelligent Education

• Publisher: Dexterity
• Year: 2020
• ISBN:
  9781645423379
• Edition: 1
• Topic: Study Aids
• Subtopic: Study Guides

A comprehensive study guide offering in-depth explanation, essay, and test prep for Mark Twain's The Prince and the Pauper, the author's first attempt at historical fiction.

As a novel of the nineteenth-century, the story of The Prince and the Pauper continues to live on through video games, movies, TV shows, and books. Moreover, the novel presents timelessly relevant themes of justice and judgement, identity, and, society and class. This Bright Notes Study Guide explores the context and history of Mark Twain's classic work, helping students to thoroughly explore the reasons it has stood the literary test of time. Each Bright Notes Study Guide contains:

- Introductions to the Author and the Work

- Character Summaries

- Plot Guides

- Section and Chapter Overviews

- Test Essay and Study Q&As

The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.

THE PRINCE AND THE PAUPER

A BIOGRAPHICAL SKETCH OF MARK TWAIN

 

INTRODUCTION

The story of Mark Twain’s life is typical of the success stories written by Horatio Alger, the boys’ novelist, for Twain had to struggle with an environment that seemed to be against him from the beginning. Born Samuel Langhorne Clemens in the one-horse village of Florida, Missouri, in 1835, he rose to become a world famous writer, lecturer and traveler before he died in 1910. Most of his success stemmed from a combination of indomitable drive, unceasing energy and maximum use of his own talents. He did have some good luck, too, and that helped.

EARLY LIFE

The facts of Twain’s life are well known. Four years after he was born the family moved to Hannibal, Missouri, a village larger — but not a great deal different from — his birthplace. During his boyhood he had all the advantages and disadvantages of growing up in a country environment. He was close to the Mississippi River, and probably spent a lot of time exploring its wooded shores and islands. He grew up in tune with the life around him, swimming and playing hooky from school, falling in love, and reading adventure stories. His family was an intelligent though not a wealthy or successful one by any material standards. Upon his father’s death in 1847 Sam Clemens was apprenticed to his brother Orion, who owned a local printing shop and a newspaper. (Neither Orion, nor Twain’s other brother, Henry, was able to break out of the poverty to which their impulsive and “wishful-thinking” schemes to make big money fast had doomed them.) Sam, however, left Hannibal to follow his trade over a good part of the country, working in towns as different as Keokuk and New York. But the pay wasn’t too good for printers in those days, so he thought he’d go to South America and look for gold, or find some other way of making a quick fortune. Had he been successful in leaving the U. S., we would probably never have heard more of him.

LIFE ON THE MISSISSIPPI

Fortunately for American literature, however, Sam never took ship at New Orleans. He had become friendly with a river pilot named Horace Bixby, who promised to teach him about the Mississippi River. Bixby was a good pilot, one who loved his work and established a reputation for excellence. The story of Twain’s apprenticeship is told in Life on the Mississippi, where he recounts his sudden awakening to the fact that pilots of river boats did more than just stand around looking “gaudy” after the boat had pulled into a landing. If, however, the romantic image of the pilot was gone from Twain’s experience forever, it was replaced by an appreciation of the deep beauties of the river, its many shifts and changes, different at various times of the day, and sometimes unrecognizable from one season to the next. The account Twain leaves us is “stretched” somewhat, as Huck Finn would say, but in general the impression it creates is a true one.

LATER TRAVELS

After piloting the river steamers for about four years, Clemens retired to the Nevada gold country because the onset of the Civil War had put an end to river commerce. He prospected and clerked, doing many things to keep body and soul together. Eventually he ended up back in the printing trade, working his way from town to town before more or less settling down in California. He wrote short pieces for the newspapers he worked on, establishing a reputation as a humorist among the provincial readers of the Old West. So successful were these pieces, generally burlesques of social customs and institutions, that his newspaper sent him on a tour of the Sandwich Islands, as Hawaii was called in those days. He wrote a series of travel-letters burlesquing the typical travelogues tourists and professional travellers were sending back to their home towns from abroad. The result of this writing and some lecturing was that he began to be known as an earthy humorist, and classed among such writers as Bret Harte, Artemus Ward, and Petroleum V. Nasby. These men were known for their extremely popular western tales woven from folk stories and written in dialect with rough-hewn humor and plenty of recognizable concrete detail.

THE INNOCENTS ABROAD

In 1869 he published The Innocents Abroad, an account of a trip to Europe made under the sponsorship of a newspaper. In this book, he satirizes the folly of going across the Atlantic to see dead men’s graves when there were many more living things to see in America, a dynamic and growing nation in contrast to decaying and dying Europe. The book made him famous, and gave him a literary reputation in the East. This reputation opened to him the doors of the cultivated and genteel literary patrons who generally scorned the writings of the Western humorists.

MARRIAGE

As a successful writer he attained respectability enough to marry into a wealthy Buffalo, New York, family. His wife was Olivia Langdon, of the socially prominent Langdons. Many aspects of their courtship, preserved for us in Twain’s letters to Olivia and to her friends, remind us of the courtship of Tom and Becky in Tom Sawyer. Twain depended on “Livy” to read and censor his manuscripts before they were sent to the printer to make certain they contained nothing that would be improper among the social class he was now a member of. Some critics hold that this censorship did Twain a great deal of harm; others, who examined the surviving manuscripts, point out that “Livy” generally did not suggest more than minor changes, none of which significantly altered the books in question.

Five years after his marriage, Twain moved to Elmira, New York, and then to Hartford, Connecticut, where he had his famous and unusual house, an obvious status symbol, built. Most of his time was taken up with writing, although he did become involved in several get-rich-quick business enterprises that from then until the end of his life drained his energy and his finances, with the loss of not only most of his fortune but of “Livy’s” as well.

FRIENDSHIP WITH DEAN HOWELLS

Twain had made friends with a number of interesting literary people, among them William Dean Howells, the famous author (The Rise of Silas Lapham) and editor (The Atlantic Monthly). Howells was quick to see and appreciate Twain’s talent for humor, and encouraged him to develop the talent by acting as his literary adviser and practically guaranteeing Twain the critical backing of the prestigious Atlantic.

During this period he wrote Roughing It and The Gilded Age. The former is a memoir of the early days of the West; the latter, written in collaboration with Charles Dudley Warner, another friend, is a satire on the way the federal government was run in those days. By 1875 he was working sporadically on his first full length novel, Tom Sawyer.

HUCKLEBERRY FINN

The only other book that earned Twain more money than Tom Sawyer was its sequel, Huckleberry Finn. He began writing Huck Finn’s story in 1876, and although this is the work on which the largest proportion of his literary fame rests, he found writing it to be hard going. The book was laid aside several times, but each time it was picked up again and brought a little nearer to completion. It did not appear until 1884 in England and 1885 in America. It was an immediate success, despite adverse criticism by some of the more conservative literary judges of the day who felt it was vulgar and dealt with insignificant material.

OTHER WRITINGS

Between 1876 and 1885 Twain had written several books, among them The Prince and the Pauper, A Tramp Abroad, and Life on the Mississippi. The first of these is a children’s book which has as its basic plot a fictitious story of mistaken identity in which Edward VI of England is replaced on the throne by Tom Canty, a commoner. A thoroughly delightful book, The Prince and the Pauper was never one of Twain’s more financially successful works. A Tramp Abroad is another travel book, this time recounting Twain’s walking tour through Europe. And Life on the Mississippi is an account of Twain’s visit to the scene of his early piloting days some twenty-five to thirty years after he left the trade. The work contains a great deal of pleasant reminiscence, social criticism, and much autobiographical material.

After Huckleberry Finn, Twain’s next major work was Pudd’n-head Wilson (1889), a novel which has been published under the title Natural Son, which should give you some idea of its contents. Then came A Connecticut Yankee in King Arthur’s Court (1894), a story about a Yankee engineer who goes back in time and becomes an adviser to King Arthur, enemy to Merlin, and — for all practical purposes — ruler of England until his reforms and charities are overthrown by the ignorant masses led by superstitious knights and clergy.

FINAL YEARS

Mark Twain’s final years were not full of the satisfactions a man hopes to enjoy at the end of a life well led. Instead, he suffered a series of financial disasters and personal losses which would have taken the heart out of a lesser man. His publishing company failed in 1894 in spite of early suecesses — it had paid General Grant’s widow $200,000, the largest payment in advance royalties ever paid, and it had reaped much from Twain’s own works. Twain also invested a great deal of money in a typesetting machine invented and designed by a man named Paige who did not have to work too hard to convince exprinter Twain of the need for such an invention. Unfortunately, Paige stretched out the development of the machine, making costly changes and modifications that not only ran up ‘the expenses, but delayed the finishing of the invention until Mergenthaler had produced his Linotype. Twain lost his proverbial shirt.

In spite of his advanced years — he was in his sixties — Twain undertook a foreign lecture tour to pay back every cent he owed. Since he was paid about $1,000 a night, it was not long before he was out of debt. But before he finished the tour, in 1898, there began for him a series of losses that were to color the rest of his life. These were deeper losses, more personally tragic than mere financial ruin. First, his daughter Suzy died, then his wife died, then his daughter Clara went with her husband to live in Europe. This left him with only his daughter Jean, whose epilepsy resulted in a fatal heart attack in 1910. Twain was now bereft of the company he enjoyed most, his girlish family. Four months after Jean’s death, on April 21, 1910, Mark Twain suffered a heart attack and died. Disillusioned by business reversals and personal losses, he was a bitter writer toward the end of his days. The acidity of his earlier works was sweet when compared to his later bitterness, which became a violent cynicism and materialistic humanism. Some of his later writings, withheld from the public by his estate because of the savage nature of their biting satire, are just being published.

EVALUATION

His writings, from the earliest to those now appearing, can best be described as “iconoclastic.” Twain delighted in shattering the images of glamor and romance built up around what he regarded as false and villainous institutions and customs, As a satirist attacking fraudulent pursuits and the weak, insipid facades of hypocrisy, Twain was a terrible enemy to injustice and confusion.

Many of his attacks seem unreasonable to us with sixty or seventy years of hindsight from which to judge. But Twain’s attitudes were colored not only by his times and his lack of formal training, but also by his personality, which has been described by one critic as that of “neurotic genius.”

INTRODUCTION TO MARK TWAIN

BRIEF SUMMARY

Two boys are born in London, about the middle of the sixteenth century. One-Edward, Prince of Wales-has been long awaited by the English nation. He is soon clothed in splendid robes. The other-Tom Canty-is unwanted by his poverty-stricken parents. He is poorly dressed, and he is soon covered with the dirt of his home in Offal Court. As soon as the boy is old enough, Tom’s father, John Canty, forces his son to beg in the streets of London each day. When the fifteen-year-old boy returns home at night with little or no money, his father beats him. By a lucky accident, Tom learns to read, and he delights in learning about the wonderful world beyond the slums of London. Gradually, he begins to imagine that he is a prince. He so impresses many of the young people near his home that a small court is formed, and he acts in a royal manner toward his followers. At night, he dreams of the glories of being a prince; in the morning, he awakens to the filth and rough noises of Offal Court. Quite by accident, one day, he sees Prince Edward beyond the palace gates. When a soldier hits Tom, Prince Edward is angered and orders Tom to go with him into the royal palace. Edward is fascinated by Tom’s stories of the freedom of his life, whereas Tom confesses that he has long wanted to be a prince. The two boys change clothing, only to find that in the mirror opposite them there seems to be no change whatsoever. Evidently, the two youths strongly resemble each other. Through a mischance, Prince Edward, still dressed as a pauper, is rudely thrust into the streets of London, where he amuses a howling and delighted mob with his announcement that he is the Prince of Wales. Tom Canty, in royal dress, is taken to see Henry VIII, who cannot understand why the youngster seems to have lost all memories of his past life. Princess Elizabeth and Lady Jane Grey try to be friendly with Tom. Earlier, the king had given the Great Seal of England to his son for a plaything. When Tom is asked to return the seal, he claims he has no knowledge of it. This helps convince Henry VIII that his son has lost his mind.

Edward is found by John Canty and is brought to Offal Court. Meanwhile, the king dies. Tom Canty, thought to be the heir to the throne, is saluted by both the nobles and the people as the King of England.

The circumstances of the two boys are in wide contrast. Tom is the central figure of a grand procession to Guildhall in the old City of London. Edward is given a sound beating by John Canty before being sent to bed on the floor. In the middle of the night, John Canty, his family, and Edward flee, for, during the previous evening, John had savagely beaten a priest, when he dragged Edward to Offal Court. By a lucky accident, Edward escapes John Canty, when the two are forcing their way through crowds of celebrating Londoners. Edward VI is being declared king. At this point, the real Edward announces to the mob that he is the king. He is greeted by jeers and taunts. Suddenly, a protector (Miles Hendon) appears from the crowd. Miles thinks...