
- 210 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor. Discussing how changes in electronic communication and artificial notions of landscape have impacted form and content in poetry, Monster redefines the idea of what is memorable and original through a broad range of poets including John Ashbery, Anne Carson, Thomas Sayers Ellis, Forrest Gander, Peter Gizzi, Jorie Graham, Robert Hass, Brenda Hillman, Laura Kasischke, W. S. Merwin, Srikanth Reddy, Donald Revell, Mary Ruefle, Arthur Sze, and James Tate.
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Yes, you can access Monster by in PDF and/or ePUB format, as well as other popular books in Literature & Literary Criticism in Poetry. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Contents
- Illustrations
- Acknowledgments
- Preface
- Part One: Distortion in the Contemporary Lyric and Prose Poem
- Part Two: Distortion within Poetry, Nature, Culture, and Media
- Part Three: Concept, Hyperbole, and Truth as Forms of Abstraction in Poetry
- Part Four: Distortion, Transition, and Memorability in Poetry
- Part Five: Temporal Distortion and Originality in Poetry
- Part Six: Myth and Archetype as Forms of Abstraction
- Bibliography
- Author Index
- About the Author