
Heightened Performative Autoethnography
Resisting Oppressive Spaces within Paradigms
- 239 pages
- English
- PDF
- Available on iOS & Android
Heightened Performative Autoethnography
Resisting Oppressive Spaces within Paradigms
About this book
This book argues for – and carries out – what the author terms Heightened Performative Autoethnography (HPA). The common theme throughout the volume involves resisting oppressive and hegemonic spaces within paradigms, and hence seeking epistemological liberation. The text methodologically and conceptually situates this newly proposed variant of autoethnography, while contextualizing and justifying its «performed or enacted» theme involving resistance against the oppressiveness of paradigms. The book concludes with an analysis and commentary, demonstrating how this particular theme, and HPA as a research and writing repertoire, are able to meaningfully respond to the eighth moment of contemporary qualitative research, which calls for a critical and social justice agenda directed at empowerment, equity, liberation, and related issues. Heightened Performative Autoethnography could be used in upper-level undergraduate classes and graduate courses within the social sciences, humanities, and education, for courses on critical theory, contemporary research methodology, performative studies, narrative writing, and related subjects.
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Information
Table of contents
- Contents
- Acknowledgments
- Foreword (Norman K. Denzin)
- Part I: Constructing the Stage for the Performance
- Part II: The Performance
- Part III: Bidding farewell from the Stage
- References
- Index