
- 138 pages
- English
- PDF
- Available on iOS & Android
About this book
This unique work of scholarship explores contemporary issues of male spectatorship and the importance of biography for art criticism in the work of Tracy Chevalier, Eunice Lipton, Anna Banti, Kate Braverman, and Susan Vreeland. Drawing upon feminist concepts on the male and female gaze, Dr. Cortney Cronberg Barko perceptively examines how these authors challenge androcentric models of reading by demonstrating women's powers as readers and writers. This intriguing study reveals that authors working within the genre of fictionalized biographies of women painters reconstruct art history to create a new canon for women artists and invent a rhetoric about art that empowers women. This book is ideal for art history courses and a wide range of literature courses, including fiction, literary theory, literary criticism, feminist literary theory, and women's literature.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover
- Contents
- List of Figures
- Chapter 1. Introduction
- Chapter 2. Tracy Chevalier and Eunice Lipton’s Female Gaze: New Narratives about Women Painters
- Chapter 3. Interpreting the Paintings of Artemisia Gentileschi: Biography as Feminist Art Criticism
- Chapter 4. The Inseparability of Frida Kahlo’s Life and Art: The Importance of Biography for Feminist Art Criticism
- Chapter 5. Susan Vreeland’s Emily Carr: Inventing a New Rhetoric About Art for Women
- Chapter 6. Conclusion
- Notes
- Works Cited
- Index