About this book
The comparative gesture performs both the act and the question of transition between the terms compared. Understood as an intercultural practice, comparative literature may thus also be understood as both a transitive and a transnational process, creating its own object and form of knowledge as it identifies and analyses lines of relation and exchange between literary cultures. When navigating between languages, the discipline becomes critically engaged with the possibility and methods of such navigation. Interdisciplinary and intermedial versions of comparative studies likewise centre around transitions that may themselves remain under-analysed.
This collection of essays, with contributions ranging from medieval literature to digital humanities, seeks to illuminate and interrogate the very diversity of comparative situations, with their attendant versions of comparative discourse. The volume as a whole thereby reflects, however fragmentedly, a field of study that is itself faced with the reality of transition. As both a thematic and formal concern in comparative work, transition emerges, within any historical period or other configuration in which it is charted and analysed, as key to the renewed relevance of comparative literary scholarship and study today.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover
- Contents
- Acknowledgements
- Introduction: Framing Transition(s) in Comparative Studies (Michael G. Kelly)
- 1 âDenti Alligatorâ: The Dantification of Popular Culture (Daragh OâConnell)
- 2 Creating New Myths in the Fifteenth Century: From Ovidâs Medea to a Lustful Nun from Barcelona (Gemma Pellissa Prades)
- 3 Looking for Lucianâs Locale: The Case of âCuairt ar an nGealaighâ (Jack Fennell)
- 4 Kissing the Earth and Defining Space: Transitions between Folklore, Religion and Literature (Emilia Di Rocco)
- 5 The Language of Birds: Valente, Scholem, Benjamin (Manus OâDwyer)
- 6 Becoming Nonmodern: Transitory States in Gustav Meyrinkâs Der Golem (1915) (Kerstin Fest)
- 7 The Animal Metamorphoses of the Artist in Paul Durcanâs Intermedial Poetry (Cathy Roche-Liger)
- 8 âdude I have altsâ: Computer Technology and Poetic Innovation in John Redmondâs MUDe and Geoffrey Squiresâ Two New Poems (Kenneth Keating)
- 9 How to Play a Film: The Game-Like Pleasures of Digital Home Media (Cathrin Bengesser)
- 10 âNear Documentaryâ as Post-Bressonian Aesthetic: Cinematographic Dialoguing between Jeff Wallâs Adrian Walker and Ben Riversâ Two Years at Sea (Dara Waldron)
- 11 Dâun château lâautre: Authorship, Individuation and Utopia in Pola X and De la guerre (Michael G. Kelly)
- Notes on Contributors
- Index
