About this book
This book explores the differences between 'high' and 'low' cultures in an Irish context, arguing that these differences require constant revision and redefinition. The volume includes analysis of famous Irish writers such as Bram Stoker, Oscar Wilde, W.B. Yeats, James Joyce and Samuel Beckett, who are commonly regarded as part of the canon of elite Irish literature but who have either used elements of popular culture in their work, or else occupy a special position in popular culture themselves. Other chapters examine the elusiveness of the boundary between elite and popular culture using objects such as postcards, digital animation, surfing and the teaching of Irish mythology in schools, and demonstrating how this boundary is constantly renegotiated through subversion and parody or through the recycling of folk culture by state institutions. The book also explores the dichotomy between an 'authentic' Irish culture, as allegedly exemplified by Irish folklore, mythology, sport and theatre, all of which have been claimed as markers of national identity, and fabricated Irishness, designed to fit commercial or political purposes. The case of Ireland provides a rich and fascinating example of the debates which underlie the study of popular culture around the world today.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover
- Contents
- Acknowledgments
- Sylvie Mikowski Introduction
- Darryl Jones Dracula Goes to London
- Sandra Mayer The Importance of Commemorating Literary Celebrity: Oscar Wilde and Contemporary Literary Memorial Culture
- Xavier Giudicelli Dorian Gray in/and Popular Culture: Text, Image, Film
- Claire Poinsot ‘Souls the like of ours/Are not precious to God as your soul is’: Elite, Popular and Folk Culture in William Butler Yeats’ Plays
- Adrienne Janus Listening High and Low: Yeats, Joyce, Beckett and the Condition of Music in Modernist Irish Literature
- Yannick Bellenger-Morvan C.S. Lewis: An Experiment in Popular Literature?
- Kevin Wallace ‘Fintan O’Toole: Power Plays’ and the High Art/Low Art Discourse in the Narrative of Irish Theatre
- Chantal Dessaint-Payard What Happened To Anna K? or the Dissemination of Cultures in Fox, Swallow, Scarecrow by ÉilÃs Nà Dhuibhne
- Frédéric Armao The Folklore of Spring in Ireland: A Dichotomy of Traditions
- Pádraic Frehan National Self-Image: The Imagological Impact and Subsequent Contemporary Permeations of Celtic Mythology in Ireland’s School Literature from 1924
- Valérie Morisson From Hinde to Hillen: Postcards and the Issue of Authenticity in Popular Culture
- Alexia Martin The Carnsore Point Festival (1978–1981): Between Antinuclear Rally and Cultural Event
- Stephen Boyd Surfing a Postnationalist Wave: The Role of Surfing in Irish Popular Culture
- Ruth Alexandra Moran Please Say Something (2009): Digital Aesthetics and Popular Culture
- Notes on Contributors
- Index