
- 281 pages
- English
- PDF
- Available on iOS & Android
About this book
Why does the 1974 war in Cyprus remain so dominant in Greek-Cypriot cinema? How has this event shaped the imagination of contemporary filmmakers, and how might one define the new national cinema that has emerged as a result? This book explores such questions by analysing a range of Greek-Cypriot films that have hitherto received little or no critical discussion.
The book adopts a predominantly conceptual approach, situating contemporary Greek-Cypriot cinema within a specific cultural and national context. Drawing on the work of the French philosopher Gilles Deleuze, and particularly his theories of time and space, the author explores ways in which Greek-Cypriot directors invent new forms of imagery as a way of dealing with the crisis of history, the burden of memory and the dislocation of the island's abandoned spaces.
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Table of contents
- Cover
- Contents
- Figures
- Preface
- Introduction
- Part I: Nation, Identity, History
- Part II: Division, Memory, Time
- Part III: Spaces, Movement, Unity
- Conclusion
- Bibliography
- Filmography
- Index