
- 188 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
The Gospel Coaltion Award of Distinction—Arts and Culture
ECPA Top Shelf Award Winner
For practitioners and fans, jazz expresses the deepest meanings of life. Its rich history and its distinctive elements like improvisation and syncopation unite to create an unrepeatable and inexpressible aesthetic experience. But for others, jazz is an enigma. Might jazz be better appreciated and understood in relation to the Christian faith?
In this volume, theologian and jazz pianist William Edgar argues that the music of jazz cannot be properly understood apart from the Christian gospel, which like jazz moves from deep lament to inextinguishable joy. By tracing the development of jazz, placing it within the context of the African American experience, and exploring the work of jazz musicians like Miles Davis, Duke Ellington, John Coltrane, Ella Fitzgerald, and Louis Armstrong, Edgar argues that jazz deeply resonates with the hope that is ultimately found in the good news of Jesus Christ.
Grab a table. The show is about to begin.
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Information
Table of contents
- Cover
- Title Page
- Dedication Page
- Contents
- Foreword by Carl Ellis and Karen Ellis
- Acknowledgments
- Introduction: Jazz and the Gospel
- Part I: Historical Context
- Part II: Background Genres
- Part III - Jazz Music
- Appendix: Selected Jazz Recordings
- Image Credits
- Notes
- General Index
- Scripture Index
- Praise for A Supreme Love
- About the Author
- More Titles from InterVarsity Press
- Copyright