ILLUSTRATIONS BY THE AUTHOR
1. TRUTH GLIMPSED Fly-leaf
An arrangement that suggests the theme of this book, the idea that the individual may awaken now a joyous, creative awareness of his immortality.
2. GROWTH OF THE SOUL Frontispiece
The Immortal Self in man, a god in the becomings stands behind the outer façade of every human being. In each it is felt as a deep mystery that becomes perceptible at those times when a person exhibits flashes of other-world dignity and power. This Inner Man is growing in divine stature through experiencing many incarnations in human bodies. The painting represents the cyclic release from dead forms and self-identification with vital new formsâall taking place within the shaft of light that symbolizes Divine Law.
3. THROUGH DEATH TO REBIRTH
A design that symbolizes the return of the Soul from an incarnation bringing with him the harvests of experience on the one hand, and on the other hand, the Soulâs descent to rebirth in the fiery worlds of matter bearing the chalice of latent capacities that will be awakened in the new lifetime.
4. BODIES CONTINUOUSLY DYING
The self dies from childhood to become the youth and from youth to reach adulthood and finally old age.
5. BASIS FOR IMMORTALITY
The aeonian unfoldment of spirit through form, consciousness through matter, is symbolized in this drawing. The five-pointed star in the upper part of the design represents the Will of the manifested Creator. An individual Spark of His Divine Fire is indicated by the small star shown in the winged figure just beneath the star. This individualized Spark of Eternal Spirit is embodied in the form of the Immortal Soulâthe winged figure. The Soulâs immortal purpose is growth to godhood. There is an age-long preparation prior to the birth of the individualized soul. The Spirit has brooded over and nurtured a developing unit of consciousness that has evolved through the mineral, vegetable and animal kingdoms.
In the drawing these are symbolized by the crystal, the rose and the deer. At last a chalice of consciousness has been prepared for individualization by the Divine Spirit. It is at this stage that the human soul is born, as explained in the text, and then begins the long series of reincarnations of this Immortal Self in human bodies. Man is Spirit, Soul and Body, in that order of reality. The ages of struggle to evolve human bodies into sensitive harmonized vehicles for spiritual consciousness is the struggle of each individual soul to master in time every force and form with which he must cope in the lower worlds.
The drawingâs elliptical character suggests the individual movement of consciousness from centers above, of Soul and Spirit, to centers below, of action, feeling and thought and vice versa: always from positive to positive pole across a negative field. Thus the spiritual will in man, represented by the tiny five-pointed star is the upper positive pole that together with the lower positive poleâthe tiny star in the physical bodyâforms an ellipse across the negative field of the emotional world, Awareness of the movement of consciousness in elliptical rhythms between the Inner Self and the outer man engaged in daily activities is indicative of an awakening to what is immortal and what is not within oneâs self. Immortality is not a gift bestowed but an achievement won through individual effort. Always unlocked is the door through which man can walk forth by his own exertions into the freedoms of immortality.
6. THE SOUL RADIATES FROM THE CENTER
The illustration attempts to suggest a four dimensional realityâthe within-withoutness of matter and consciousnessâin a two dimensional drawing. One must grasp at once that the smallest area, the circle at the center, is identical with the infinite beyond shown outside all of the circles. The figure at the center is the same figure as the largest one drawn with dotted line in the spiritual beyond. As shown, the mental plane envelops and permeates the emotional world, or astral plane; similarly both enfold and penetrate the physical plane. Hence the physical plane is seen here as the shut-in world of utmost limitation. The soul center is beyond the lower and in the higher, mental world. The pen line drawing conveys the idea of a reincarnating soul radiating energies from the center to create mental, astral and physical bodies. These bodies are outer encasements of a soul, or more precisely understood, they are vehicles for a soulâs action in the three lower worlds. The complete physical incarnation is represented by the four small figures of the child, youth, adult and aged man. The integrated performance of soul and bodies during an incarnation develops an entity, a living personality, of character, appearance and general conduct, by which we recognize the person. After death the Soul withdraws step by step to its center as it dissociates its higher life from the denser forms.
7. HISTORICAL TIME TOO BRIEF
This arrangement is a reminder that the currently recognized historical records of man and his evolution from theorized origins do not provide sufficient time for a reasonable hypothesis of the evolution of individual consciousness by means of reincarnation. The adoption of the theory of reincarnation requires the positing of vaster epochs of civilized human life on earth.
8. WITH KNOWLEDGE AND IMAGINATION EXPLORE INWARDLY
Shown here is a natural posture for meditation through the practice of which consciousness can be focused for inward exploration as described beginning on page 41.
9. AT THE ATOMIC FRONTIER
Exploring the atom with the human microscope focused through the lens of knowledge and imagination. The procedure is elaborated on pages 45 and 46.
10. MAP OF AFTER DEATH ROUTE
The man who has even a general theosophical knowledge of the realms he will dwell in after death possesses a very valuable map. It will enable him to recognize where he is and in what direction he is going. Such knowledge also will help him to render understanding help to others. The illustration charts the normal course taken after death through the shadowy etheric portion of the physical plane, and on through the astral and heaven worlds, reaching those regions of universality at the height of the inward cycle wherein dwells the Soul in his causal body.
11. EXPERIENCING DEATH
The little sketch tells the story: suddenly one steps outside the physical body aware that there is nothing to fear about departure from the physical world. Familiar surroundings may be perfectly visible but it is usually futile to try to communicate with friends present there, as is explained in the text.
12. LET GOâAND WALK STRAIGHT INTO THE LIGHT
The whole experience is that of looking up, stepping up, moving onward, out of the earth life now ended. As illustrated, the old man, long a cripple, dies clutching his worn crutch. He is aided by an invisible helper to release the physical body and walk into the Light as the vigorous young person he knows himself to be within, casting aside the unnecessary astral crutch.
13. THE EARTHBOUND MATERIALIST CLINGS TO DESIRED OBJECTS
Wrapped in the fiery cocoon of his own desires even after dying from his physical body, the person who is trying to cling to material forms as pictured will be earthbound for as long as his passionate desires are stronger than the tidal forces that draw him into the normal stream of the after death cycle. The large hand shown at the top of the drawing is representative of the reality of the Soulâs power to break through the illusory cocoon and beckon the returning individual to resume progress inward to the Soulâs deep center.
14. THE SUICIDE FORTUNATELY CAN BE HELPED
Depicted is the bewildering and unhappy situation of the person who has fled physical entanglement via the suicide route. He is in the gray etheric world where temporarily there is no surcease from the repetitive emotions, fiery thoughts and phantom forms that compelled his act. Once more the Soulâs beneficent power with its light shining from within is suggested by the hand in a gesture of blessing. In due time this inner Light will break through and release the Soul from imprisonment.
15. WHERE DEATH IS NOT
This drawing was conceived as illustrative of the experiencing of sudden death by one who is absorbed at the time in nobler contemplations and reverence for life, and who is instantly transported into a universe of Light where death is not known. The individual who suddenly encounters death through some violent accident will discover that he is immediately conscious in realms where he already abides in his inner life. As a man lives within himself so does he die. Those whose earth lives have been orderly, dutiful and kindly have no affinity for gruesome atmospheres and are oblivious of the surroundings of the fatal accident in which their physical bodies are destroyed.
16. HEAVEN IS INEVITABLE
The Soul is projected into incarnation in the form of his alter ego, the human personality. Death of the latter in stages marks the Soulâs return to his realm; thus his âgoing to heavenâ is inevitable. The drawing is symbolic of the harmonized union of the eternal masculine-feminine polarities, the soul and personality, in heaven. The episodes between incarnations of this divine love affair in heaven are a refreshing preparation for rebirth. Human consciousness becomes focused for another incarnation in earthly existence where the masculine and feminine elements are polarities that ever hunger for union in their polar opposites. The five-pointed star symbolizes the Divine Spirit enfolding and blessing the heavenly reunion of S...