
The postsocialist contemporary
The institutionalization of artistic practice in Eastern Europe after 1989
- 296 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The postsocialist contemporary
The institutionalization of artistic practice in Eastern Europe after 1989
About this book
The postsocialist contemporary joins a growing body of scholarship debating the definition and nature of contemporary art. It comes to these debates from a historicist perspective, taking as its point of departure one particular art programme, initiated in Eastern Europe by the Hungarian-American billionaire George Soros. First implemented in Hungary, the Soros Center for Contemporary Art (SCCA) expanded to another eighteen ex-socialist countries throughout the 1990s. Its mission was to build a western 'open society' by means of art. This book discusses how network managers and artists participated in the construction of this new social order by studying the programme's rise, evolution, impact and broader ideological and political consequences. Rather than recounting a history, its engages critically with 'contemporary art' as the aesthetic paradigm of late-capitalist market democracy.
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Information
Table of contents
- Cover
- Half-title page
- Series page
- Title page
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Introduction
- 1: Sorosart: how Eastern Europe got the idea of contemporary art
- 2: New norms and procedures: the introduction of the curatorial function
- 3: Art in the “open society”: the aesthetics of problem-solving
- 4: Antipolitics: the ideological bedrock of the postsocialist contemporary
- 5: Can there be contemporary art in North Korea? A methodological epilogue
- Select bibliography
- Index