Managing Expectations
eBook - ePub

Managing Expectations

A Memoir in Essays

  1. 304 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Managing Expectations

A Memoir in Essays

About this book

A MARIE CLAIRE BEST MEMOIR OF THE YEAR • A USA TODAY MUST READ BOOK • A W MAGAZINE MOST ANTICIPATED BOOK • A SHEREADS BEST MEMOIR OF THE SUMMER

A charming, poignant, and mesmerizing memoir in essays from beloved actor and natural-born storyteller Minnie Driver, chronicling the way life works out even when it doesn’t.

In this intimate, beautifully crafted collection, Driver writes with disarming charm and candor about her bohemian upbringing between England and Barbados; her post-university travails and triumphs—from being the only student in her acting school not taken on by an agent to being discovered at a rave in a muddy field in the English countryside; shooting to fame in one of the most influential films of the 1990s and being nominated for an Academy Award; and finding the true light of her life, her son. She chronicles her unconventional career path, including the time she gave up on acting to sell jeans in Uruguay, her journey as a single parent, and the heartbreaking loss of her mother. 

Like Lena Dunham in Not That Kind of Girl, Gabrielle Union in We’re Going to Need More Wine and Patti Smith in Just Kids, Driver writes with razor-sharp humor and grace as she explores navigating the depths of failure, fighting for success, discovering the unmatched wonder and challenge of motherhood, and wading through immeasurable grief. Effortlessly charming, deeply funny, personal, and honest, Managing Expectations reminds us of the way life works out—even when it doesn’t.

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Information

Publisher
HarperOne
Year
2022
Print ISBN
9780063115316
eBook ISBN
9780063115323

1

Surprise

I am nine and being returned to boarding school. It is Sunday night, and the clocks haven’t gone back yet so there is still light as we pull up to a traffic light, next to a dark blue Volvo. I roll down my window.
ā€œHELP ME!ā€ I scream. ā€œI AM BEING ABDUCTED!ā€ The driver of the Volvo looks embarrassed, which is the chosen response to most public displays if you’re British. My mother leans forward and gives him a wave and a thumbs up, the light turns green, and I see his relief as driving etiquette mercifully prevents him from further investigation. As we pull away, I leave him with a howling ā€œCALL THE POLIIIIIIIICE!ā€ and proceed to start taking off all my clothes and throwing them out the window. My rage and sadness are not an act. I am dumbstruck with horror at the thought of going back to boarding school, and each time I am returned at the end of a weekend away, I try to explain this to my mother. My protestations have now reached operatic levels of desperation, as she is resolute in ignoring my desire to stay at home and be a day student. We live three miles from the school—it makes no sense. But it makes sense to my mother.
In the UK, in 1976, women were finally allowed to apply for a mortgage without a male co-signer. In that same year, my mother decided to leave my father and got to experience what an anomaly of social progression the mortgage thing actually was. As my parents weren’t married, the judge in the family court decreed that for my mother to retain custody of me and my sister, Kate, she had to: (1) be married; (2) have bought a house; and (3) have us in school by the time she had relocated. The amount of time the judge gave her to accomplish all these things was seven weeks.
What impossible nonsense has been thrown at women down through the ages, and how tirelessly do they continue to rise to the challenge. My mother would not be outdone by some bewigged distillation of the Victorian patriarchy and proceeded thus: she sold everything she owned, including a small number of shares in my dad’s company, and bought a dilapidated cottage in the middle of Hampshire in England. She then cheerfully told the man she had begun a relationship with that they were getting married, and after that, marched into the school where she herself had gone and said they had to take her children (school fees pending in the nearish future) in the name of EQUALITY. My mother was always very sure of her plan. When things didn’t work out, she dwelt on the failure for about a heartbeat and in the next breath had a fully formulated new plan and her own 100 percent commitment to it as backup. She had longed for and waited for my father to leave his wife. Religion, respect, and wanting to have his cake and eat it too meant that he hadn’t, in all the time they had been together. He loved my mother with all his heart but felt safer keeping her as an eternal exit from the marriage and devotion he felt to his wife and the daughter they had together. After sixteen years, the exit exited.
We arrive at a falling-down cottage called Mildmay (very swiftly renamed Mildew); it is late August and I am six. Mum wears an HermĆØs scarf around her head, an impeccable cashmere sweater, and the dirtiest jeans, covered in mud, with Wellington boots to match. She is the sartorial embodiment of her own dichotomy: one half chic, model, designer, and wit; the other, hands deep in the earth, growing her own vegetables, and never giving a second thought to the planes over New York or the boats in the South of France that she could be sitting on.
ā€œSO, what do you think?ā€ She stands, smiling, holding a bagful of our things from home. She has just told us that we are moving here, to this place, that Dad will not be coming with us, and that it is going to be a great adventure.
ā€œIt’s shit,ā€ I mutter.
ā€œWhat did you say, Minnie?ā€
ā€œI said, ā€˜it’s SHIT.ā€™ā€
Then I run away. I run to the back of the cottage we have just arrived at and throw myself into the tangled jungle that is back there. We’ve been staying all summer with some friends in another part of the countryside, and I had been told that morning that we were going for a drive and that there was a surprise where we were going. ā€˜Surprises’ are very well branded as a good thing, when everyone knows in their soul that surprise is actually a form of aggression. To that, I respond in kind.
I fight my way through the high grass and discover a chicken-wired fruit cage full of wildly growing raspberries, blackberries, red currants, and black currants. Even the fruit is in prison, I think. At the end of the garden, I find an old fence and a paddock beyond with a fat horse in it. I click my teeth at him, and he comes trotting over and lets me pet his nose till he realizes I don’t have any food, then he tosses his head back and stands looking at me with slight betrayal.
ā€œOh, horse.ā€ I say. I then lay my chin down on the fence and cannot believe this is what’s happening. Is this how it goes? You think you live in one place and the next you don’t, it’s just gone, and you find yourself thrown into a story you are expected to inhabit. Where are the people whose story this place had been, now? Are they in my old house, looking up from my bed at the light with the unicorn on it? Are they staring in disbelief at our lovely new sofa? I look back at the cottage, dark streaks of damp mottle its back wall; it is a place I feel we’ve visited before and couldn’t wait to get away from.
I drag my feet, walking back to the front of the cottage. Little, patent town shoes squish through the mud, already scuffed from their country interaction. Longing for pavement, I arrive at the front door.
Our mother’s chief concern about us living in London has been the disconnection from nature. Often, when driving along a highway, she would pull the car onto the hard shoulder, turn on the hazard lights, and force march us up an embankment, and over the roar of traffic, shout the names of roadside flora.
ā€œCAMPION. CELANDINE. ELDERFLOWER.ā€
I do not know if what nature can give me will make up for what has seemingly been taken away, my dad foremost among those things.
A brown Ford Escort is parked outside the gate to the cottage and a man is walking up the path toward me. Mum comes flying out the door and hugs this man.
ā€œMin, say hello.ā€ I look at him, at the hugging, and surmise that he is why we have left London, our home, our new sofa, and Dad. The man smiles distantly at me, and I say to him,
ā€œYou are why there is all this . . . trouble.ā€ I reach for the word because there doesn’t seem to be one big enough to encompass what on earth is going on. He smiles more, thinking I am joking. I go on.
ā€œYou. Did. This.ā€
ā€œMinnie, that’s enough,ā€ Mum says sharply.
Perhaps we’d all have thrown in the towel right then on the doorstep if any of us had known that it was just the beginning. For the next two years, a simmering tension runs as background noise to the honeymoon period of my mother’s new marriage. My sister and I go as day students to the boarding school Mum has insisted accept us, but each evening, crammed around the tiniest kitchen table, our knees knocking against each other in horrible familiarity, I glare at this step-person. My mother’s plan has, against all odds set by the British legal system, worked out. She has not made allowance, however, for its component parts to not get along quite so viscerally. My stepfather and I are definitely at odds.
I take up a lot of space, my sister is much quieter than I am, but together we are an unavoidable reminder to my mother’s new husband, of her previous life, and we are definitely a bulwark between him and her sole attention. I don’t know what he had thought it would be like being married to a woman with two small children. This, combined with the fact that Mum has never really taken care of us by herself—without the help of a nanny—makes me think that their plan (however satisfying sticking it to the courts might have been) was not something they have actually thought through.
I am the helpful herald, pointing out the cracks, sometimes using anger to alert them to the particularly big problems in this new dynamic.
The cottage is so small, it is impossible to pick sides and create enough space to feel the power of your particular faction. We are all constantly on top of each other, having to navigate the necessity of turning our backs to the wall to face each other as we shuffle past in the hallway. Mum has become this co-opted stranger; I want to rescue her and remind her that we are love and he is an interloper. But she has chosen him to forge a new life with, and for all his vague annoyance at our presence, his shouting and inability to find common ground with us, Mum’s need for this marriage to work supersedes everything for a lot of reasons.
The place my stepfather and I clash the most is around mathematics. He sits in a room with me and tells me to learn my times tables. I look at the numbers for a while, I appreciate their patterns, but their representations are too vast for me to comprehend, too mysterious, and instead of wanting them to reveal their secrets, I prefer their mystery. I have no intention of turning my brain into scrambled eggs making sense of something whose impenetrability I actually find beautiful.
ā€œIf you don’t learn to do math—to multiply and add in your head—you will not be able to function in the world.ā€
ā€œI shall have a calculator.ā€
ā€œYou won’t always have a calculator.ā€
ā€œYes, I will.ā€
ā€œYou shouldn’t need a calculator; you have a perfectly good brain.ā€
ā€œWhy? Why shouldn’t I? Calculators do math, my brain does other things.ā€
ā€œMath teaches you logic.ā€
ā€œI don’t get math! It is logical for me to have a calculator.ā€
At this point, red in the face at my obstinance, he tells me to stay in the room until I have written out all the multiplication tables. As soon as he is gone, I run for the door, take the stairs two at a time, and lock myself in the cottage’s only bathroom. Soon, there is pounding on the door and some threats, then the loud assertion that he is going to get a drill and take the door off its hinges. There is a tiny window in the bathroom that opens upward like a hatch. I am small enough to crawl through and then able to stand on a small amount of flat roof outside. It’s too far to jump down, but our neighbor’s oak tree leans helpfully across the alleyway at the side of the cottage, and I can jump for its nearest branch quite easily, and with a fireman’s pole slide, be on the ground in seconds.
I have learned fast that running away is an adrenal choice, and your escape is determined by how calm you can remain while your little synapses are firing madly and your body floods with super small-girl strength. I also realize that nine out of ten plans fail when you don’t know where you’re going. I always head to the woods, and the only hazard between my getting there or not is the neighbor into whose garden I now jump.
I only know him as Gavin Gipson’s dad. Mrs. Gipson and her kids, Gavin and Lorna, have moved out. Gavin’s dad doesn’t make a lot of noise; his silence is strange and has a low hum of menace about it. What is even stranger is the fact that he never wears pants. I don’t just mean trousers; I mean pants in the British sense of ā€œunderwear.ā€ He wears T-shirts and wellies in the garden, clipping back his roses, backside to the sun and the windows of our galley kitchen. Once, when I had knocked on his front door, collect...

Table of contents

  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. Contents
  6. 1. Surprise
  7. 2. I’m Going to Miami
  8. 3. Butterfly Hair
  9. 4. Other People’s Drugs
  10. 5. Settling Dust and the Sound of Crickets
  11. 6. A Weekend Away
  12. 7. You’re It
  13. 8. Here, There, and Everywhere
  14. 9. Sea-Based Incursion
  15. 10. Daffodils
  16. Acknowledgments
  17. About the Author
  18. Copyright
  19. About the Publisher

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