The Dramaturgy of Commedia dell'Arte
eBook - ePub

The Dramaturgy of Commedia dell'Arte

  1. 180 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

The Dramaturgy of Commedia dell'Arte

About this book

This book examines Commedia dell'Arte as a performative genre, and one that should be analysed through the framework of dramaturgy and dramaturgical practice.

This volume examines the way Commedia has been explored in the twentieth and twenty-first centuries, and details its reinventors' dramaturgic approaches, both focusing in on specific examples such as Jacques Lecoq, Dario Fo and Antonio Fava, and also suggesting how modern discoveries may aid the study of historical performance practice. It also discusses how audiences read and receive masks; the relationship between the different masked and unmasked roles; the range of performance activities that come under the umbrella term 'improvisation'; the performative construction of a role performed 'live' from a scenario; the role of language and embodied locality in performance; and the performative relationship between performative commedia and literary tragicomedy.

Its focus is dramaturgy, and so it may be read both as a text describing various theatrical practices from 1946 onwards and as a way of creating one's own contemporary Commedia practice. It is an important read for any student or scholar of Commedia dell'Arte and theatre historians grappling with the status of this unique and influential performance form.

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Yes, you can access The Dramaturgy of Commedia dell'Arte by Olly Crick in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Italian History. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2021
Print ISBN
9780367608842
eBook ISBN
9781000533293

Table of contents

  1. Cover
  2. Half Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication Page
  6. Contents
  7. List of figures
  8. Author and contributor biographies
  9. Prologue
  10. 1 The founders of Neo-Commedia
  11. 2 The second and third generation of reinventors
  12. 3 Commedia archetypes
  13. 4 Fixed types and stock roles
  14. 5 Actors, parts and roles by Sergio Costola
  15. 6 Improvisation and Commedia
  16. 7 Grammelot and the performance of language (Alt. Grommelot/Grumelot)
  17. 8 Neo-Commedia and the ensemble
  18. 9 Masks in Neo-Commedia
  19. 10 Epilogue
  20. Index