VACANCY WITH CORPSE
Anthony Boucher
I
Felicity Cainās hair had started out to be red. It had stayed red until halfway through her high school days. This was why she had come to be known as āLizā. You canāt call a freckle-faced carrot-top Felicity. That suggests lace and dimity and demureness, and there was nothing demure about Liz, not even after her hair turned the brownish blond youāve seen in her publicity pictures.
The freckles had vanished when the red hair changed colour, but her eyes still had a greenish glint, and her spirit was still flamboyantly flame-crowned. Yet, here in the quiet, civilized atmosphere of the fashionable cocktail lounge, atop San Franciscoās most impressive skyscraper, with the clink of ice and glass to soothe the ear, she was more strikingly lovely than Ben Latimer ever remembered. It was a beauty that fascinated him, left him oddly breathless.
Out of the broad plate glass windows there was a noble view of the bay, bright with the afternoon sun. But he had no eyes for the viewānot when Felicity was around. She had her arm in a sling, the result of an aeroplane accidentāshe was Americaās most noted aviatrixābut the injury made no difference to Latimer. She still looked good to him.
He grinned as he set down his glass. āYouāre like the bay, Liz,ā he said. āWonderful.ā
She smiled back. āYou really mean Iām an institution, like the Barbary Coast, the cable carsāand the Cains! See any guide book.ā
Ben Latimer winced. āNo. Youāre wrong.ā He waved his arm. āSee that view. At first glance itās perfect beauty. But look again and you notice a carrier and a couple of destroyers. Thereās toughness under that beauty.ā
āLa, sir!ā Liz said. āAnd likewise fie. Is that any way to speak of the woman you love? Donāt you know Iām all sweet femininity? At least as long as this damned arm keeps me grounded.ā
Ben laughed. āItās funny, Liz. When I think about you, itās always with red hair. Even when I look at you I canāt get over being surprised.ā
āAnd when I think of you I still see you back on campus in a Lettermanās sweater. I just canāt get used to the idea that youāre now a policeman.ā
āDetective-Lieutenant, Liz, please,ā he corrected her. āCan you imagine the society pages of the papers writing up the marriage of a Cain to a mere policeman?ā
āI know.ā Her green eyes sparkled with glee. āAt our wedding, do we line up your squad, or whatever you call them, and march out of the church under an arch of crossed rubber hoses.ā
Ben shook his head. āNo rubber hoses in war time,ā he said solemnly. āIn fact, we havenāt had a single voluntary confession since the rubber shortage started.ā
Liz ļ¬shed in her glass, and said, āI like onions better than olives any time.ā
āWhatās the matter?ā
āWhy? What should be?ā
āWhenever you begin making irrelevant remarks like an Odets character, I know youāre shying away from something that bothers you. What is it?ā
Liz hesitated. āI donāt know how to converse with a policeman.ā
āThatās never bothered you before.ā
āIāve never done it before. I mean Iāve always just talked to Benāmy Ben!ā A smile softened her face, a smile such as you never saw in any of the press photos. āNow I want to consult with Detective-Lieutenant Latimer.ā
Ben Latimer frowned. āWhat on earth kind of official business can you have on your mind? Remember Iām on Homicide.ā
Liz vigorously nodded her brownish blond head. āUh-huh.ā
It wasnāt a gag. Her face was serious. She kept it averted as she carefully drew geometric patterns with the cocktailās tooth-pick.
āAll right,ā Ben said. āIāll try to look official even though Iām in plainclothes. Whatās the trouble? Anybody I know? No, that doesnāt sound official. What, madam, is your complaint?ā
āIt isnāt mine. Itās Grafferās.ā
āYour grandfather? You mean thereās something sinister about his illness?ā
āOf course not!ā Liz smiled. āGrafferās illness, God bless him, is just age and heart and things. You donāt think Dr Frayne could be fooled, do you? This is something else. Itāsāitās funny. Ben, if you hated a man and he was going toā to die, wouldnāt you just say to yourself, āGoody, goody,ā and thatād be that?ā
āNo,ā Ben said reflectively. āThatās not the way some minds work. You might say, āDamn it, he canāt die all by himself and do me out of the pleasure of killing him.ā Is that what you mean?ā
āUh-huh. Grafferās been getting notes. Crazy notes. The Black Angel cannot claim you who belong to us. Strange things like that.ā
Ben frowned. āIt happens to every judge, I guess, if heās been on the bench as long as your grandfather was. Half the time theyāre from neurotic cranks. Are they signed, these notes?ā
āWith a rubber stamp of a pointing hand. You know, what printers call a ļ¬st. I donāt know what it means.ā
āThe Fist.ā Ben nodded. āItās an imitation Black Hand racket which sprang up in the Italian colony here. And your grandfather did send Almoneri and de Santis to the gallows.ā
āBut itās so silly,ā Liz insisted. āThat was twenty years ago. And now, when maybe heās dying, why should they suddenly write him threatening notes? Perhaps I shouldnāt take them seriously. It must be some screwy kind of a gag. But Graffer wanted me to tell you about it.ā
Ben shook his head. āI donāt know if itās silly, at that. You remember Vitelli wasnāt hanged? He got paroled a few weeks ago. He managed to disappear somehow and he hasnāt been reporting either to parole or alien authorities. Does your grandfather want a police guard?ā
āUh-huh. Only quiet-like. You know Mother. You know what a policeman in the house would do to her. Especially at a time like this with my cousin, Sherry, coming and the servants changing all the time. Also, Graffer didnāt tell anybody but me. Not even Grafferās secretary, Roger Garvey, knows. So could you arrange it somehow?ā
āIāll ļ¬x things.ā Ben spoke in reassuring tones. āIf itās to be secret, I canāt do more than put a couple of men to watch the entrances to the house.ā He groped in his pocket. āHereāgive your grandfather this whistle. It may set his mind at ease.ā
āThanks, Ben. It seems so funny, talking to you ofļ¬cial-like. You never did mention your work around me. Not even when you were on that suitcase murder and all the papers were full of it. Then, again, maybe Iād better not know too much. Just keep you for my Ben and not think of you that way.ā
A bespectacled, studious-looking young man at the next table rose. started out of the room, but detoured to halt beside them.
āFelicity!ā The man was Roger Garvey, Grafferās secretary. He grinned. āHeaded home? Oh, hello, Latimer.ā
āHi, Garvey,ā Ben grunted.
Liz smiled at the difference between the two men. They were equally tall, equally well-built, but made from different moulds. Benās suit looked rather sloppy beside the sleek perfection of Roger Garveyās well-tailored grey. Then, again, the detectiveās broken noseāwhich had healed remarkably well from a wound inflicted by a three-time murdererāserved to emphasize the pleasing proļ¬le of her grandfatherās handsome secretary. Even Benās easy casualness seemed rather crude when contrasted with Rogerās graceful suavity.
āRogerās right, Ben,ā she said. āI should be headed home. Motherās got so much to do.ā
āIāll squire you on the cable car, Felicity,ā Roger Garvey suggested. āRidiculous nuisance, this having to leave oneās car at home. And Iāve no doubt the street-car will be full of filthy workmen in oil-stained overalls. Oh, well! The Japanese warāll be over soon. Until then, I suppose we have to put up with these things.ā
Benās face turned brick red. He opened his mouth to make an angry retort, but Liz gave him a warning glance so he only said, āTake good care of her, Garvey.ā
āThatās something I like to do, Latimer. Iāll never forgive you for getting the inside track. I suppose weāll be seeing you at the great family dinner tonight?ā
āSorry. Iām on duty.ā
The secretary looked wise. āOh, you remember that Sherryās to be there?ā
Ben didnāt answer for a minute. There was no sound but the clinking of glasses and the babble of voices.
āYes, I remember,ā Ben said at last. āTell her Iāll try and get around tomorrow.ā
āIām sure that even in her present state sheāll be anxious to see you, Latimer. Donāt you think so, Felicity?ā
Liz said, āCome on. You canāt tempt Ben when heās on duty. The only way we could inveigle him to the house tonight would be to stage a murder for him.ā
After they had left, Detective-Lieutenant Ben Latimer sat alone at the table for some minutes. He frowned, and his finger outlined a pointing fist on the damp surface Then his frown deepened and he murmured, āSherry!ā
He was unreasonably annoyed when the waiter brought him a glass of light brown wine.
II
Mrs Vicky Cainās hair was red, too, and people used to think that Liz had inherited hers from her mother. If so, it would have been a striking example of the transmission of acquired characteristics, and worthy of note in learned journals.
Usually Mrs Cainās face was as skilfully made up as her hennaed hair, and she never looked old enough to have a famous aviatrix for a daughter. But now, as she greeted Liz, her face was hot and dripping, and her charmingly decorative apron had failed to protect her best tea-gown from unidentifiable stains.
As for the house, it was old-fashioned but wonderfully kept up. There were deep-piled rugs, waxed hardwood floors, panelled walls and tapestries, Chippendale cabinets, urns and Oriental vases, and overstuffed furniture, all blending into the colour scheme with excellent taste. At one side of the great front hall was the massive staircase, with its heavy newel-post and bronze figures, leading up to the second floor.
āMother!ā Liz gasped. āWhat have you been doing?ā
Mrs Cain sighed. āIt isnāt what Iāve been doing, itās what other people have been doing. Itās all because Mary wanted to bend wires.ā
āTo bend wires?ā
Roger Garvey apparently foresaw trouble. He said, āGood evening, Mrs Cain,ā and vanished upstairs unobtrusively, to his secretarial duties.
āYes, she took a course at night school, and now sheās gone into your Uncle Brianās factory.ā Mrs Cain sighed deeply. āWhatās the good of my hiring good cooks if your Uncle Brian keeps stealing them away?ā
Liz smiled and nodded. āOh. The way you spoke it sounded as if sheād gone into an institution to cut out paper dolls. Well, aeroplanes are important to the progress of our country. Remember that.ā
āBut why did your Uncle Brian need Mary to build aeroplanes?ā Mrs Vicky Cain persisted. āSheās better off in the kitchen.ā
Liz patted her arm. āDonāt worry, Mother. The agency will find us another cook. They always do.ā
āBut that isnāt the worst of it,ā went on Mrs Cain, smoothing her stained apron. āToday your grandfather decided to move into the west bedroom because he says he wants to be facing the sea when he dies. Which isnāt very cheerful, youāll admit. As if we didnāt have trouble enough being without servants. How the nurse, Miss Kramer, and I ever got him moved there, Iām sure I donāt know!ā
āWhen did the cook leave?ā Liz asked.
āThis morning. I had to go out and do the marketing myself and the butcher was short of meat, and there are so many guests coming, I guess weāll have to eat out of cans. When there was enough food, they wouldnāt let us buy it because that was hoarding, and now there isnāt any left. And if there was, we couldnāt get it anyway. So I donāt know where we are. Do you? Itās completely beyond me.ā
Liz laughed. āI certainly canāt answer that one. Now Iām going upstairs, darling, and change into slacks, and be useful. Mother, havenāt you anything but gold lamĆ© to wear in the kitchen?ā
Mrs Cain gave a hasty glance downward and a look of surprise spread over her face.
āCertainly, Liz. But I forgot. You know, Iām used to wearing something nice in the afternoon.ā
Liz shook her head reproachfully and began to climb the broad staircase. This had been San Franciscoās showplace once, she reflectedāthe Cain Mansion. Now all its grand old neighbouring houses, on top of the hill, had been converted into three- or four-flat dwellings, housing families whom the Cains did not know. The one time āmansionā had become just a funny old building. Her motherās ideas were like that, tooāall very well for a life of privilege,...