The Poetry of Ennodius

Translated with an Introduction and Notes

Bret Mulligan

• Publisher: Routledge
• Year: 2022
• Print ISBN:
  9781138777576
• Edition: 1
• eBook ISBN:
  9781000538113
• Topic: History
• Subtopic: Ancient History
• Index: History

The Poetry of Ennodius offers the first translation into English verse of the entire eclectic corpus of sacred and secular poetry by Magnus Felix Ennodius (c. 473/4–521 CE), amply supplemented by detailed notes that elucidate the literary and cultural references essential for understanding this poet.

Ennodius' poetry offers the reader a remarkable window into how Roman literary culture continued to thrive in the aftermath of the traditional "fall" of Rome in 476 CE. A prolific writer of prose and poetry, Ennodius played an active role in the political and ecclesiastical disputes of Ostrogothic Italy, and he stands as an important exemplar of late antique literary culture. Readers of this volume will encounter esteemed bishops, delicate objects, pets, stately churches, fools, villains, and more in vivid panegyrics, travelogues, hymns, epistles, and epigrams found in the sweeping poetic archive assembled after Ennodius' death. From the grandiose "Declamation for the anniversary of the holy and most blessed Bishop Epiphanius in his 30th year as bishop of Pavia" to self-depricating descriptions of silverware that bears the poet's image, Ennodius' poetry sports with the expectations of his audience, composing verse that modulates from the beautiful to the conventional to the stunningly unusual, while always displaying an intimate knowledge of the literary traditions in which he writes and a deep engagement with previous authors, both from the distant classical past and the contemporary world of late antique prose and poetry. Through these poems, the reader can gain an appreciation of the intellectual and aesthetic world of an important bishop (and future saint) in the early sixth-century CE.

Featuring a lucid line-by-line verse translation from the Latin and extensive notes—both firsts in English—richly introduced by a scholarly introduction to Ennodius, his works, and era, and complemented by a comprehensive bibliography, The Poetry of Ennodius makes these works accessible for the first time to readers unfamiliar with Latin as well as those seeking a guide into the labyrinthine literary world of this challenging but rewarding poet. Students of the classics, late antique and medieval history, comparative literature, and early Christianity, as well as any independent reader interested in the enduring presence of classical Latin verse, will benefit from this book.

1 INTRODUCTION

DOI: 10.4324/9781003119982-1

1 Life and career of Ennodius

In 510 CE Magnus Felix Ennodius, then a prominent deacon in the Church of Milan, found himself adrift on a dangerously flooded Po River as he attempted to visit a grieving relative:

the Padus then by chance submerged imprisoned fields,

with baleful foam the swollen river’s crest grew white,

as farmsteads’ pinnacles raced through unmoving waves …

(#5.15–17)

Less than a decade before, Ennodius had moved to Milan from Pavia (ancient Ticinum), embarking on a phase of his career that would see him produce a vast, chaotic archive of letters, declamations, speeches, saints’ lives, hymns, and miscellaneous verse—one of the great documentary corpora of sixth-century Ostrogothic Italy. Within two years of his perilous trip across the Po, he would return to Pavia as its bishop, and the stream of his writings would dry up. But the literary production from the time of his earliest position in Pavia (c. 494–497/498) until his deaconship in Milan (497/498–c. 512) provides a vital witness to the events, personalities, and culture of his age.

Ennodius was born around 474 CE to a prominent consular family with roots in Gaul.¹ From Ennodius’ own writings the contours of his life are visible, although even the most basic details remain tantalizingly elusive. Key elements of his early life emerge from his writings, especially the so-called Eucharisticon de vita sua (“Thanksgiving for his Life,” 438V), which, in a manner reminiscent of Augustine’s Confessions, recounts how St. Victor of Milan miraculously cured Ennodius of serious moral and physical illness. Arles is often given as the city of his birth, but evidence for this is thin. From Ennodius’ letters an expansive—but hazy—image of his extended family emerges; yet he is frustratingly laconic about his immediate family, and it is often difficult to pin down the exact relationships at play (Figure 1). His father was probably named Firminus, likely the nephew of the Magnus who was consul in 460. About his mother we know nothing, although she may have been the granddaughter of the Felix Ennodius who had been pro-consul of Africa c. 420 CE.² We read of two (or three) older sisters, an aunt who would raise him, a niece, and two nephews, whose careers Ennodius fostered. Numerous cousins and other relations of foggy connection make appearances in his letters.³ His family boasted connections with the famed Gallic author and bishop Sidonius Apollinaris, as well as the Emperor Avitus (455–456). His extended family continued to be tapped into the highest reaches of political power at the turn of the century. Of particular importance to Ennodius’ career would be Anicius Probus Faustus, both of whose sons—Rufius Magnus Faustus Avienus and Ennodius Messala—would attain the consulship in the first decade of the sixth century.⁴

Figure 1 A genealogy for Ennodius.

When Ennodius was orphaned at a young age, he was sent to live in Liguria with his paternal aunt. His intellectual promise and fiscal resources secured him a quality education.⁵ This formative period cemented Ennodius’ perspective on the world, which was very much that of the Italo-Roman aristocracy, his Gallo-Roman birth notwithstanding.⁶ The year 489 CE, however, brought yet more upheaval. Italy was invaded by Theodoric, king of the Ostrogoths, who would be the dominant political figure during the rest of Ennodius’ life. Over the next four years, northern Italy suffered immensely during the confrontation between Theodoric and Odovacer, who had ruled Italy since he deposed the last emperor in 476. Closer to home, within a year of Theodoric’s invasion, Ennodius’ aunt died. The 16-year-old Ennodius was taken in by a wealthy Pavian family and betrothed to their daughter.⁷ But when the material situation of the family deteriorated in the chaos and deprivations caused by the conflict, Ennodius’ engagement languished. Eventually, through the intervention of Faustus, who would become a close friend and ally, Ennodius came to the attention of Epiphanius, the bishop of Pavia. At his encouragement both Ennodius and his fiancée (or perhaps by then his wife) entered into religious life.⁸

Ennodius served the Church in Pavia until around the time of Epiphanius’ death in 497. We know that in 494 he accompanied Epiphanius on a successful diplomatic mission that secured the release of thousands of northern Italians who were being held hostage by the Burgundian king, Gundobad.⁹ And around 496, Ennodius made his public literary debut with a high-stakes performance of a poem celebrating the thirtieth anniversary of Epiphanius’ investiture as bishop of Pavia (43V = #2).¹⁰ Either just before or soon after Epiphanius’ death in 497, Ennodius was transferred to Milan, where he entered the service of the metropolitan Bishop Laurentius (490–511/512) and was soon elevated to the deaconate.

It was during his deaconate that nearly all of Ennodius’ surviving writings were composed. He may have played some role in educating sons of the local nobility, but his primary activities remained focused on the Church, and he played a key role in the tenacious dispute that had split the papacy in late 498 between rival popes: Symmachus and Laurentius (not the same man as the bishop of Milan).¹¹ After the Palmary Synod confirmed the legitimacy of Symmachus in late 502, Ennodius was entrusted with composing an important document promulgating the decision, the “Booklet on the Synod” (Libellus Pro Synodo, 49V).¹² He also continued his diplomatic work, travelling to familiar haunts like Pavia, as well as the court of Theodoric. In 506, he was again tasked with a diplomatic mission, this time back to Gaul at the request of Bishop Laurentius. Although his destination and purpose are unknown, it seems that he met with success, for soon after he was tasked with composing a prose panegyric for Theodoric (263V). Despite this, and another mission across the Alps in 508, Ennodius soon suffered a cruel blow to his ambition when he was passed over for promotion to the prestigious episcopate of Milan, which instead passed to Eustorgius II (511/512–518).¹³

Around this time, Ennodius’ health began to fail. We know he had travelled again to Gaul c. 510 (305V) and visited his sister the following spring (#5), but later that year ill health prevented him undertaking another diplomatic mission. When Ennodius recovered, he composed his Eucharisticon de vita sua (438V), from which so much of our knowledge about his life derives. Thereafter, a more serious and dogmatic Ennodius emerges, as he renounces the writing of secular works and encourages others to do the same—for a time, as he soon resumes writing such works.¹⁴

In late 513 Ennodius received his promotion, although not perhaps the one he sought. He returned to Pavia to become its tenth bishop. It is at this point that our archive fails; indeed, it is even silent on Ennodius’ elevation to the episcopate. While one can only assume that he continued to compose prayers, speeches, and letters as part of his professional and personal activities, they are all lost, and for his work as bishop and his diplomatic activities on behalf of Rome, we can only turn to later sources.¹⁵ The following year Pope Hormisdas tapped Ennodius to lead the first of two clerical embassies to Constantinople.¹⁶ In advance of the mission of 515, he composed a concise work in support of orthodoxy (In Christi Signo, 458V). Nevertheless, this and a second de...

Table of contents

• Cover Page
• Half Title Page
• Series Page
• Title Page
• Copyright Page
• Dedication Page
• Contents Page
• List of figures Page
• Preface Page
• Acknowledgements Page
• List of abbreviations Page
• 1 Introduction
• 2 The poems
• Appendices
• Index