CONTENTSForewordUlrich Weisstein - The Venial Sins of the Intermedialist or How to Avoid the Mutual Obfuscation of the Arts;David Margolies - Shakespeare and the Literary Picture;Tom Matheson - Droeshout's Shakespeare: From Image to Icon;Giuseppina Restivo - Interpreting a Midsummer Night's Dream: Shakespeare and Fuseli;Paola Spinozzi - Figuring the Other-worldly: Late Victorian Visions of Shakespeare's Fairy Lore;Daniela Carpi - Prospero's Books and The Tempest: Science, Magic and Painting; Anna Anzi - From Film to Canvas: Polanski's Macbeth Recycked in Italy;Manfred Draudt - Love's Labour's Lost and Mozart's Così fan tutte;Mariangela Tempera - Every Inch a Father: Verdi's Re Lear Project;Tom Hoenselaars - Frank Harris, Bardolatry and Wagnerism;Manfred Pfister - "If music be the food of comedy...": Screen Music in Recent Film Versions of Shakespearean Comedy (Trevor Nunn's Twelfth Night, Michael Hoffman's Midsummer Night's Dream)Note on contributorsIndex

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