Romanticism and Visuality
eBook - PDF

Romanticism and Visuality

Fragments, History, Spectacle

  1. 246 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Romanticism and Visuality

Fragments, History, Spectacle

About this book

This book investigates the productive crosscurrents between visual culture and literary texts in the Romantic period, focusing on the construction and manipulation of the visual, the impact of new visual media on the literary and historical imagination, and on fragments and ruins as occupying the shifting border between the visible and the invisible. It examines a broad selection of instances that reflect debates over how seeing should itself be viewed: instances, from Daguerre's Diorama, to the staging of Coleridge's play Remorse, to the figure of the Medusa in Shelley's poetry and at the Phantasmagoria, in which the very act of seeing is represented or dramatized. In reconsidering literary engagements with the expanding visual field, this study argues that the popular culture of Regency Britain reflected not just emergent and highly capitalized forms of mass entertainment, but also a lively interest in the aesthetic and conceptual dimensions of looking. What is commonly thought to be the Romantic resistance to the visible gives way to a generative fascination with the visual and its imaginative--even spectacular--possibilities.

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Yes, you can access Romanticism and Visuality by Sophie Thomas in PDF and/or ePUB format, as well as other popular books in Literature & Gothic, Romance, & Horror Literary Criticism. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Book Cover
  2. Title
  3. Copyright
  4. Dedication
  5. Contents
  6. Preface and Acknowledgments
  7. List of Illustrations
  8. 1 Introduction: Regarding Visuality—From the Picturesque to the Panorama
  9. 2 ‘Shadows of a Magnitude’: Keats, Fragments, and Vision
  10. 3 The Fragment in Ruins
  11. 4 Seeing Past Rome: Ruins, History, Museums
  12. 5 Romantic Idealism and the Interference of Sight
  13. 6 Making Visible: The Diorama, the Double, and the Gothic Subject
  14. 7 Seeing Things (“As They Are”): Coleridge, Schiller, and the Play of Semblance
  15. 8 Vision and Revulsion: Shelley, Medusa, and the Phantasmagoria
  16. Notes
  17. Bibliography
  18. Index