
Drawing on Students’ Worlds in the ELA Classroom
Toward Critical Engagement and Deep Learning
- 302 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Drawing on Students’ Worlds in the ELA Classroom
Toward Critical Engagement and Deep Learning
About this book
This book approaches English instruction through the lens of "fi gured worlds," which recognizes and spotlights how students are actively engaged in constructing their own school, peer group, extracurricular, and community worlds. Teachers' ability not only to engage with students' experiences and interests in and outside of school but also to build connections between students' worlds and their teaching is essential for promoting student agency, engagement, and meaningful learning. Beach and Caraballo provide an accessible framework for working with students to use critical discourse, narratives, media, genres, and more to support their identity development through addressing topics that are meaningful for them— their families, social issues, virtual worlds, and more.
Through extensive activities and examples of students writing about their participation in these worlds, this text allows educators to recognize how students' experiences in the classroom aff ect and shape their identities and to connect such an understanding to successful classroom practice. With chapters featuring eff ective instructional activities, this book is necessary reading for ELA methods courses and for all English teachers.
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Information
Part IOverall Framing of Co-Authoring Practices in Figured Worlds
1IntroductionStudents Co-Authoring Figured Worlds
before I met these people, I was in a really tough place in my life. I hit rock bottom. So when they first invited me to a bonfire, I was a little anxious about going, but I decided that it would be a good idea. I thought that I should probably get my life together and meet more people and try to fix myself up. I went, and they started to ask me to hang out with them more often, and I enjoyed being with these people. I told them what I was going through; they all mostly seemed to care at least a little bit.They helped me get better, and they tried their best to understand. There were days where they knew I was sad or upset, and I wouldn’t talk to them, but they would show up to my house and say, “Laura, tell us what’s wrong, and we’ll make it better.” They made a huge impact on my life for the better. I would say I would call the people the love of my life just because I love them all a lot for being there for me and letting me talk to them about anything whenever I needed them.Members of the group helped me order food at fast-food places and talk in front of strangers. Now, I can be more myself in class and out in public. They taught me to be myself and that nobody actually judges as much as I thought … They are my little family of friends, and they are a lot greater than they come off as … I’m glad they were so accepting of me and all my problems because, without their help, I’m not sure where I would be in my life right now, but I don’t think it would be a good place. I really appreciate these people, and I think they should get more credit than they are given.
Variation in Students’ Engagement in School Worlds
On the other hand, Andrea Hunley noted that as a school administrator, I have never felt such a high level of energy around transforming education … We’re not going back to the way that things used to be. They have gained so much independence about what it means to be a learner. Some of the projects that kids have created while they were at home on remote learning have been incredible. We want to bring in more of that.p. 61
all students come to school with an abundance of cultural wealth. They are experts in their community and culture. These things are important to students and they should be able to remain important to students when they enter into our school buildings.p. 21
They’ve seen how learning to write a simple persuasive essay isn’t just an assignment we do every Friday, but how a persuasive essay can change a law or bring funding to our school or convince our principal to allow a teacher to loop up to the next grade.p. 20
Adolescents Co-Authoring Figured Worlds
- “Historical phenomena, to which we are recruited or into which we enter, which themselves develop through the works of their participants.”
- “Processes or traditions of apprehension which gather us up and give form as our lives intersect them.”
- “Social encounters in which participants’ positions matter.”
- “Activities in the usual, institutional sense. They divide and relate participants (almost as roles), and they depend upon the interaction and the intersubjectivity for perpetuation.”
- “Relating actors to landscapes of action (as personae) and spreading our senses of self across many different fields of activity, but also by giving the landscape human voice and tone.” (Holland et al., 1998, p. 41)
Table of contents
- Cover
- Half-Title Page
- Title Page
- Copyright Page
- Contents
- Author and Contributor Biographies
- Acknowledgments
- Part I Overall Framing of Co-Authoring Practices in Figured Worlds
- Part II Students Co-Authoring Different Figured Worlds
- Part III Implications for Teaching
- Index