Further Chronicles of Avonlea

Which Have to do with Many Personalities and Events in and About Avonlea, The Home of the Heroine of Green Gables, Including Tales of Aunt Cynthia

L. M. Montgomery, Lucy Maud Montgomery

• Publisher: Read & Co. Children's
• Year: 2015
• Print ISBN: 9781447402930, 9781528706438
• eBook ISBN: 9781473372627

Further Chronicles of Avonlea is a delightful collection of short stories by Lucy Maud Montgomery, set in the picturesque town of Avonlea, where the beloved character Anne of Green Gables grew up.

This enchanting anthology, originally published in 1920, comprises fifteen tales that revisit the charmingly quaint town of Avonlea and explore themes of love and loss. Each story in this collection offers a unique glimpse into the lives of Avonlea's residents, filled with heartwarming moments and unexpected twists. From the humorous escapades of 'Aunt Cynthia's Persian Cat' and 'The Materializing of Cecil' to the poignant narratives of 'Her Father's Daughter' and 'Jane's Baby', these stories showcase Montgomery's masterful storytelling.

Further Chronicles of Avonlea is a must-read for fans and collectors of Montgomery's work, and it makes a worthy addition to any bookshelf. Dive into these enchanting stories and experience the timeless charm of Avonlea once more.

XII.
IN HER SELFLESS MOOD

The raw wind of an early May evening was puffing in and out the curtains of the room where Naomi Holland lay dying. The air was moist and chill, but the sick woman would not have the window closed.

“I can’t get my breath if you shut everything up so tight,” she said. “Whatever comes, I ain’t going to be smothered to death, Car’line Holland.”

Outside of the window grew a cherry tree, powdered with moist buds with the promise of blossoms she would not live to see. Between its boughs she saw a crystal cup of sky over hills that were growing dim and purple. The outside air was full of sweet, wholesome springtime sounds that drifted in fitfully. There were voices and whistles in the barnyard, and now and then faint laughter. A bird alighted for a moment on a cherry bough, and twittered restlessly. Naomi knew that white mists were hovering in the silent hollows, that the maple at the gate wore a misty blossom red, and that violet stars were shining bluely on the brooklands.

The room was a small, plain one. The floor was bare, save for a couple of braided rugs, the plaster discolored, the walls dingy and glaring. There had never been much beauty in Naomi Holland’s environment, and, now that she was dying, there was even less.

At the open window a boy of about ten years was leaning out over the sill and whistling. He was tall for his age, and beautiful—the hair a rich auburn with a glistening curl in it, skin very white and warm-tinted, eyes small and of a greenish blue, with dilated pupils and long lashes. He had a weak chin, and a full, sullen mouth.

The bed was in the corner farthest from the window; on it the sick woman, in spite of the pain that was her portion continually, was lying as quiet and motionless as she had done ever since she had lain down upon it for the last time. Naomi Holland never complained; when the agony was at its worst, she shut her teeth more firmly over her bloodless lip, and her great black eyes glared at the blank wall before in a way that gave her attendants what they called “the creeps,” but no word or moan escaped her.

Between the paroxysms she kept up her keen interest in the life that went on about her. Nothing escaped her sharp, alert eyes and ears. This evening she lay spent on the crumpled pillows; she had had a bad spell in the afternoon and it had left her very weak. In the dim light her extremely long face looked corpse-like already. Her black hair lay in a heavy braid over the pillow and down the counterpane. It was all that was left of her beauty, and she took a fierce joy in it. Those long, glistening, sinuous tresses must be combed and braided every day, no matter what came.

A girl of fourteen was curled up on a chair at the head of the bed, with her head resting on the pillow. The boy at the window was her half-brother; but, between Christopher Holland and Eunice Carr, not the slightest resemblance existed.

Presently the sibilant silence was broken by a low, half-strangled sob. The sick woman, who had been watching a white evening star through the cherry boughs, turned impatiently at the sound.

“I wish you’d get over that, Eunice,” she said sharply. “I don’t want any one crying over me until I’m dead; and then you’ll have plenty else to do, most likely. If it wasn’t for Christopher I wouldn’t be anyways unwilling to die. When one has had such a life as I’ve had, there isn’t much in death to be afraid of. Only, a body would like to go right off, and not die by inches, like this. ‘Tain’t fair!”

She snapped out the last sentence as if addressing some unseen, tyrannical presence; her voice, at least, had not weakened, but was as clear and incisive as ever. The boy at the window stopped whistling, and the girl silently wiped her eyes on her faded gingham apron.

Naomi drew her own hair over her lips, and kissed it.

“You’ll never have hair like that, Eunice,” she said. “It does seem most too pretty to bury, doesn’t it? Mind you see that it is fixed nice when I’m laid out. Comb it right up on my head and braid it there.”

A sound, such as might be wrung from a suffering animal, came from the girl, but at the same moment the door opened and a woman entered.

“Chris,” she said sharply, “you get right off for the cows, you lazy little scamp! You knew right well you had to go for them, and here you’ve been idling, and me looking high and low for you. Make haste now; it’s ridiculous late.”

The boy pulled in his head and scowled at his aunt, but he dared not disobey, and went out slowly with a sulky mutter.

His aunt subdued a movement, that might have developed into a sound box on his ears, with a rather frightened glance at the bed. Naomi Holland was spent and dying, but her temper was still a thing to hold in dread, and her sister-in-law did not choose to rouse it by slapping Christopher. To her and her co-nurse the spasms of rage, which the sick woman sometimes had, seemed to partake of the nature of devil possession. The last one, only three days before, had been provoked by Christopher’s complaint of some real or fancied ill-treatment from his aunt, and the latter had no mind to bring on another. She went over to the bed, and straightened the clothes.

“Sarah and I are going out to milk, Naomi, Eunice will stay with you. She can run for us if you feel another spell coming on.”

Naomi Holland looked up at her sister-in-law with something like malicious enjoyment.

“I ain’t going to have any more spells, Car’line Anne. I’m going to die to-night. But you needn’t hurry milking for that, at all. I’ll take my time.”

She liked to see the alarm that came over the other woman’s face.It was richly worth while to scare Caroline Holland like that.

“Are you feeling worse, Naomi?” asked the latter shakily. “If you are I’ll send for Charles to go for the doctor.”

“No, you won’t. What good can the doctor do me? I don’t want either his or Charles’ permission to die. You can go and milk at your ease. I won’t die till you’re done—I won’t deprive you of the pleasure of seeing me.”

Mrs. Holland shut her lips and went out of the room with a martyr-like expression. In some ways Naomi Holland was not an exacting patient, but she took her satisfaction out in the biting, malicious speeches she never failed to make. Even on her death-bed her hostility to her sister-in-law had to find vent.

Outside, at the steps, Sarah Spencer was waiting, with the milk pails over her arm. Sarah Spencer had no fixed abiding place, but was always to be found where there was illness. Her experience, and an utter lack of nerves, made her a good nurse. She was a tall, homely woman with iron gray hair and a lined face. Beside her, the trim little Caroline Anne, with her light step and round, apple-red face, looked almost girlish.

The two women walked to the barnyard, discussing Naomi in undertones as they went. The house they had left behind grew very still.

In Naomi Holland’s room the shadows were gathering. Eunice timidly bent over her mother.

“Ma, do you want the light lit?”

“No, I’m watching that star just below the big cherry bough. I’ll see it set behind the hill. I’ve seen it there, off and on, for twelve years, and now I’m taking a good-by look at it. I want you to keep still, too. I’ve got a few things to think over, and I don’t want to be disturbed.”

The girl lifted herself about noiselessly and locked her hands over the bed-post. Then she laid her face down on them, biting at them silently until the marks of her teeth showed white against their red roughness.

Naomi Holland did not notice her. She was looking steadfastly at the great, pearl-like sparkle in the faint-hued sky. When it finally disappeared from her vision she struck her long, thin hands together twice, and a terrible expression came over her face for a moment. But, when she spoke, her voice was quite calm.

“You can light the candle now, Eunice. Put it up on the shelf here, where it won’...

Table of contents

• FURTHER CHRONICLES OF AVONLEA
• Lucy Maud Montgomery
• INTRODUCTION
• I.AUNT CYNTHIA’S PERSIAN CAT
• II.THE MATERIALIZING OF CECIL
• III. HER FATHER’S DAUGHTER
• IV. JANE’S BABY
• V. THE DREAM-CHILD
• VI. THE BROTHER WHO FAILED
• VII. THE RETURN OF HESTER
• VIII. THE LITTLE BROWN BOOK OF MISS EMILY
• IX. SARA’S WAY
• X. THE SON OF HIS MOTHER
• XI. THE EDUCATION OF BETTY
• XII. IN HER SELFLESS MOOD
• XIII. THE CONSCIENCE CASE OF DAVID BELL
• XIV. ONLY A COMMON FELLOW
• XV. TANNIS OF THE FLATS