
- English
- PDF
- Available on iOS & Android
About this book
Prison Cultures offers the first systematic examination of women in prison and performances in and of the institution. Using a feminist approach to reach beyond tropes of 'bad girls' and simplistic inside vs. outside dynamics, it examines how cultural products can perpetuate or disrupt hegemonic understandings of the world of prisons. The book identifies how and why prison functions as a fixed field and postulates new ways of viewing performances in and of prison that trouble the institution, with a primary focus on the United Kingdom and examples from popular culture. A new contribution to the fields of feminist cultural criticism and prison studies, Aylwyn Walsh explores how the development of a theory of resistance and desire is central to the understanding of women's incarceration. It problematizes the prevalence of purely literary analysis or case studies that proffer particular models of arts practice as transformative of offending behaviour.
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Information
Table of contents
- Cover
- Half Title
- Title
- Copyright
- Contents
- Acknowledgements
- List of Figures
- Introduction
- Chapter One: Prison Cultures: Habitus and âTragic Containmentâ
- Chapter Two: Genealogies of Prison as Performance: Towards a Theory of Simulating the Cage
- Chapter Three: Trauma, Strategies and Tactics: Problems of Performance in Prison
- Chapter Four: Race, Space and Violence
- Chapter Five: Prison Lesbians: Screening Intimacy and Desire
- Chapter Six: Performance through Prison: Institutional Ghosts and Traces of the Traumatic
- Conclusion: Paradoxes of Prison Cultures
- Bibliography
- Filmography
- Live Performances
- Index
- Back Cover