
eBook - ePub
Wild Minds
The Artists and Rivalries that Inspired the Golden Age of Animation
- 421 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
"A thoroughly captivating behind-the-scenes history of classic American animationĀ .Ā .Ā . A must-read for all fans of the medium." āMatt Groening
In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip "Little Nemo in Slumberland," itself inspired by Freud's recent research on dreams. McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.' Chuck Jones. Their origin stories, rivalries, and sheer genius, as Reid Mitenbuler skillfully relates, were as colorful and subversive as their creationsāfrom Felix the Cat to Bugs Bunny to feature films such as Fantasiaāwhich became an integral part and reflection of American culture over the next five decades.
Pre-television, animated cartoons were aimed squarely at adults; comic preludes to movies, they were often "little hand grenades of social and political satire." Early Betty Boop cartoons included nudity; Popeye stories contained sly references to the injustices of unchecked capitalism. During WWII, animation also played a significant role in propaganda. The Golden Age of animation ended with the advent of television, when cartoons were sanitized to appeal to children and help advertisers sell sugary breakfast cereals.
Wild Minds is an ode to our colorful past and to the creative energy that later inspired The Simpsons, South Park, and BoJack Horseman.
"A quintessentially American story of daring ambition, personal reinvention and the eternal tug-of-war of between art and businessĀ .Ā .Ā . a gem for anyone wanting to understand animation's origin story." āNPR
In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip "Little Nemo in Slumberland," itself inspired by Freud's recent research on dreams. McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.' Chuck Jones. Their origin stories, rivalries, and sheer genius, as Reid Mitenbuler skillfully relates, were as colorful and subversive as their creationsāfrom Felix the Cat to Bugs Bunny to feature films such as Fantasiaāwhich became an integral part and reflection of American culture over the next five decades.
Pre-television, animated cartoons were aimed squarely at adults; comic preludes to movies, they were often "little hand grenades of social and political satire." Early Betty Boop cartoons included nudity; Popeye stories contained sly references to the injustices of unchecked capitalism. During WWII, animation also played a significant role in propaganda. The Golden Age of animation ended with the advent of television, when cartoons were sanitized to appeal to children and help advertisers sell sugary breakfast cereals.
Wild Minds is an ode to our colorful past and to the creative energy that later inspired The Simpsons, South Park, and BoJack Horseman.
"A quintessentially American story of daring ambition, personal reinvention and the eternal tug-of-war of between art and businessĀ .Ā .Ā . a gem for anyone wanting to understand animation's origin story." āNPR
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Yes, you can access Wild Minds by Reid Mitenbuler in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Art Techniques. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Wild Minds
- Also by Reid Mitenbuler
- Title Page
- Copyright
- Dedication
- Epigraph
- Contents
- Authorās Note
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Photo Insert
- A Note on Sources and Acknowledgments
- Selected Bibliography
- Image Credits
- Notes
- Index
- Back Cover