Nwankw: Yabbing and Wording
eBook - PDF

Nwankw: Yabbing and Wording

The artistry of Nigerian stand-up comedy

  1. 214 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Nwankw: Yabbing and Wording

The artistry of Nigerian stand-up comedy

About this book

Yabbing and Wording: The artistry of Nigerian stand-up comedy is a long-overdue academic interrogation of the novel stand-up practice in Nigeria as performance. 'Yabbing' comes from the Nigerian Pidgin English verb, 'yab', which means a satirical jibe thrown at individuals, groups or institutions. Nigeria's Fela Anikulapo-Kuti used this effectively in his recorded and live music performances against successive military regimes. 'Wording' derives from the English term 'word' and refers to a game in which parties exchange insults. It is a modern-day coinage for traditional forms of joking that existed across Nigeria and elsewhere in precolonial times. In this book, Nwankw? identifies 'yabbing' and 'wording' as outstanding indigenous elements within contemporary stand-up practice in Nigeria. On the one hand, these local joking patterns inform how comedians fashion their narratives. On the other, they mitigate offence and how the audience responds to ridicule in joke performance venues. The book's strength is its academic perspective and the inclusion of as many examples of stand-up and comedians as possible, to give a panoramic view of the practice. It also traces the historical path of the development of professional stand-up comedy in Nigeria. Its closing chapters detail the global outreach of Nigerian stand-up while also anticipating its future developments.

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Yes, you can access Nwankw: Yabbing and Wording by Izuu Nwankw?, Izuu Nwankwọ in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Television. We have over one million books available in our catalogue for you to explore.

Information

Year
2021
Print ISBN
9781920033859
eBook ISBN
9781920033866

Table of contents

  1. Cover
  2. Dedication
  3. Title page
  4. Copyright page
  5. Contents
  6. Acknowledgements
  7. Foreword
  8. List of figures
  9. Preamble
  10. 1. Origins and influences
  11. 2. People and personae
  12. 3. Techniques and devices
  13. 4. Offence, taboos and themes
  14. 5. Language and accent
  15. 6. Audiences, venues and events
  16. 7. Diaspora performances
  17. 8. Eyes on the future
  18. Bibliography
  19. Index
  20. Back cover