Form in Music
eBook - ePub

Form in Music

  1. 296 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Form in Music

About this book

Contents Include: Accent, Time and Rhythm Phrases and Sentences The Half-Phrase, or Section Rythmic Extension and Contraction The Construction of Complete Movements-The Simple Binary, or Two-Part Form The Simple Ternary, or Three-Part Form The Binary and Ternary Forms(Continued) The Evolution of the Ternary Idea: The Minuet and Trio-The Episodical Form The Evolution of the Trenary Idea(Continued)The Older, Or Simple, Rondo The Evolution of the Trenary Idea(Continued) Sonata-Form-The Exposition-First Subject and Transition Sonita-The Development, or Free Fantasia Form(Continued): Sonita-Form(Continued) The Recapitulation and Coda-The Introduction Departures from the Normal Type of Sonata-Form:(i)modified Sonata-Form (ii) The Modern or Sonata-Rondo The Variation Form The Sonata as a Whole Fugue Canon (i) The Symphony:(ii) The Overture :(iii) Concerted Chamber-Music The Cocerto (i) Dance Forms The Evolution of Sonata-Form Modern Tendencies Programme-Music, The Symphonic Poem, etc Glossary General Index Keywords: Sonata Form Evolution Ternary Minuet And Trio Rondo Recapitulation Chamber Music Dance Forms I Dance Coda Fugue Contraction Departures Fantasia Tendencies Exposition Sentences Accent Rhythm Phrases

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Yes, you can access Form in Music by Stewart Macpherson in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music Theory & Appreciation. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Title
  3. Copyright
  4. Table of Contents
  5. Preface
  6. Index to Musical Examples
  7. I. Introductory
  8. II. Accent, Time and Rhythm
  9. III. Accent, Time and Rhythm (continued)
  10. IV. Accent, Time and Rhythm (continued)
  11. V. Phrases and Sentences
  12. VI. The Half-Phrase, or Section
  13. VII. Rhythmic Extension and Contraction
  14. VIII. The Construction of Complete Movements
  15. IX. The Simple Ternary, or Three-part, Form
  16. X. The Binary and Ternary Forms (continued)
  17. XI. The Evolution of the Ternary Idea: The Minuet and Trio—The Episodical Form
  18. XII. The Evolution of the Ternary Idea (continued): The Older, or Simple, Rondo
  19. XIII. The Evolution of the Ternary Idea (continued): Sonata-Form
  20. XIV. Sonata-Form (continued): The Exposition—The Second Subject
  21. XV. Sonata-Form (continued): The Development, or Free Fantasia
  22. XVI. Sonata-Form (continued): The Recapitulation and Coda—The Introduction
  23. XVII. Departures from the Normal Type of Sonata-Form: (i) Modified Sonata-Form; (ii) The Modern or Sonata-Rondo
  24. XVIII. The Variation Form
  25. XIX. The Sonata as a whole
  26. XX. Fugue
  27. XXI. Canon
  28. XXII. (i) The Symphony; (ii) The Overture; (iii) Concerted Chamber-Music
  29. XXIII. The Concerto
  30. XXIV. (i) Dance Forms: The Suite, Partita, etc.; (ii) Indefinite Forms
  31. XXV. The Historical Evolution of Sonata-Form
  32. XXVI. Modern Tendencies — Programme-Music, The Symphonic Poem, etc. Glossary
  33. Glossary
  34. General Index
  35. Appendix