Este libro se acerca a la cuestiĂłn del mĂ©todo en arquitectura focalizando su anĂĄlisis principalmente en 5 obras concretas del panorama contemporĂĄneo, tratando de desvelar las motivaciones Ășltimas que las constituyen. KAZUYO SEJIMA (+ Nishizawa + SANAA), Casa en un Huerto de Ciruelos en Tokio. FRANK O. GEHRY, Walt Disney Concert Hall en Los Ăngeles. ĂLVARO SIZA, Museo Mimesis en Paju Book City. REM KOOLHAAS, La Embajada de Holanda en BerlĂn. PETER ZUMTHOR, Museo Kolumba en Colonia. El objeto y la obra arquitectĂłnica se consideran asĂ los elementos susceptibles de ofrecer el conocimiento material que permite desentrañar el modo y la metodologĂa por el que Ă©stos han sido concebidos. Con esta particular aproximaciĂłn se desafĂan los tradicionales estudios que han comprendido al mĂ©todo como una sistemĂĄtica universal o reglada, ya que en este caso el propĂłsito consiste mĂĄs bien en esclarecer los fundamentos y principios que subyacen a cada objeto arquitectĂłnico mĂĄs especĂfico. Por su parte, el EpĂlogo muestra una complementariedad al carĂĄcter especĂfico de los capĂtulos previos, ya que se atreve a avanzar con cierta voluntad conclusiva hacia la definiciĂłn de los principios mĂĄs sustanciales del mĂ©todo en arquitectura hoy. Este trabajo se diferencia de las investigaciones cientĂfico-histĂłricas. Teniendo a Ă©stas como soporte, este estudio abre el camino a futuras investigaciones focalizadas especĂficamente en el mĂ©todo de proyectos en arquitectura
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Arquitecto, obra y metodo
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