Darkness for Light

Emma Viskic

• Publisher: Pushkin Vertigo
• Year: 2020
• eBook ISBN:
  9781782275442
• Print ISBN:
  9781782275435
• Subtopic: Crime & Mystery Literature

Caleb Zelic can't hear you. But he can see everything.The latest pulsating thriller in the Caleb Zelic series A DEAD COP ALWAYS SPELLS TROUBLE When deaf PI Caleb Zelic finds one of his clients murdered, it's a bad day; when he discovers the man was federal police it's the beginning of a nightmare. Against his better judgement he is drawn into the investigation. SOMEBODY IS CLEANING HOUSE Soon Caleb finds himself mixed up with his crooked ex-partner Frankie, and more bodies turn up as someone tries to cover their tracks. Then a nine-year-old girl goes missing. THE KID'S NEXT Franke and Caleb are determined to find her, but will she be alive when they do? Together they will follow a trail that leads to betrayal, death and an agonizing choice. Emma Viskic is an award-winning Australian crime writer. Her critically acclaimed debut novel, Resurrection Bay, won the 2016 Ned Kelly Award for Best Debut, and an unprecedented three Davitt Awards: Best Adult Novel, Best Debut, and Readers' Choice. It was also iBooks Australia's Crime Novel of the year, and was shortlisted for both the CWA Gold and New Blood Daggers in the UK. Emma studied Australian sign language (Auslan) in order to write the character of Caleb Zelic. She is currently writing the fourth Caleb Zelic thriller.

1

1.

A children’s farm was a nice change. Clandestine meetings were usually held in dark pubs, not urban pastures with good sightlines and pleasant views. Half an hour before closing time, a few families were still out wandering the gardens and gazing at cows. Crisp air and deep-blue sky, a lingering warmth to the late afternoon sun. Melbourne autumn at its best.

Caleb paid the staggering entrance fee and headed down the path at a brisk pace. The five-block drive from his office had taken twenty minutes thanks to roadworks, and everything about this possible client screamed anxiety – the anonymous email address and lack of phone number, the request they meet immediately.

A feeling of lightness despite the rush to get here: the end of a good day, in a good week, in a greatly improved year. Thank God.

Caleb reached an enclosed garden with amber-leaved trees. Fluffy chickens were scratching at the ground, their feathers moulting like snow. No self-described stocky man in a charcoal suit. No men at all. Just a mother and her bandy-legged toddler offering grass to the disinterested birds. A glimpse into a possible future: a small hand in his, Kat by his side, an afternoon together in the sun. The mother turned and said something to him. Her words were too fast to catch, but her expression was clear: Go away weird, smiling man.

He left. 2

No one was waiting on the other side of the gate, or by the barns. Looked like Martin Amon was a no-show. A bit of a surprise; the man hadn’t come across as flaky in their brief email conversation. No worrying overuse of capital letters or exclamation marks, just a few blunt sentences that gave the impression of someone used to taking charge. Maybe it was just as well. Odds were, Amon was an uptight manager worried about minor fraud, but his urgency could also signal something more ominous. The exact kind of work Caleb avoided these days. He only took safe jobs now – employee checks and embezzlement cases, security advice – nothing that could bring fear and violence back into his life. A lesson finally learned after his brother. After Frankie.

He looped around the far side of the garden for a final look. More chickens here, three of them pecking at a darkened patch of grass near a wooden shed. Small lumps of something pale and glistening. A cloying smell, like a butcher’s shop on a summer’s day. He knew that smell, still started from his dreams with it thickening his breath.

He stopped walking.

A long drag-mark led from the birds into the shed; wet, as though someone had slopped a dirty mop across the grass. Stray tufts of down had stuck to it, stirring gently in the breeze. White feathers, stained red.

Bile rose in his throat.

Movement to his right, the mother and toddler coming around the corner towards him. The child gave him a gummy smile and offered a fistful of grass. No air to speak; no words. Caleb put up a hand and signed for them to stop. The woman froze, her mouth opening as she noticed the pallid flecks and damp grass, the chickens peck, peck, pecking. She scooped up her child and ran.

He should run, too.

Should turn and leave and never come back. 3

He skirted carefully around the chickens and followed the long stain to the doorway. No windows, his eyes slow to make sense of the shadows. A peaked wooden ceiling, high stacks of hay against the walls. The man was lying on his side by the door. Charcoal suit, a few extra kilos softening his stocky build, sandy hair matted at the back. No face, just a bloodied pulp of flesh and bone. 4

5

2.

They left Caleb to wait in the farm’s cramped office, surrounded by posters of children and plump cows, half-drunk cups of tea. By the door, a bored constable sat in a swivel chair, flicking through her phone. Dark outside the room’s lone window, night falling hours ago, along with blanketing exhaustion. A temptation to rest his head on the cluttered desk and sleep. No idea what he was waiting for, just that the homicide detectives had been about to let him go when they’d received a phone call and conferred hurriedly outside, asked him to stay.

Amon had been shot. A bullet to the back of the head, exiting his face. Caleb didn’t know a lot about guns, but he’d seen the devastation they could wreak on a body. Had felt the hard kick of one in his hand, the warmth of another man’s blood.

He started as the constable leapt to her feet. Two suited men were coming through the door, both taking up a lot of space for not very large people. A quick flash of their IDs and a few impenetrable words to the constable and she left, closing the door behind her. Both men gave Caleb the cop once-over as they crowded into the room; one smaller and clean-shaven, his mate with a brown goatee like a half-eaten rabbit. That beard was going to be a problem, concealing most of the man’s bottom lip, and all of his top one. When the hell had Victoria Police started allowing its employees to have facial hair?

Beardless pulled the free chair in front of Caleb and sat, but 6there was nothing settled about him: feet flat on the floor, eyes constantly moving. Rabbit-face perched a buttock on a low filing cabinet, even tenser than his colleague.

‘Thanks for waiting,’ Beardless said. ‘Makes this all a bit easier.’

An easy read: clear and steady, his voice faint, but audible. Caleb almost sagged with relief – he was too tired to lip-read any mumblers.

‘Sure,’ he said.

‘Our colleagues in homicide say you don’t need an interpreter.’ The detective’s eyes slid to the hearing aids he couldn’t possibly see beneath Caleb’s dark hair.

‘No.’ Caleb fought the urge to check his aids were covered as he asked the obvious question. ‘You’re not homicide?’

Beardless paused before answering. ‘AFP.’

Federal cops interested in a state crime. And cops not eager to share their names. The murder felt professional, not just the silencer the killer must have used, but also the shot to the back of the head. Organised crime, maybe?

‘Why are the feds interested in Amon?’ Caleb asked.

‘We’ll ask the questions if you don’t mind, Mr Zelic.’ Beardless pulled Caleb’s phone from his pocket and passed it to him. ‘We’ve had a look at the emails between you and Martin Amon. What else can you tell us about him?’

Caleb could push it, ask to see their IDs and get his homicide mate, Tedesco, involved. But that would only drag him deeper into whatever foul mess this was – and ‘Make Good Decisions’ was his new motto. Very new motto. Plastic wrapping just off, a new-car smell to it.

‘Nothing,’ he said. ‘The emails are it.’

A low rumble as Rabbit-face spoke, the fur parting slightly, then closing.

Shit, even worse than Caleb had expected. No point turning 7up his aids; amplification wasn’t going to make the man’s voice any clearer, or his mouth more visible. Had to admit defeat. ‘Sorry, I can’t understand you. The beard’s a problem.’

Beardless gave his mate a flat look. ‘We’re in agreement, then – the face-fur’s got to go.’ He pulled a bound notebook from his breast pocket and flipped through it. ‘So the first contact you had with Amon was an email saying, “I need to speak with you immediately. Utmost discretion required.”’

‘Yes.’

‘And that was enough for you to meet?’

‘It’s not unusual. I do business fraud – no one wants their shareholders knowing about a light-fingered employee.’

‘Had you heard of the deceased before? Someone mention him? Say he might be in touch?’

‘No.’

Disappointment in the detective’s expression, quickly hidden. ‘Even a vague comment? No name used?’

‘No.’

‘You speak to him at all?’

‘No.’

‘Not even a few words?’

‘His face was gone. It made lip-reading a bit tricky.’

A long stare for that; milk-coffee eyes, a little bloodshot. ‘On the phone, I meant. You said you were running late – you call to let him know? Maybe use a public phone? Borrow one?’

‘I don’t do voice calls.’ Caleb hesitated, then added. ‘Can’t.’

Beardless covered his mouth and spoke, watching Caleb carefully. It’d be the usual adolescent test, something foul and personal, probably involving a close relative. Caleb gave the man a dead-fish stare until he lowered his hand.

A little glance between the two cops, and Beardless slipped his notebook away. ‘Thanks for your help, Mr Zelic, you can go now. 8For your own safety we’ll keep your name out of it and ask you not to mention Amon to anyone. Online or in person.’

Caleb didn’t move. The cops obviously knew a lot more about Amon than they were letting on. If he pressed them they might let something slip.

‘Are we going to have a problem?’ Beardless asked.

Make Good Decisions. Whoever Amon was, his murder had made two feds rigid with tension. Getting involved could only lead to trouble.

‘No.’ He stood and walked to the door, went out into the clear night air. Didn’t look back.

9

3.

Caleb was almost at the café when he saw the car again: an anonymous black sedan with tinted windows and a mud-spattered numberplate. The third time he’d seen it since leaving his office. Hard to know if it was following him or if he was just being jumpy. Twenty-four hours since Martin Amon’s death, his adrenal system was still in overdrive. He adjusted the rear-view mirror, squinting in the dying light: one car back and holding steady.

Decision time.

The small shopping strip was just around the corner. Pull over or keep driving? Most of the stores would be closed at five-sixteen on a Tuesday evening; not enough witnesses around for comfort. But better than none. Past the shops, there were only factories and warehouses.

He slowed as he took the bend, then sped up and pulled into the kerb. Door half open, eyes on the mirror. The black sedan rounded the corner. It drew nearer, headlights off, the driver a hazy silhouette. Closer, nearly level. Passing. It kept going, the brakelights flashing once as it reached the next bend, then it was gone. He breathed again. Just someone taking the same traffic-avoiding route across town. Nothing to do with him, or a dead man with his face shot off.

The news reports hadn’t revealed much so far. No mention of Caleb or Martin Amon by name, no possible motive suggested, 10just a lot of speculation. An online search hadn’t revealed anything on Amon, either. Which meant the man had been habitually cautious, or using a pseudonym.

Caleb sat for another moment in the rapidly cooling car, then got out and headed for Alberto’s Place. The small café fronting the street was closed, but the kitchen staff would still be hard at it, readying orders for shops and hotels across Melbourne. Pies and pastas, sausages, pastries, all made to old family recipes. He’d grab some swoon-worthy food and surprise Kat with a picnic dinner at her studio, reassure her that he wasn’t backsliding. She’d been worried when he’d told her about Amon last night, would still be worried.

He ducked down the laneway to the back of the old redbrick building and stopped outside the glass door. The kitchen’s high ceiling was deep in shadow, the only light coming from candles, torches and phones set a...

Table of contents

• PRAISE
• TITLE PAGE
• DEDICATION
• EPIGRAPH
• CONTENTS
• 1.
• 2.
• 3.
• 4.
• 5.
• 6.
• 7.
• 8.
• 9.
• 10.
• 11.
• 12.
• 13.
• 14.
• 15.
• 16.
• 17.
• 18.
• 19.
• 20.
• 21.
• 22.
• 23.
• 24.
• 25.
• 26.
• 27.
• 28.
• 29.
• 30.
• 31.
• 32.
• 33.
• 34.
• 35.
• 36.
• 37.
• 38.
• 39.
• 40.
• 41.
• 42.
• 43.
• 44.
• 45.
• EPILOGUE
• ACKNOWLEDGEMENTS
• ABOUT THE AUTHOR
• COPYRIGHT
• ADVERTISEMENT