Romanticism and the Object
About this book
Why are material objects so prominent in European Romantic literature, both as symbol and organizing device? This collection of essays maintains that European Romantic culture and its aesthetic artifacts were fundamentally shaped by "object aesthetics, " an artistic idiom of acknowledging, through a profound and often disruptive use of objects, the movement of Western aesthetic practice into Romantic self-projection and imagination. Of course Romanticism, in all its dissonance and anxiety, is marked by a number of new artistic practices, all of which make up a new aesthetics, accounting for the dialectical and symbolistic view of literature that began in the late eighteenth century. Romanticism and the Object adds to our understanding of that aesthetics by reexamining a wide range of texts in order to discover how the use of objects works in the literature of the time.
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Information
Table of contents
- Cover
- Half-Title
- Series
- Title
- Copyright
- Dedication
- Contents
- Acknowledgments
- Notes on the Contributors
- 1 Introduction: Romanticizing the Object
- 2 āThings Forever Speakingā and āObjects of All Thoughtā
- 3 āPerfectly Compatible Objectsā: Mr. Pitt Contemplates Britain and South America
- 4 Children as Subject and Object: Shelley v. Westbrook
- 5 āIāll Contrive a Sylvan Roomā: Certainty and Indeterminacy in Charlotte Smithās Beachy Head, the Fables, and Other Poems (1807)
- 6 āA Better Guide in Ourselvesā: Objects, Romantic-Protestant Ethics, and Fanny Priceās Individualism
- 7 The Literal and Literary Circulation of Amelia Curranās Portrait of Percy Shelley
- 8 Shelley Incinerated
- 9 Keats and the Impersonal Craft of Writing
- 10 āTunād to Hymns of Perfect Loveā: The Anglican Liturgy as Romanic Object in John Kebleās The Christian Year
- 11 Journeys to the East: Shelley and Novalis
- 12 Weighing It Again
- Bibliography
- Index
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