Romanticism and Millenarianism
About this book
Expectation of the millennium was widespread in English society at the end of the eighteenth century. The essays in this volume explore how exactly, this expectation shaped, and was shaped by, the literature, art, and politics of the period we now call romantic. An expanded and rehistorized canon of writers and artists is assembled, a group united by a common tendency to use figurations of the millennium to interrogate and transform the worlds in which they lived and moved. Coleridge, Cowper, Blake, and Byron are placed in new contexts created by original research into the artistic and political subcultures of radical London, into the religious sects surrounding the Richard Brothers and Joanna Southcott, and into the cultural and political contexts of orientalism and empire.
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Information
Table of contents
- Cover
- Title
- Copyright
- Dedication
- Contents
- Acknowledgments
- List of Illustrations
- List of Abbreviations
- Notes on Contributors
- 1. Millenarianism and the Study of Romanticism
- 2. Cowperās Ends
- 3. āTo Miltonās Trumpā: Coleridgeās Unitarian Sublime and the Miltonic Apocalypse
- 4. Romantic Apocalypses
- 5. The Morning (Post) After: Apocalypse and Bathos in Coleridgeās āFears in Solitudeā
- 6. Pantisocracy and the Myth of the Poet
- 7. Ecological Apocalypse: Privation, Alterity, and Catastrophe in the Work of Arthur Young and Thomas Robert Malthus
- 8. Pagodas and Pregnant Throes: Orientalism, Millenarianism and Robert Southey
- 9. Blake, the Apocalypse and Romantic Women Writers
- 10. The Angels of Byron and Moore: Close Encounters of Another Kind
- 11. Robert Hawes and the Millenium Press: A Political Microculture of Late-Eighteenth-Century Spitalfields
- 12. Blakeās Visionary Heads: Lost Drawings and a Lost Book
- 13. Word as Image in William Blake
- 14. The William Blake Archive: The Medium When the Millennium Is the Message
- Appendix: A Bibliography of Morton D. Paleyās Studies of Romanticism
- Index
