1.2.1 Motivations
This research is timely and contributes to sociological knowledge in ways that will be of significance for the future study of new social movements formed around technological human enhancement, and broader subcultures of radical support for techno-science. At present, the transhumanist movement represents a rich siteâinhabiting a unique social space at the intersection between technology, science, politics and twenty-first-century media dynamicsâwhich remains under-researched. The key themes emerging from the study range from questions of self-identity in hyper-technological societies, post-industrial techno-philia and the networked mobilisation of non-spatially determined communities of thought. My chief motivation to produce this study comes from an interest in the highly persistent techno-utopianâor at least techno-utilitarianâthinking residual within late-modern cultures, as some continue to believe the ever-ambitious strategic application of science and technology might be used as a bootstrap to radically surpass or supplant existing social, political and economic schema. Over the last quarter-century, transhumanism has then come to represent an enduring set of techno-optimistic ideas surrounding the future of humanity, with its advocates seeking to transcend limits of the body and mind according to an unwavering Enlightenment-derived faith in science, reason and individual freedom. To the tune of âprogressâ associated with this period in European history, transhumanists today are concerned with liberating humans from the present constraints to our being, with newly emerging technologies expected to provide means for as-yet latent capabilities to become more fully realised. While the sciences and technologies allied to the movement run the gamut from the existing and emerging to the outright speculative, all are equally celebrated according to their assumed potential to empower Homo sapiens over the ânaturalâ contingencies of birth, life and death.
However, as Bard (2012) recognises, in addition to a determined belief in technological progress, transhumanism has also apparently inherited a range of problems and conceptual fallacies from the Enlightenment. In response, an array of critics within the modern Western Academy have attacked transhumanism and the ideas underpinning the movement on moralistic grounds. Perhaps most famously, in his 2002 text, Our Posthuman Future, liberal economist and philosopher Francis Fukuyama described transhumanism as one of the worldâs most dangerous ideas (Fukuyama 2002). Similarly, left-leaning German philosopher Jurgen Habermas has made the case that embryonic genetic modification of the kind which transhumanists extol would undermine the moral autonomy of future generations (Habermas 2003). Other academic commentators from the natural sciencesâsuch as experimental polymer physicist Richard Jonesâhave dismissed the transhumanist notion of technological transcendence on technical terms (Jones 2016). Apparently unscathed by these hang-ups, the movement seemingly pushes on with an almost millenarian fervour.
In addition to this external criticism, fractious divisions have also been reported across transhumanist groups, apparently born out of long-standing political tensions arising at the dawn of the modern period which have yet to be resolved. Speaking to this point, American Bioethicist James Hughes (2015) suggests present-day transhumanists have come to inherit all the same arguments about the value and meaning of liberty, equality and solidarity that divided their Enlightenment forebears. Such quintessentially modern political debates related conditions of life within present-day liberal democratic societies have been re-enlivened with a ânewâ technologically focused gloss by those who apparently believe in the limitless potential of Homo faber. No doubt, this rendering of humanity has a deep history which predates transhumanism, and has been the subject of long-running theoretical discussions in the philosophy of science and technology. The work of two influential theorists of technology should be noted as precursors to the project: Ernst Kapp and Lewis Mumford.
The studyâs underlying theoretical position follows the work of German philosopher Ernst Kapp (1808â1896) who suggested technology represents an extension of the human nervous system. In his efforts to formulate a philosophy of technology, Kapp wrote on the notion of technology as âorgan projectionââan idea first outlined in his Grundlinein einer Philosophie der Technik (1877). Here, he raised the analogy between tools, organs and machinic networks, describing the rail-road as externalisation of the circulatory system (Chap. 7), and the telegram as an extension of the nervous system (Chap. 8). According to Kappâs analysis, such apparent morphological parallels between the organistic body and technology are not always the result of overt conscious processes, but rather may be animated through covert desires concealed by the subconscious (Chap. 9 in Kapp 1877). Ultimately then, Kappâs technically orientated adaptation of Hegelian dialectic called for the technological âcolonisationââand ultimately transformationâof âexternalâ natural environments, a move which he believed ought to be complimented by an âinnerâ colonisation of the human environment in the form of governance and politics. In this sense, for Kapp, technological attempts at reconfiguring the external, physical world are coupled with other intersubjective colonisations, or attempts at purposeful development based within the domain of symbolic systems, such as language and semiotics. In his far-reaching and detailed account of the complex interplay between philosophy, geography and technics, Kappâs Grundlinein worked to formalise the conceptual framework necessary for analysis of technology as a projection of human mental-life, and canonised the idea that technological processesâas broadly construed, including semiotic and cultural constructs such as language and the stateâcould be understood as the externalisation of human nature. His theory of organistic human-extension was also the first to capture how systematic-technological ways of looking at the world apparently bleed into a range of traditionally non-technical domains, such as culture and politics. As such, this project takes inspiration from Kapp in its shared nexus of concern: not the material situation and effects of technology as a tool, but rather the symbolic, mental-psychic impulses and ideational systems which are found in tandem with technological ambitions and practices.
Moreover, the research also takes theoretical direction from one of Kappâs twentieth-century intellectual successors, worldly romanticist philosopher of technology Lewis Mumford (1895â1990) who built on the notion of technology as material extension of organic human embodiment, as well as the closely analogous manufactured quality of social and cultural orders. Particularly influential in this regard is Mumfordâs classic Technics and Civilization (1934) in which he spends the first two chapters expounding the psychological and cultural origins of technology (Chaps. 1 and 2). Across this seminal work, Mumford offered a far-reaching analysis of the history of mechanical civilisation, explicitly by way of reference to his understanding of human temperament. After outlining what he took to be the core institutional and psychic sources of the machine, in the final portion of the text, Mumford shifted his concern to the emergent results of such machinist obsessions, devoting the last third of his book to examining social reactions to technology. This comprehensive multi-faceted account of ideational cause and technical effect again set a new standard for the philosophy of technology in discussion of human values, highlighting the two-way flow between technology and cultureâa complex dynamic which I argue should be seen as a core driver behind the transhumanist movement today. Further to this point, continuing the significance his earlier work granted to the subtler aspects of human experience in determining both the social role and material format of technology, in Art and Technics (1952) Mumford notably contrasted art as the inner life of the mind with technics as power-manipulation of external objects. In a fashion clearly analogous to Kapp, here, through comparison between technical and artistic practices, he suggested technologies arise fromâindeed, are made possible throughâthe manipulation of symbols, the likes of which he believed could be expressed in ways which are either in accordance with or in divergence from human nature.
The projectâs central focus and overarching conceptual framework is, then, inspired by the interpretivist vein in the philosophy of science first outlined in Art and Technics, albeit with some clarifications offered by Mumford later in his career. Lastly then, in The Myth of the Machine (2 vols., 1967, 1970), Mumford expanded on his early work, directing attention to the role of subjectivity in the process of knowledge formation, and meditating on how this interpretive quality has influenced the sum of human development over time. In The Myth, he meditated on interpretative power as it flows across the terrain of subjectivity, arguin...