Laden with familiar tropes from both factual and fictional crime writing, the story of Inmate #2020 directs our attention to two interrelated scenes: the crime scene and the scene of punishment, where the latter orients us to investigate the former.5 Yet our close attention to this specific crime scene , or others like it, can blind usāno matter how carefully we comb the area for visible clues āto one of the most important root causes for #2020ās repeat offending. In this case, it is not enough to arm ourselves with a range of criminological theories to explain why #2020 commits crime, precisely because these theoriesāwhether they include examinations of his psychology, socioeconomic class, age and sex, or discuss the city and culture in which his crimes took placeāhave been developed to account for crimes with human perpetrators. First and foremost, Inmate #2020 is not human. He is a polar bear who is doing time in the polar bear jail situated in Churchill, a town that has proclaimed itself to be āthe polar bear capitalā of the world. In Churchill, the human inhabitants have (re)structured their interactions with polar bears along the lines of a rudimentary criminal justice system, one built on the principle of deterrence and the spirit of conservation . Indeed, the process of imprisoning ābadā polar bears has been framed as a conservation effort that represents a marked improvement over meting out death sentences to recidivistic bears. However, the criminal justice analogy at the heart of this initiative assumes that there is a time-bound, body-bound criminal eventāthat is, a harmful incident that not only occurs at a specific time and place, but is also committed by a perpetrator who takes on a single bodily form.Behind thick steel bars, Inmate #2020 1 slowly paces the 20-foot by 16-foot cell. With his surprisingly lean, white body, the older inmate occupies one of the 28 cells in a jail 2 located on the western banks of the Hudson Bay in northern Canada. Imprisoned for the past 30 days, he has only been fed water, so that his gnawing pangs of hunger will serve as a powerful deterrent to any poor behavioural choices in the future. His release date has yet to be determined because his pattern of recidivism has marked him as higher risk than the other inmates in this small jail. To prepare for his release, state agents will forcibly relocate him to a remote area of the Arctic . Upon release, he will be constantly monitored. As a material reminder of his imprisonment, his ear will be tagged with a radio and his inner lip tattooed, both of which will aid in identifying, tracking and surveilling him in the future. As he awaits his release from what some have called the first, largest and most innovative jail of its kind in the world, let us consider Inmate #2020ās crime.With his dark eyes, strong jaw and deadpan expression, Inmate #2020 has been described by both bystanders and officials as an unassumingly quiet, but cunning predator; indeed, the upper half of his face is as calm as the lower half is violent. 3 Prowling the small town of Churchill, Manitoba, he has been repeatedly apprehended for trespassing and dumpster diving. Scrounging amidst the scraps of waste left in garbage heaps, Inmate #2020 searches for food in order to survive. Caught at gunpoint after patrol officers were alerted to his presence by a hospital workerās blood-curdling scream, #2020 was thrown in jail on Halloween night for aggressively breaking into the local hospital out of hunger. His presence, and the presence of others like him, have been a constant source of fear for the townās residents, many of whom will not go out at night, or will refuse to go out alone in the dark. Operating seven days a week and 365 days a year, a 24-hour telephone hotline 4 has been set up for residents to proactively report their sightings of these dangerous trespassers. Since the beginning of the year, the hotline has received reports of 226 sightings, including 28 during the week of Halloween. As a result of these reports, Inmate #2020 became one of five new inmates in the jail that week.

Criminal Anthroposcenes
Media and Crime in the Vanishing Arctic
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
This book compares and contrasts traditional crime scenes with scenes of climate crisis to offer a more expansive definition of crime which includes environmental harm. The authors reconsider what crime scenes have always included and might come to include in the age of the Anthropocene ā a new geological era where humans have made enough significant alterations to the global environment to warrant a fundamental rethinking of human-nonhuman relations. In each of the chapters, the authors reframe enduringly popular Arctic scenes, such as iceberg hunting, cruising and polar bear watching, as specific criminal anthroposcenes. By reading climate scenes in this way, the authors aim to productively deploy the representation of crime to make these scenes more engaging to policymakers and ordinary viewers. Criminal Anthroposcenes brings together insights from criminology, climate change communication, and tourism studies in order to study the production and consumptionof media representations of Arctic climate change in the hope of to mobilizing more urgent public and policy responses to climate change.
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Information
1. Introduction
Table of contents
- Cover
- Front Matter
- 1.Ā Introduction
- 2.Ā Criminal Anthroposcenes: Why Scenes Matter and the Matter of Scenes
- 3.Ā Establishing Shots: Detecting Anthropogenic Fog in Modern Crime Scene Photography
- 4.Ā #Sickbear: Photographing Polar Bears as Ideal Nonhuman Victims
- 5.Ā Dark Tourism in Iceberg Alley: The Hidden Ecological Costs of Consuming Iceberg Deaths
- 6.Ā Passenger Security and Spacetime: Touring the Northwest Passage in the Wake of Colonialism and Climate Change
- 7.Ā Conclusion
- Correction to: Criminal Anthroposcenes: Media and Crime in the Vanishing Arctic
- Back Matter