Abstract
The Proof of Age was a document produced at a hearing held by the escheator to determine whether the heir to property held in chief had reached legal age. The substance of the proceeding was the collection of 12 memories from men of the village telling how or why they remembered the date of the heirâs birth and baptism 21 years ago (or 14, or 16, for heiresses). These memories open a window on the events of daily life: seeing the baptism, burying a relative, buying a horse, telling of a great windstorm, and more of such memories. Whether all the memories were based on âwhat really happenedâ or were formulaic responses, has been debated. But regardless, they were all deemed sufficient and in their large numbers they shed light on the ordinary life of ordinary men (and what these men learned from âtheirâ women).
Historians often use the metaphor of weaving a tapestry, or perhaps it is painting a mural. In these essays my goal is to create a mosaic, arranging thousands of small tesseraeâmostly coming to us in the form of âone linersâ of memoryâso we can step back and admire a coherent picture of ordinary life, mostly at the village level, in late medieval England. The small units we have at hand to work with are the memoriesâthe social memories as offered by the 12
jurors at a Proof of Age proceedingâas we chart them across 75Â years of life, death, and memory.
The literature on
social memory is vastâfar beyond the scope of this small volume to do more than to touch in passingâbut what I offer below is based on the idea that what people claimed they remembered from around the time the heir was born and baptizedâwhether the memory given was âtrueâ or fabricated for the occasionâreveals which events, interactions, life milestones, and personal affairs were pulled out as the critical mnemonic. Which memory to offer? Today, were we asked to peg an event, such as a
birth or a marriage or a death, against some point in the 1990s, what would we choose to tie an individualized or personal memory to the central event, such as a
baptism? The
coincidence of the personal, the social, or sometimes the external, with that
baptism (or whatever we are trying to pin down) would be our guide; socially credible, probably known to our peers, fitting into the context of community and local culture. Going back 21Â years we would have to take into account the vagaries of time and the crowding of events, the uncertainties of personal recollection, and sometimes at least the need to choose. But against the currents of erosion and fading colors, there was, in the late medieval world of orality and the networking of friends and neighbors in the life of village or local community, a process of recovery, usually resting on the most prosaic of events and giving us a glimpse into the sort of experiences that held their own in menâs memories over the years.
Proofs of Age
are fascinating documents and most of the memories they relate can be organized around some common themes. Their strengths and weaknesses will be explored, along with insights they provide into both the conventional and the unusual: familiar and oft-repeated recollections of
births in the jurorâs family or of falls and
broken shins as against the memory of an
earthquake or a
miracle cure. The format of this series does not allow for a full bibliographical exposition of all that has been said about the Proofs, nor about
social memory and orality. The brief references we offer here are merely a starting point into these complicated and intriguing issues.1 But we work from the premise that all of the thousands of memories we have were offered in the presence of the jurorâs peers, often, in fact, coming in the form of a joint memory from a number of the men. Credibility in the context of village life and memory was always on the table, whether the events being recalled âreallyâ happened or not. Accordingly, to some extent building our mosaic on these memories rests on an act of faith. But against any issues of veracity (let alone of probability) we must keep in mind that whatever memory was offered, it was always accepted as a sufficient; no juror was ever questioned beyond the formulaic âhow do you remember,â let alone being contradicted or rebutted. One spoke before oneâs peers, and in doing so, when the Proofs are put together and we focus on their sameness and the common themes that link so many of them, we have our mosaic with its splashes and patches of the colors from which life is constructed. Memories of
birth, death,
marriage,
accidents, a pilgrimage to Canterbury,
fires and
floods, and more of these ordinary events are the bread-and-butter of life. As these memories are offered by men who have no other port of entry into the historical record, we can express our appreciation for what they recounted in their fleeting moment on center stage.
A Proof of Age proceeding was a common, routinized, and pro forma exercise, presided over by the escheator of the county and designed to elicit a set of memories used to establish the age of an heir or heiress.1 For us, these memories open a window on aspects of ordinary and everyday life in late medieval England. The purpose of the Proof was to determine whether the heir to an estate held in chief (or by knight service) had now come of legal age and was therefore entitled to claim his or her property. A Proof, both as a process and then as the record of that process, was composed of or compiled from 12 supportive memories, offered by the 12 men of the village summoned for the occasion and now harking back to how or why they remembered the critical date of the heirâs birth and/or baptism âsome 21 or 16 or 14 ye...