Whiteness and Leisure

K. Spracklen

• Publisher: Palgrave Macmillan
• Year: 2013
• Print ISBN: 9781349439348, 9781137026699
• eBook ISBN: 9781137026705
• Topic: Social Sciences
• Subtopic: Social Policy
• Index: Social Sciences

This book develops a new theory of instrumental whiteness and leisure. Empirical research is drawn upon to highlight whiteness across a comprehensive and internationally-grounded range of leisure practices. The book explores sports participation, sports media and sports fandom, informal leisure, outdoor leisure, music, popular culture and tourism.

1

Introduction: Thinking about the Problem

It could be argued that a monograph on whiteness and leisure is irrelevant or dangerous: irrelevant because the world has changed, all our identities are liquid and all social structures have melted away; dangerous because such a monograph has the potential to essentialize racial identities and – worse – recreate hierarchies of belonging based on fixed ontological categories of ‘race’ or ethnicity. This monograph does not essentialize whiteness, nor does it simply reproduce fixed notions of identity. Whiteness is always being constructed, challenged and re-defined. This book shows how whiteness and contestations of whiteness and Otherness are (re)produced in and through leisure: how ‘race’ is a problematic ontological category. However, that is not to say such categories are irrelevant. This book is timely because leisure is a form and space where inequalities of power are refracted through social structures and material and cultural power is at work making constructions of whiteness unproblematic. This book’s aim is to shine a light on this activity.

Consider two news stories that circulated in the United Kingdom at the end of 2011, when I first drafted this introductory chapter. The first was a headline story in the sports sections of newspapers about racial abuse allegedly made by the England football (soccer) captain John Terry towards an opposing (black) player in a Premier League match (‘Ferdinand to be questioned by FA over Terry affair today’, Stuart James, The Guardian, sports section, p. 2, 28 October 2011). The big question was whether Terry had actually used racist phrases, and whether this allegation would deprive him of his England captaincy. Terry claimed he was actually telling the black player he had not said anything abusive – and the television cameras caught him at the moment he said ‘black ^∗∗∗∗’ but missed the words ‘I didn’t call you a ...’, which supposedly prefaced the racial abuse. The truth of the matter came out over the next 12 months, and although Terry was found guilty by the Football Association, he received the most lenient ban possible (‘John Terry verdict: if the FA does not think this is racism, what is?’, David Conn, The Guardian, online at http://www.guardian.co.uk/football/2012/oct/05/john-terry-fa-commission, 5 October 2012, accessed 3 December 2012). At the point in time I first wrote this paragraph, though, Terry’s whiteness had not been the subject of any debate in the newspapers: he was just Terry, the England captain, the working-class boy ‘done good’, the hero on the poster of a million bedroom walls. Terry was white, and represented a form of working-class whiteness, but that whiteness was never a problem; he was never the victim of racial abuse about his whiteness.

The second news story was a satirical report about the celebrity ‘medium’ Derek Acorah (‘Stop me if you’ve heard Derek’s predictions before’, Marina Hyde, Lost in Showbiz, The Guardian G2, pp. 2–3, 28 October 2011). Acorah, like all psychics, is very probably a fake who makes things up or finds things out so that he can impress his paying audiences, who then pay him again the next time he comes round (it is quite simple to spot the tricks of the professional fraud and quite easy to develop those tricks oneself without any need for supernatural intervention – see Rowland, 2002). What is of interest to the theme of this monograph is the reporting of Acorah’s show in the northern English town where he was allegedly contacted by the dead spirit of someone called George. It is a safe bet that somebody in the audience had a dead relative or friend called George, and somebody claimed George as their sorely departed. Acorah then claimed that George ‘still doesn’t like people from other countries, especially the darker people’ (Hyde, ‘Stop me ...’, p. 3). He, however, did finish by saying that George’s comment is not very nice. Now it could be that Acorah was psychic and George was just a racist ghost. But it is almost certain that Acorah was not psychic and George was made up by Acorah: to pander perhaps to the old white English people in his audience; to make George realistic by having him express views old white English people (or white fake psychics) hold; or more likely both of those things. The leisure activity of cabaret theatre then – or its psychic medium subculture – was perceived as a white space, for the use and entertainment of white people. Acorah can distance himself from his ghost’s views, but Acorah is part of the construction of the whiteness of his audience and – like a good fake – he is also good at pointing us away from this construction. His further claim that he has an African spirit guide again exoticizes blackness and makes it an acceptably foreign thing completely alien to his unmentioned and invisible whiteness.

Both these stories demonstrate the work of ‘race’ in contemporary British culture, leisure and sport: making blackness some Other outside of mainstream, white Britishness and hiding the problematic social construction of whiteness. In this monograph, I will show how this work is done across leisure, and across the modern West, from the United States to Australia. It is necessary at this point to stress the unreality of ‘race’.

* * *

In 2008 I published a research note about beliefs in the biological nature of ‘race’ among sport scientists. In the discussion, I made it clear why such beliefs were scientifically and philosophically wrong (Spracklen, 2008: p. 225):

The problem with ‘race’ as a category is the movement of people in the last 400 years (through colonisation, commerce, slavery), and especially in the last 100 years (through globalisation, industrialisation and migration), has made racial categories impossible to sustain in any useful or meaningful sense (Banton, 1998). There are no discernible genetic differences between ‘black’ people and ‘white’ people (Franks, 2007). Phenomes (e.g. the ability to be an elite sprinter) cannot be mapped on a one-on-one basis onto genomes (genetics), so there cannot be a causal link associated with heredity (Hoberman, 2004). That is not to deny that there are clusters of populations that are more or less likely to be carriers of particular genetic information, but the existence of such clusters is not the basis for an ontology of racial difference (Skinner, 2006). Indeed, the caution with which claims about particular populations are made suggests that such clusters are dynamic, partial and rare. The burden of proof has to be on those who make claims of racial difference (Shim, 2005). What is happening is a category error: scientists assume races exist because the myth of the Holy Blood makes ‘race’ normal and unproblematic, and experiments are designed on that basis. Hence the gobbledegook of claiming, as in the fast-twitch muscle fibre experiments cited by Entine (2000), that Afro-Americans (a diverse group) are defined as West Africans. What Entine is actually showing is that most successful sprinters are American, and the best sprinters have more fast-twitch fibre.

What these sport scientists were doing was essentializing the notion of blackness, turning a social phenomenon into a biological category. In doing this, they ignored the social construction of blackness, the particular histories of black people in the United States and the rest of the West, and the ways in which certain sports became spaces for the construction of blackness and black masculinities (Carrington, 2010a). But the sport scientists were also missing out the social construction of whiteness in their myth-making about black physicality. First of all, there were no claims about the biological nature of white people and how such natures might explain in a post hoc way the dominance of white people in certain elite sports events. Secondly, and more important, there was no attempt to account for the sports where opportunities for black people’s participation was limited or denied altogether through the unwritten rules of belonging and exclusion (Bourdieu, 1986; Long and Spracklen, 2010).

Put another way, the way in which sport is used to construct whiteness, and the way in which whiteness shapes sports, is an important unanswered theme in the sociological critiques of sport, ‘race’ and racism (Hylton, 2009; Long and Spracklen, 2010). This gap in the theory and the empirical research is also seen when the focus of the myth-making – sport – is expanded to include the entire range of people’s leisure lives, leisure activities and leisure spaces. This monograph is an attempt to address this gap by developing a new theory of whiteness and leisure, which draws in part on existing leisure theories and in part on the critical theorizing around ‘race’ and whiteness associated with Critical Race Theory (CRT) and other radical social theories. In developing a new theory of whiteness and leisure, new primary and existing secondary empirical research will be drawn upon to highlight whiteness across a comprehensive and internationally grounded range of leisure practices. This monograph will analyse sports participation, sports media and sports fandom, but it will also analyse informal leisure, outdoor leisure, music, popular culture and tourism. This will make this monograph unique: an essential introduction to whiteness and leisure; an important development of leisure theory; a critical analysis of leisure practices, which will include new primary research on the construction of whiteness in a number of sport, leisure, tourism and popular culture activities; and a contribution to the critical theory literature on whiteness and ‘race’.

This monograph book is grounded in leisure theory, and in particular my own development of leisure theory (Spracklen, 2009, 2011) in applying a Habermasian framework of communicative and instrumental rationalities and actions (see Habermas, 1984, 1987) to understanding the tensions between utopian theories of individualized, postmodern leisure (Blackshaw, 2010; Rojek, 2010) and dystopian theories of increasing constraint and control (Bramham, 2006). This third part of a trilogy I started with The Meaning and Purpose of Leisure and continued with Constructing Leisure will again look to Habermas’ insights into the interaction between communicative reason and instrumentality to situate different whitenesses in broader political structures. What I am interested in here is the way in which leisure choices are used to construct exclusive, white identities – whiteness associated with individualism and elitism but also subordinate whitenesses that do the political work of the elites while being hegemonically constrained. I am interested in the ‘beating of the boundaries’ (Appelrouth, 2011; Cohen, 1985) – who is allowed to define belonging in various leisure activities and leisure spaces, from the subcultural scenes of pop music through everyday leisure lives and tourism to sports.

Whiteness throughout this book is used to represent a particular, hegemonic but invisible power relation that privileges (and normalizes) the culture and position of white people (Daynes and Lee, 2008; Dyer, 1997; Garner, 2006; Gilroy, 2000; Long and Hylton, 2002). The whiteness of white people can never be essentialized – there is no such thing as a white race and there is no such thing as a black race (Daynes and Lee, 2008). However, blackness and whiteness, the agency of choosing to identify with one or the other and the instrumentality of defining those who do not belong to one or the other (the Other, as it were) are part of what Daynes and Lee (2008) call the ‘racial ensemble’, tools used in boundary work, the formation of cultural capital (Bourdieu, 1986) through communicative agency and instrumentalized consumption. Where whiteness differs from blackness is in its link to the dominant side in historical inequalities of power and the useful instrumentality of universalizing white cultural norms as universal norms. In leisure, blackness is inevitably Othered as exotic, and the whiteness of everyday leisure forms is made invisible (Hylton, 2009; Long and Hylton, 2002; Long and Spracklen, 2010). Although the focus of the book is whiteness, it will be impossible to discuss ‘race’ without discussing the intersectionality of ‘race’, class, gender and sexuality. Throughout the book, whiteness will be examined through this intersectional lens – and intersectionality will be returned to in more detail in the Conclusions (Chapter 12).

The rest of the book

Chapter 2 will provide a clear and coherent review of literature on critical theory of ‘race’ and whiteness. This chapter will begin by examining different theoretical frameworks about ‘race’ and identity from sociology and cultural studies, focussing in particular on the work of Stuart Hall, Paul Gilroy and the main advocates of CRT. It will provide an overview of the key concepts, relationships and tensions. The section titled ‘Theories of whiteness’ will focus on theories of whiteness, white privilege and white power, drawing on the metaphor of the white mask used by Franz Fanon to begin to understand the ways in which whiteness is normalized in modern, Western society. In both sections, I will criticize scholars for obscuring their analyses with over-theorized language, and I will identify and stress a new approach to understanding ‘race’ that engages readers with clarity: this commitment to a clear style will be taken on through the remainder of the book. The two sections of the chapter will be brought together in a critique of contemporary culture and politics, and the importance of leisure as a site of hegemonic, white control and counter-hegemonic, racialized resistance will be shown to be linked to leisure’s importance in modern life.

Chapter 3 will provide a review of research in sport, leisure, tourism and popular culture that discusses whiteness. The chapter is arranged into four sections. The Section ‘Whiteness in leisure studies’ will be a critical discussion of research across the broad remit of leisure studies that explicitly engages with whiteness. Specific research examples from sport, leisure, tourism and popular culture will be considered in this section in more detail. The following section ‘Blackness in leisure studies’ will critically analyse research from leisure studies that has a focus on blackness, but where whiteness is implied or invoked without any consistent attempt to problematize the concept. I will argue in this chapter that leisure studies, while providing a strong set of research examples that demonstrate the whiteness of leisure, are yet to provide a coherent account of whiteness and leisure.

Chapter 4 will provide a new theory of whiteness based on Habermas’ insights into communicative reason and instrumentality. I will first discuss Habermas’ contribution to our understanding of social identity and power, positioning his work in wider critical theory. I will then discuss criticisms of Habermas from the post-structuralist school, which position Habermas’ defence of the Enlightenment project as a retreat into Eurocentric discourses of white, male power. I will show that such criticisms are philosophically naïve and suffer from a self-contradiction in their argument. Rather than reifying white privilege, Habermas’ defence of communicative reason provides a space in which such privilege can be challenged – when such privilege becomes identified with a form of instrumental rationality about ‘race’. Whiteness becomes an all-pervasive instrumentality, which, like capitalism, threatens to consume the entire world. The existence and survival in the Academy of counter-narratives of ‘race’, predicated on communicative rationality, shows that the Enlightenment – while flawed in history – remains a durable ideal of free inquiry.

Chapter 5 will focus on whiteness and popular culture. The chapter will begin with an introductory section, which provides a secondary analysis of the existing research literature on whiteness and popular culture. The rest of the chapter is divided into four sections, which will explore whiteness in particular contexts of popular culture and its relation to leisure. The second section of the chapter will focus on whiteness in television, drawing on and using examples from popular American TV shows syndicated worldwide, such as Friends and Star Trek. It will examine how leisure is used to construct whiteness within the shows and how watching the shows teaches consumers to be white. The third section of the chapter will look at whiteness and fantasy films and online gaming platforms such as World of Warcraft. It will show how these films, gaming platforms and video gaming can be used to counter instrumental whiteness by allowing some communicative space to subvert and resist dominant discourses – but such communicative spaces are rarely used by fans and gamers. The fourth section of the chapter, and the third example of whiteness and popular culture, will be an exploration of popular literature: glossy magazines aimed at mass markets (male and female) and best-selling books (genre novels and non-fiction lists). It will be shown that instrumental whiteness, like hegemonic masculinity, is fully dominant in this part of popular culture, and leisure choices inevitably reproduce such whiteness at the expense of other identities.

Chapter 6 will focus on whiteness and music. The chapter begins with an introductory section followed by a second section that will explore the distinctions between classical and pop, and rock and rap/R&B, to identify the racialized discourses present in music. The next section of the chapter will then proceed to explore world music and roots music, and different notions of whiteness and Otherness present in discussions of authenticity in these genres. The fourth section of the chapter will introduce new primary research by the author on whiteness and nationalism in English, European and American folk music and European black metal, two forms of music unrelated by sound but with a shared susceptibility to infiltration by far-right nationalists. The concluding section will argue that those who listen to or play music in their leisure lives can make communicative choices that resist instrumental whiteness, but the commodification of most of music industry makes this incredibly difficult and leads to the real danger of unwittingly supporting racialized discourses.

Chapter 7 will focus on whiteness and sport and will draw on secondary analysis of sociology of sport research, along with some primary research on the history of modern sports and contemporary sports. The chapter will draw on examples from the United States, Australia, South Africa and Europe. The section ‘Sports participation’ will examine sports participation and the construction of cultural capital through involvement in sport. Whiteness will be identified as an invisible, taken-for-granted signifier in modern sports, with participation among white people in certain sports such as basketball and athletics being dependent on sports that provide safe ‘white spaces’. I will demonstrate that when significant numbers of black people start to take an interest in these sports, white people start to choose other sports to play. The following section titled ‘Sports fandom’ will focus on sports fandom and the modern, professional sports industry. I will show that white people find an imagined community of ‘pure’ whiteness in supporting a particular club or national sports team (for example, the South African Springboks) and this whiteness is only partially challenged by the introduction of black athletes into those teams. White sports fans, I will argue, are (generally, mostly) comfortable with black athletes representing their club or their sport or their country because the globalization and professionalization of sport has turned young black athletes into caricatures of physicality and modern-day slaves. White sports administrators are still in charge of the sports, still defending the white history of these sports even as some black athletes are embraced as exotic ‘ringers’. As such, the power dynamics ensure whiteness remains hegemonic.

Chapter 8 will focus on whiteness and sports media. This is a companion chapter to Chapter 7. It could be argued that this chapter should be subsumed into the previous one, but ‘sports media’ is a completely different leisure category to sport: most people who watch sports on television or read about them on the Internet do not watch sports events live, and do not participate. This chapter discusses the way in wh...

Table of contents

• Cover
• Title Page
• Copyright
• Contents
• Series Preface
• Acknowledgements
• 1. Introduction: Thinking about the Problem
• 2. Theories of ‘Race’ and Whiteness
• 3. Studies of Whiteness in Leisure Studies
• 4. A New Theory of Whiteness
• 5. Whiteness and Popular Culture
• 6. Whiteness and Music
• 7. Whiteness and Sport
• 8. Whiteness and Sports Media
• 9. Whiteness and Everyday Leisure
• 10. Whiteness and Tourism
• 11. Whiteness and Outdoor Leisure
• 12. Conclusions
• References
• Index