
eBook - ePub
New Sporting Femininities
Embodied Politics in Postfeminist Times
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eBook - ePub
New Sporting Femininities
Embodied Politics in Postfeminist Times
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Information
Print ISBN
9783319724805
Subtopic
Gender StudiesŠ The Author(s) 2018
Kim Toffoletti, Holly Thorpe and Jessica Francombe-Webb (eds.)New Sporting FemininitiesNew Femininities in Digital, Physical and Sporting Cultureshttps://doi.org/10.1007/978-3-319-72481-2_11. Femininities, Sport and Physical Culture in Postfeminist, Neoliberal Times
Kim Toffoletti1 , Jessica Francombe-Webb2 and Holly Thorpe3
(1)
School of Humanities and Social Sciences, Deakin University, VIC, Australia
(2)
Department for Health, University of Bath, Bath, UK
(3)
Faculty of Health, Sport and Human Performance, University of Waikato, Waikato, New Zealand
Keywords
PostfeminismPhysical cultureSporting femininityFeminismIntroduction
This book explores the changing nature of gendered sporting subjectivities, bodies, practices, politics, agency and experiences in a period characterised by postfeminist sentiments and the emergence of new strands of feminism including popular feminism and fourth-wave feminism. The decision to put this collection together came about at a moment of considerable academic and popular debate about the renewed interest in feminism in political, cultural and corporate life (Gill, 2016; McRobbie, 2015; Rottenberg, 2014). This growing visibility of feminism has been tied to wider cultural shifts over the past decade, which have seen women and girls reimagined as agentic, empowered and active subjects in globalised economies (Dobson & Harris, 2015). For a sustained period throughout the â90s and into the 2000s, the celebration of âgirl powerâ was largely understood in the Western popular mindset as part of the âpostfeministâ view of feminism as redundant in an era of womenâs apparent âequalityâ (Harris, 2004; McRobbie, 2009). This is despite ongoing feminist activism to address issues facing diverse groups of women globally in tandem with rigorous academic engagement with various forms of feminist praxis and critique. In more recent times we have witnessed feminism, as well as a more general interest in womenâs issues, brought to the fore of public debate, complicating the idea that feminism is âover.â Online media forms, such as social media, have been instrumental in facilitating the increased visibility granted to womenâs and girlsâ endeavours, achievements and activities, as well as drawing attention to the ongoing systemic issues and everyday challenges encountered by women. A resurgence of feminist activism online (Keller, 2015) has been a notable feature of recent times, as has a growing awareness of intersectionality, cultural difference and gender and sexual diversity in relation to discussions of womenâs issues in more mainstream media forums.
The domains of contemporary sport, fitness and physical activity offer many instances that speak to the complexities of our current post/anti/resurgent/multiple feminist moment. Given the centrality of the body to womenâs experiences of active recreation, studies of movement and physical cultures ideally lend themselves to explorations of the cultural practices and everyday processes through which contemporary postfeminist femininities are produced. Not only are women participating in a wider range of sports than in generations past, but womenâs athletic endeavours are being given greater prominence and attention, as noted in Simone Fullagarâs insightful foreword to this collection. The heightened focus on womenâs sporting achievements can be seen in the naming of 2015 as the âYear of Women in Sports,â with African American tennis player Serena Williams recognised as âSportsperson of the Yearâ by Sports Illustrated (SI) magazine (see Cooky, this volume). On its front cover, Williams appears resplendent in a black lace leotard and heels. Seated on a gilt throne, she casually slings her leg over the armrest and looks assertively down the camera lens. Williamsâ âcrowning momentâ on the cover of SI does not elicit a straightforward response. In a postfeminist moment this rendering of âempowered femininityâ could be interpreted as both âsexistâ and as an act of âfreely-chosen,â âself-pleasing,â feminine expression.
Existing alongside the proliferation of glamorous images of celebrity sportswomen are debates in the popular media concerning the sustained injustices experienced by women athletes worldwide, such as gender testing, disparities in pay, quality and amount of media coverage. While this indicates that discussions of gender inequality are back on the agenda, popular discussions around women in sport expose some of the challenges raised by postfeminist rhetoric that emphasises womenâs individualism , choice and agency, often at the expense of actions directed towards redressing structural inequalities and advocating social change (Gill, 2016). Indeed, the multiple discourses circulating around women in sport generate complex and often contradictory messages that belie binary understandings of women as âempoweredâ and âequalâ participants in sport, or as âvictimsâ of a patriarchal sports industry. Indeed, it is within this dynamic context that we call for a focus on postfeminist times in the study of womenâs sport and physical activity. In locating our consideration of sporting femininities in the context of âpostfeminist times,â we do so in order to trouble both the idea that feminism is âover,â as well as accounts that suggest it is âback.â
Conceptualising Postfeminism in Sport and Physical Culture
Our conceptualisation of postfeminism in this collection acknowledges the multiple uses and meanings of the term, as well as its intersections and overlaps with other feminist sensibilities and movements. Determining what constitutes postfeminism is not clear-cut and while it remains a contested term, feminist understandings of postfeminism can be broadly characterised along the following lines: as an epistemological position; a historical shift; a backlash against feminism; or a cultural sensibility (Gill, 2007). In keeping with the approach of feminist analysts of postfeminism such as Angela McRobbie (2009) and Rosalind Gill (2016), we view postfeminism through a critical lens. That is, postfeminism does not simply stand for the rejection of feminism or a period after feminism but constitutes a distinctive cultural condition that invites and produces new articulations of femininity. A number of feminist critics have sought to identify the characteristics of postfeminism, noting its emphasis on womenâs empowerment and independence, the expression of femininity as a bodily property, the centrality of consumption to womenâs acts of bodily maintenance and transformation, and a preoccupation with expressions of hetero-sexy femininity that âextends beyond the body to constitute a remaking of subjectivityâ (Gill, 2016, p. 613). These shifts are understood relative to a proliferating media culture and viewed as inextricably linked to ideologies of neoliberalism and consumerism . Within these frameworks, assertions of womenâs personal âchoiceâ become the dominant mode through which gender âequalityâ is understood, taking precedent over more collectivist forms of politics (Genz & Brabon, 2012; Gill, 2007; Gill & Scharff, 2011; McRobbie, 2009; Tasker & Negra, 2007). Although âthe tendency has been to understand post-feminism itself as Western,â more recent intersectional approaches to postfeminism have exposed how postfeminist logics can account for racial and other forms of difference (Doeskun, 2015, p. 961; see also Butler, 2013; Samie & Toffoletti, Chap. 5).
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Table of contents
- Cover
- Front Matter
- 1. Femininities, Sport and Physical Culture in Postfeminist, Neoliberal Times
- Part I. Postfeminism and the Sport-Media-Industrial Complex
- Part II. Everyday Athletic Girls and Women Negotiating Postfeminism
- Part III. Postfeminism in Online Sport and Fitness Spaces
- Erratum to: New Sporting Femininities
- Back Matter
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