Introduction: Metaphor and Brexit
In some pubs the word âBrexitâ is treated as a swear word and you have to buy a round of drinks every time the word is mentioned because of its potential to initiate conflict. The topic invites positions to be taken, makes people angry and turns them away from reason. Some are annoyed by the very word âBrexitâ itself: the media driven blend of âBritainâ and âexitâ to produce the simple, croaked, bi-syllabic sound conceals a reality that leaving the European Union is the most complex international negotiation on which the United Kingdom has ever embarked. The word âexitâ is found in public building such as a cinema or a hotel and implies there is a simple choice between being âinâ or âoutâ of something but the reality is different. Metaphors have dominated thought about âBrexitâ in the deliberations of politicians and media discussions and they have influenced the private reflections of individuals. Supporters of Leave found evidence of âcollaboratorsâ, âsaboteursâ or âtraitorsâ who were committing âtreasonâ while the Remain âsideâ referred to their opponents as âwolves in sheeps clothingâ. But in their urge to persuade, advocates of both sides commonly forgot that these were metaphors at all, so that political positions ended up in a linguistic mazeâfew even understood the meaning of the endlessly repeated âBackstopââa maze without an âexitâ. Is it any wonder that âBrexitâ became a taboo word?
In this book I illustrate how metaphor was âweaponisedâ in discussions surrounding Britainâs decision to leave the European Union and how it contributed to the tone of the Brexit debate. Sometimes this tone has been savage with medieval words such as âbetrayalâ and âtraitorâ becoming everyday vocabulary. But once we look under the surface we find that understanding the metaphors of the Brexit debate provides rich insight into the profoundly moral outlooks that influenced both those who sought to leave the European Union and those who wished to remain in it. Members of the public, opinion formers and politicians relied on metaphor as a way of framing political issues and creating persuasive stories and allegories. Understanding these better helps us to understand not only what divided the two sides but also what both sides held in common: a belief and desire that they could improve their country.
In this opening chapter I illustrate how metaphors influenced the Brexit debate in various ways. When Boris Johnson claimed âMy policy on cake is pro having it and pro eating itâ he was combining moral reasoning with humour. When political cartoonists represented Britain or the European Union as the âtitanicâ they were contesting allegories in which the same symbols expressed opposing perspectives. When Theresa May insisted on her âred linesâ she was using a familiar idiom to mean: âI am not prepared to negotiate on these issuesââstrong language that was not reflected in the strength of her political position. In the second half of the chapter I introduce various linguistic and psychological concepts that contribute to an understanding of the pervasive and persuasive role of metaphor in the discourse of Brexit.
Reasoning Through Humour: âHaving Your Cake and Eating Itâ
When asked in an interview in April 2019 about being accused of wanting âto have his cake and eat itâ Boris Johnson said: âWell, I still am. Letâs not beat about the bush here. My policy on cake is still pro having it and pro eating it.â 1 This metaphor expressed an argument that on withdrawing from the European Union Britain would still be able to retain many of the benefits that it had enjoyed as a member. But its morality was contested through different interpretations of the metaphor. Belgian MEP Philippe Lamberts told Theresa May: âI think it will be interesting to see how things develop but you cannot have your cake and eat itâ. 2 In the following month an eagle-eyed reporter photographed a handwritten note, carried by Julia Dockerill, an aide to the Tory vice-chair Mark Field stating: âWhatâs the model? Have your cake and eat itâ. To pro-Europeans this implied that the UK wanted to retain all the main benefits that came from being a member of the European Union (henceforth the EU). It sought to restrict EU immigration and leave the Single Market, while ensuring that frictionless trade with the EU would continue after Brexit: but this appeared to the EU negotiators as wanting to âhave it both waysâ. 3 The idiomatic proverb therefore pointed to a moral dilemma that was familiar to other Europeans; in French the proverb took the form: âWanting to have the butter and the money from the butter, and the milkmaidâs assâ, suggesting that the moral dilemma was not an especially British one.
The moral contest was reasoned through other âfoodâ metaphors, such as when a German political thinker, Ulrike GuĂ©rot, wrote on Politico:
Yes, we indulged you while you were part of the European Union. We gave you your rebate. We allowed you to sit on the sidelines of Schengen and the euro. But those days are over, now that youâve decided to go. Itâs time for you to stop acting like a spoiled child and accept that you canât have everything both ways - departure from the EU but membership in programmes like Galileo and Erasmus; an Irish border thatâs both closed but somehow open; access to the single market without its most important conditions; the freedom of movement and no oversight by the European Court of Justice; your pick of the European cherry tree, without bothering to water the soil or tend to its branches. 4
Here after likening Britain to a âspoilt childâ, she introduced the idea that Britain was âcherry pickingâ by wanting to select only beneficial aspects of EU membership. She extends the cherry tree metaphor to take into account the necessary preconditions for growing the âEuropean cherry treeâ. In this regard she was framing the EU as an essentially productive enterprise nurtured with love and care. These two different metaphorsââhaving cakeâ and âcherry pickingââoffer the similar moral argument that choosing only pleasurable actions while avoiding the painful ones is morally naive. The metaphors allude to each other and create an intertextual relationship precisely because they share the same moral reasoning: they accuse the person who is âcherry pickingâ or trying to âhave their cake and eat itâ of being selfish by putting their own interests before those of others. They are both usually indicative of an EU perspective on the British position on Brexit, as shown in the âMetaphor Brexiconâ at the end of this book.
Like many fixed expressions taken from popular culture it is often their traditional sense that may be played with for rhetorical effect. The meaning of the proverb is not clear because it would seem quite logical to âhave your cake and eat itââuntil we realise that the phrase was originally in reverse order: âWolde ye bothe eate your cake, and haue your cake?â 5 This meant that you could no longer have your cake after you have eaten it because there would no longer be any cake left to eat. Normally speakers accuse others of âcherry pickingâ or âwanting to have their cake and eat itâ but sometimes if they were being self-ironic they could represent their own actions and positions in this way. Boris Johnson is the most notable political exponent of the art of metaphor and his image is constructed partly through humour and embodied forms of persuasion. He reversed the moral judgement implied in the idiom with his version: âMy policy on cake is pro having it and pro eating itâ and this worked well because food is a topic that he has a reputation for exploiting humourously. He rejected the bias implied by the original proverb by expressing it in terms of rational self interest: it is quite logical to want to possess cake and to eat it. His version of the proverb came to symbolise a defiant and unyielding position associated with supporters of a so-called âhardâ Brexit.
The âcakeâ metaphor was taken further by the British Chancellor of the Exchequer Philip Hammond, who, while speaking at the annual conference of the Christian Democrats Economic Council, quoted the economist and finance minister Ludwig Erhard, that:
âŠa compromise is the art of dividing a cake in such a way that everyone believes he has the biggest piece. 6
Hammond went on to argue that there is âsome applicability to the Brexit negotiations, although I try to discourage talk of âcakeâ amongst my colleaguesâ and went on ...