Theatre Music and Sound at the RSC
eBook - ePub

Theatre Music and Sound at the RSC

Macbeth to Matilda

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

Theatre Music and Sound at the RSC

Macbeth to Matilda

About this book

This book discusses an exciting laboratory that has been developing the practice of theatre music composition and sound design since 1961: the Royal Shakespeare Company. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations have provided a picture of developing styles, genres, working practices, technologies and contexts; actor musicianship has been practiced quietly and without fuss; and the role of the sound designer has appeared and transformed the theatrical soundscape. This book moves to musical theatre to evidence a continuum between its rich interdisciplinary textures and the musicodramatic world of Shakespeare's plays, positioning the RSC as an innovative company that continually expands the creative and collaborative possibilities of the theatre.

Frequently asked questions

Yes, you can cancel anytime from the Subscription tab in your account settings on the Perlego website. Your subscription will stay active until the end of your current billing period. Learn how to cancel your subscription.
No, books cannot be downloaded as external files, such as PDFs, for use outside of Perlego. However, you can download books within the Perlego app for offline reading on mobile or tablet. Learn more here.
Perlego offers two plans: Essential and Complete
  • Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
  • Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Both plans are available with monthly, semester, or annual billing cycles.
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, we’ve got you covered! Learn more here.
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Yes! You can use the Perlego app on both iOS or Android devices to read anytime, anywhere — even offline. Perfect for commutes or when you’re on the go.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Theatre Music and Sound at the RSC by Millie Taylor in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.

Information

Bibliography

  1. Addenbrooke, David. The Royal Shakespeare Company . London: Kimber and Co, 1974.
  2. Adkins, Monty and Russ, Michael (eds). The Roberto Gerhard Companion. Farnham: Ashgate, 2013.
  3. Ansorge, Peter. ‘Interview with Peter Brook’, Plays and Players . October 1970.
  4. Auden, W. H. The Dyer’s Hand. London: Vintage, 1962.
  5. Beauman, Sally. The Royal Shakespeare Company’s Centenary Production of Henry V. Oxford: Pergamom Press, 1976.
  6. Beauman, Sally. The Royal Shakespeare Company: A History of Ten Decades. Oxford: Oxford University Press, 1982.
  7. Behr, Edward. Les Misérables: History in the Making . London: Jonathan Cape, 1989.
  8. Berry, Cicely. Voice and the Actor . London: Harrap, 1973.
  9. Bohme, Gernot. ‘The art of the stage set as a paradigm for an aesthetics of atmospheres’. Ambiances [Online] 10 February 2013. URL: http://​ambiances.​revues.​org/​315
  10. Brook, Peter. The Quality of Mercy. New York: Theatre Communications Group, 2014.
  11. Brown, Ross. Sound: A Reader in Theatre Practice . Basingstoke: Palgrave Macmillan, 2010. Crossref
  12. Bruce, Michael. Writing Music for the Stage . London: Nick Hern Books, 2016.
  13. Carroll, William C. (ed). The Two Gentlemen of Verona . The Arden Shakespeare, Third Series. London: Thompson Learning, 2004.
  14. Chambers, Colin. Inside the Royal Shakespeare Company . London: Routledge, 2004. Crossref
  15. Chion, Michel. Audio-Vision . New York: Columbia University Press, 1990.
  16. Collison, David. Stage Sound . London: Studio Vista, 1976.
  17. Collison, David. The Sound of Theatre: A History . Eastbourne: PLASA Ltd, 2008.
  18. Cross, Ian. ‘Music and Communication in Music Psychology.’ Psychology of Music 42(6), (2014), 809–19. Available at http://​www-personal.​mus.​cam.​ac.​uk/​~ic108/​PDF/​PoM%20​Nordof-Robbins.​pdf [Accessed 19.01.16]. Crossref
  19. Csepregi, Gabor. ‘On Sound Atmospheres.’ in Jim Drobnick (ed), Aural Cultures . Toronto: YYZ Books, 2004.
  20. Curtin, Adrian. ‘Designing Sound for Shakespeare: Connecting past and present’ in John Brown and Stephen di Benedetto (eds), Designer’s Shakespeare. London: Routledge 2016, 152–69.
  21. Darnley, Lyn. ‘Artist Development and Training in the Royal Shakespeare Company’. PhD Dissertation, Royal Holloway University of London, 2013.
  22. Gorbman, Claudia. Unheard Melodies. Bloomington and Indianapolis: Indiana University Press, 1987.
  23. Gordon, Robert, Jubin, Olaf and Taylor, Millie. British Musical Theatre Since 1950 . London: Bloomsbury Methuen, 2016. Crossref
  24. Home-Cook, George. Theatre and Aural Attention: Stretching Ourselves . London: Palgrave Macmillan, 2015. Crossref
  25. Hosley, Richard. ‘Was there a Music-Room in Shakespeare’s Globe?’ Shakespeare Survey 13, (1960), 113–23.
  26. Irigaray, Luce. ‘The Property Model’ in Colin Counsell and Laurie Wolf (eds), Performance Analysis . London and N...

Table of contents

  1. Cover
  2. Front Matter
  3. Prologue
  4. Musical Collaborations at the RSC
  5. Collaborative Composition at the RSC
  6. Electronics, Sound and Fury at the RSC
  7. Theatre Music at the RSC
  8. From Macbeth to Matilda at the RSC
  9. Epilogue
  10. Back Matter