Interactive Media for Sustainability
eBook - ePub

Interactive Media for Sustainability

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eBook - ePub

Interactive Media for Sustainability

About this book

Interactive Media for Sustainability presents a conceptually rich, critical account of the design and use of interactive technologies to engage the public with sustainability. Treating interactive technologies as forms of mediation, the book argues that these technologies advance multiple understandings of sustainability. At stake are the ways sustainability encodes the complexity of interrelated social and natural systems, and how it conveys the malleability of the future. The book's argument is anchored in a diverse set of theoretical resources that include contemporary work in human-computer interaction (HCI), social theory, media studies, and the philosophy of technology, and is animated by a variety of examples, including interactive simulations, persuasive apps, digital games, art installations, and decision-support tools.

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Yes, you can access Interactive Media for Sustainability by Roy Bendor in PDF and/or ePUB format, as well as other popular books in Social Sciences & Management. We have over one million books available in our catalogue for you to explore.

Information

© The Author(s) 2018
Roy BendorInteractive Media for SustainabilityPalgrave Studies in Media and Environmental Communicationhttps://doi.org/10.1007/978-3-319-70383-1_1
Begin Abstract

1. Mediation

Roy Bendor1
(1)
Delft University of Technology, Delft, The Netherlands
Roy Bendor
End Abstract

Catching Up Our Thinking with Our Living

Fifty years since sustainability became a neologism for long-term societal durability, and thirty years since it was formalized with the publication of the Brundtland Commission’s report Our Common Future (1987), it is safe to say that sustainability is not a fad. Despite early concerns and detractions,1 the term has not only caught on, but can now be seen gracing a variety of government units, academic programs, business practices, professional networks, and organizations of all stripes and colors. From a concept that was meant to call attention to the grotesque absurdity and latent death-drive of growth economics, the embodiment of a “frontiers worldview,” as Johan Rockström (2015) puts it, sustainability has become a rallying cry for a social movement whose goal is to reimagine, reconfigure, and remake (the new “three R’s”!) modern society.
As sustainability gained scientific traction and cultural cachet, it became apparent that both its meaning and its prospects were entangled with technology. Is this merely poetic retribution for an original sin, the proverbial technological chickens coming home to roost? After all, sustainability appears to be our best hope for solving an ecological crisis that resulted from the material processes, outcomes, and mindset associated with modern technology. While it may be debatable whether the seeds of the Anthropocene, a term meant to draw attention to the extent to which human activity is influencing the planet’s geological processes, were already sown with the emergence of Homo Faber, with the development of ancient agriculture over 10,000 years ago, with the global intermingling of species that took place at the beginning of the seventeenth century, or with the industrial acceleration that took place in the 1960s (Lewis and Maslin 2015), there is little doubt that a direct path leads from the mass development and use of fossil-fueled industrial manufacturing to global climate change (IPCC 2015). This path was paved by a particular way of seeing the world as a growth-oriented machine, an ontological perspective that itself co-emerged with modern science and technology (Dijksterhuis 1961; Kumar 1978; Leiss 1972; Merchant 1989). As JosĂ© Ortega y Gasset (1941) suggests, “The history of human thinking may be regarded as a long series of observations made to discover what latent possibilities the world offers for the construction of machines
. man begins where technology begins” (pp. 116–117). However, the entanglement of sustainability and technology reflects more than the ecological legacy of the Industrial Revolution. The roots of the entanglement may lie in the past, but its crown faces the future. This is because the field of activity represented by sustainability will certainly demand even more technological innovation and deployment. As scientists and economists tell us, a thorough decarbonization of the world economy will require investment in renewable energy, energy-efficient “smart” infrastructure, new ways to grow and transport food, smarter land-use practices, and new processes of industrial production (Figueres et al. 2017)—all necessitating various degrees of technological design and production. In this sense, to paraphrase German philosopher Martin Heidegger (1977), technology is both the “danger” of unsustainability and the “saving power” for a more sustainable future.
Claims that technology and sustainability are entangled, or that “sustainable interactive technology” is a paradoxical construction (Hazas and Nathan 2018a), may be true, but do little to illustrate the ways in which such an entanglement takes place. The issue is further complicated by two important factors: first, it is not always clear what we are talking about when we talk about “sustainability” (more on that below), or what we are referring to by “technology.” The latter, in particular, conjures an expansive field of materials, artifacts, practices, ways of thinking, and ways of being—both a more general “activity form” and a set of particular technologies (McGinn 1990). While theorizations of technology in more general terms inform the ideas presented here, this book concerns new interactive technologies, sometimes referred to as information technology (IT), information and communication technology (ICT), digital media, interactive media, or simply, new media (despite the slight differences in emphasis each of these terms signal, they will be used here interchangeably). New media are practically everywhere: they are in our homes and in our cars, in our pockets and on our wrists. We use them to inquire, locate, share, and keep in touch. They compel us to take note and they nudge us to act. They influence our wants, dreams, and desires—desires that are often evoked and stoked in ways that only the media themselves can satisfy. New media are a fixture of our social imaginaries, part and parcel of how we see ourselves, others, and the world. And as I will argue here, new media have become inseparable from what sustainability means to us and, no less important, what it may mean in the future.
A second complication arises from the breathtaking pace of technological change. As soon as we start to grasp the implications of a new technology, a newer one appears on the horizon, deeming analytical efforts to a perpetual game of tag. The gap between sociotechnical praxis and reflection has long occupied the thought of critical technology scholars from Marx to Marcuse , Heidegger to Ellul, and it is eloquently captured in Marshall McLuhan’s remark that “We are always living a way ahead of our thinking.”2 McLuhan’s penchant for aphorisms notwithstanding, his point is as true today as it was when he made it in 1965. If anything, the velocity of our technological trajectory, accelerated by the volume of time, energy, and resources invested in its growth, makes it almost impossible to anticipate the entire gamut of implications introduced by new technologies. Even those we consider technology leaders often fail in their prognostications. IBM’s president Thomas Watson has famously predicted in 1943 that there was a “world market for maybe five computers” (Pogue 2012, Jan. 18), and Ken Olsen, founder of Digital Equipment Corporation, stated in 1977 that “There is no reason anyone would want a computer in their home” (Skarda 2011, Oct. 21). Venerable publications such as MIT’s Technology Review have not done much better (Funk 2017). Setting aside modern technology’s uncanny ability to turn erudite predictions on their head, every analysis of technology is firmly located in the time and place of its origin. Much like its subject, technological critique is situated and contingent, and what follows on these pages is no exception.
As strong as our anxieties over intellectual obsolescence may be, the pace of technological innovation should not deter but invite critical reflection. As we stand on the threshold of what has been dubbed the “fourth industrial revolution” (Schwab 2017), the future appears to be bursting with new technological possibilities and, doubtlessly, threats. Artificially intelligent agents and smart, interconnected objects, cancer-fighting nanobots, and autonomous vehicles, all promise new ways for improving the human condition while reducing humanity’s ecological toll. But if we are about to inhabit a world in which the boundaries between the physical, the digital, and the biological blur beyond recognition, as Schwab (2017) forecasts, now would be an opportune moment to reflect, assess, and reorient technological innovation. In other words, if our thinking is to ever catch up with our living, we need to be able to identify both the fleeting and the enduring in technology, that which constantly changes as result of new materials, techniques, and applications, and that which orients technological design and use throughout. This is as relevant for sustainability as it is for any other field of human endeavor. Which social interests, values, and objectives will inform the design of future interactive t...

Table of contents

  1. Cover
  2. Front Matter
  3. 1. Mediation
  4. 2. Behavior
  5. 3. Reason
  6. 4. Experience
  7. 5. Imagination
  8. 6. Refractions
  9. Back Matter