Media Representations of the Cultural Other in Turkey
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Media Representations of the Cultural Other in Turkey

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eBook - ePub

Media Representations of the Cultural Other in Turkey

About this book

"A fresh study that confirms the existence of multiple peripheries (and its others) in Turkish society and how dominant centrist media represented these differences in film and television discourse. The use of Mardin's center-periphery concept for the analyses of films, ads and cartoons is brilliant. This is a timely project as scholarly interest in Turkey has increased exponentially since 2013. This project is key to understanding the roots of a media politics in contemporary Turkey."

—Murat Akser, Ulster University, UK

"Alparslan Nas' seminal work disrupts the notion of Turkish identities as fixed and stable. He challenges the center (secular, modern, Western)/ peripheral (conservative, religious) binary by critically examining how a cultural "other" is constructed and performed through the media in Turkey. Nas' analysis offers a (much needed) new lens and approach to understanding Turkey's complex social and political landscape."

—Kathleen Cavanaugh, National University of Ireland, Galway, Ireland

This book is an important contribution to the scholarship on Turkey's cultural and political dynamics, facilitating a discussion on the recent depictions of the cultural other in the media. Turkey's modern history has been characterized by a particular tension between the social classes occupying the "center" of society: while the bureaucratic elite are represented as modern, secular and westernized, the "peripheral" communities are portrayed as conservative, religious or non-Turkish. This book facilitates a timely intervention to problematize this possible perception and to point at the complex dynamics of center-periphery relations through the representation of the cultural other in film, television, advertisements and cartoons, which have all been produced by different social classes. Ultimately, Media Representations of the Cultural Other in Turkey argues that the notions of the center and periphery do not signify stable positions; rather, each social agent imagines themselves at the center, the cultural other at their periphery providing a crucial tool for the realization of their own identity.

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Yes, you can access Media Representations of the Cultural Other in Turkey by Alparslan Nas in PDF and/or ePUB format, as well as other popular books in Social Sciences & Film & Video. We have over one million books available in our catalogue for you to explore.

Information

© The Author(s) 2018
Alparslan NasMedia Representations of the Cultural Other in Turkeyhttps://doi.org/10.1007/978-3-319-78346-8_1
Begin Abstract

1. Introduction: Locating the Cultural Other in Turkey Through a Center–Periphery Dichotomy

Alparslan Nas1
(1)
Marmara University, Istanbul, Turkey

Abstract

This chapter introduces an historical overview of Turkey’s center–periphery conflict to shed light on the ways in which the cultural other is represented in Turkey. Starting from the political and historical conditions that constitute this phenomenon, the chapter explores Turkey’s last two decades, particularly focusing on the era of Justice and Development Party (JDP) governments since 2002 from a center–periphery perspective. The analysis and the discussion provided in this chapter argue that center–periphery relations are important not only in understanding Turkey’s political processes, but also in problematizing the ways in which the other is depicted in a cultural sphere, particularly in media representations. Since the foundation of the Turkish nation-state in 1923, social and political processes have been characterized with the conflicting relations between the center and the periphery. The center represents the country’s Republican, secular and bureaucratic elite that aims to modernize society, whereas the periphery refers to the social and cultural differences associated with religious, pro-Islamist, conservative and Kurdish communities residing at the periphery, who resist the newly founded secular nation-state’s modernization efforts in varying ways. The analysis of contemporary media representations of the cultural other in Turkey points out the diverse interplay of power relations exercised by different social agents, who imagine the periphery as the cultural other from distinct perspectives.

Keywords

Turkish historyTurkish politicsJDP (AKP)Power relationsOrientalismMedia
End Abstract

1.1 The Origins of Center–Periphery Relations

The relations between the center and the periphery have been greatly influential in shaping past and contemporary political and social developments as well as discourses on the self and the other in Turkey. The terms were first applied to the Turkish context by sociologist ƞerif Mardin in “Center–Periphery Relations: A Key to Turkish Politics?” published in 1973. In his article, Mardin engages in an historical periodization of center–periphery relations which date from the pre-modern stages of the Ottoman Empire to the modern Republic of Turkey in the mid-twentieth century. According to Mardin , the initial tensions between the society’s center and its periphery were established between the Ottoman Sultan and his officials and Anatolia’s segmented societies since the pre-modern and early modern periods (Mardin 1973, p. 171). Center–periphery relations during the Ottoman Empire entered a new stage in the nineteenth century, when Ottoman officials undertook reforms for modernization in the course of establishing a nation-state. During this period, modernization attempts constituted a strong bureaucratic center as the core of the nation-state that sought to achieve further social transformation: the integration of non-Muslims and peripheral populations to Ottoman nation-state identity (Mardin 1973, p. 175).
The creation of a bureaucratic elite as well as the development of a military and an intellectual generation, which maintained close ties with the French tradition of nation-state building, paved the way for the decline of absolute monarchy, which ended in 1908 with the Young Turk Revolution and the establishment of the constitution (Mardin 1971, p. 201). Between 1908 and 1918, the Young Turk movement continued its attempts at modernization and the empowerment of the nation-state based on Turkish nationalism (ZĂŒrcher 2004, p. 3). Yet this period was marked by a series of traumas experienced by the Empire, particularly with the loss of Balkan territories during the Balkan Wars (1912–1913) and Middle Eastern lands during World War I (1914–1918). During this period, the periphery was a geographical region that the Empire clung to with insistent and costly efforts, a process that ended up with the partitioning of the Empire by the Allies after World War I. This era also signified a transformation in defining the periphery. With the separation of many of its non-Muslim and non-Turkish populations of the Empire, including the Arabs, Armenians and Greeks, Anatolia remained as the central locus for a potential resistance . Eventually, with the occupation of Istanbul in 1918, the central government lost its effectiveness and an alternative national parliament was established in Ankara , which organized the National War of Independence against the occupation of Anatolia (1919–1922). Led by Mustafa Kemal AtatĂŒrk , the national struggle managed to defeat the Allies troops, which resulted in the Treaty of Lausanne in July 1923, determining modern Turkey’s political territories, and paving the way for the declaration of the Republic on October 23, 1923. By this time, the 623-year-old monarchy had already been removed (in November 1922), a revolutionary step reflecting the government’s goals to constitute a modern and a secular democracy .

1.2 New Dynamics of Center–Periphery Conflict in the Republican Era

With the dissolution of the Ottoman Empire , the definitions of the center and the periphery were somehow inherited by the newly founded Republic, whose political dynamics were, to a great extent, dominated by the inclinations toward the cultural other. In the early stages of the Republic, there existed two major political groups in the national assembly: the Republican People’s Party (RPP) led by Mustafa Kemal AtatĂŒrk , and the “Second Group,” which consisted of diverse political and regional members opposing RPP’s secularist tendencies with a religious emphasis (Mardin 1973, p. 180). The Second Group was soon mobilized in the Progressive Republican Party , which was shut down for promoting religious fundamentalism and supporting the Kurdish independence movement after the Kurdish Sheikh Said Rebellion in 1925 (Jenkins 2008, p. 103). The following years solidified Kemalism as the state’s official ideology , characterized by a state-imposed set of reforms to create a secular, Western-type society (Yavuz 2003, p. 31), with various reform acts including the admission of the civil code, inspired by the Swiss code, in 1926 (Arat 2010, p. 39) and the alphabet reform that switched the Arabic script to Latin in 1928 (Hurd 2009, p. 66). Attempting to establish democracy with a multi-party system, AtatĂŒrk encouraged the foundation of an opposition party in 1930, the Liberal Republican Party . After the Menemen Incident that took place in Izmir, resulting in an uprising of religious fundamentalists murdering a Turkish soldier named Kubilay, the party was considered as a potential alternative through which anti-Kemalist ideology could mobilize and was consequently shut down (Azak 2010, p. 21). The country was ruled by RPP governments until 1950 when the Democrat Party (DP) was victorious in elections, changing the government after a 27-year reign (Carkoglu and Kalaycioglu 2009, p. 18).
The political and social tensions of the early Republican era were greatly influenced by the center–periphery dichotomy. According to Mardin (1973, p. 183), during this era the Kemalists’ core aim was to strengthen the center over the periphery in order to regain the state’s power to actualize radical transformations on the social sphere. In this regard, the RPP elite failed to connect with the peripheral populations . Although the party acknowledged peasants as “fundamental Turks” with historical values and traditions that they continue with, the RPP focused on reproducing symbols of nation...

Table of contents

  1. Cover
  2. Front Matter
  3. 1. Introduction: Locating the Cultural Other in Turkey Through a Center–Periphery Dichotomy
  4. 2. The Cultural Other in Film Narratives: Gendered Perspectives
  5. 3. The Making of a Militarized Self and the Other in Television Series: A Reformulation of the Center?
  6. 4. New Cultural Others? Unveiling the Limitations and Paradoxes
  7. 5. Toward a Conclusion: Imagining the Cultural Other
  8. Back Matter