Iāve chosen Tomās ghost story as the centrepiece
because it is so humdrum. There are plenty of more interesting (although much rarer) examples I could have used that reside on the other end of the ghost-story spectrum, such as this one from a 56-year-old man named Dan;
In December 2002, just a few days before Christmas, I woke up about 5:30 or 6 a.m. and walked over to the bedroom window. I parted the vertical blinds and cursed under my breath because it was still raining like it had been for days. As I turned away from the window, my body chilled from head to toe. Standing right in the middle of our bedroom doorway was this huge ghost dressed in a hooded brown robe. The guy was at least seven feet tall and filled the whole doorway. Where his face should have been in the big hood was just like a swirling mass of energy, and you also couldnāt see any hands or feet ā but he totally filled the whole doorway. As I looked at him he extended his arms forward like he was offering me this short staff or rod that he was holding ā it was maybe 24 inches long. Then I turned my head away for a moment, and when I looked back he was gone.1
This unsettling tale is too dramatic for me to use, as it distracts from the bookās primary aim to summarise the origins of āeverydayā unusual witnessed events that are far more commonly reported, like Tomās man-in-a-suit.
At this stage it is worth taking a brief pause, and recognise that attributing Tomās (or even Danās) story to a āghostā is unhelpful. It begins at the wrong end. Instead of starting with this label, there should be a slow and methodical examination of the details of Tomās sighting without any reference to what a āghostā might be. Iāll be laborious and detailed and overly systematic at times, but I think thatās necessary as this is not a method commonly employedāafter all most books on āghostsā (or anything else strange) set out to argue a particular case from the beginning. Iām not doing that, for I have no particular perspective to favour, and they are all of equal significance.
So back to ghosts.
While Tomās audience relied on this particular word to discuss the sighting, they might instead have used āapparitionā to characterise the experience as something visualāthat appeared. Apparitions can be in the solid human form of Tomās entity, known prior to the nineteenth century as the āliving deadā because the ghost looked just like a real flesh-and-blood person until it disappeared. Alternatively it might seem substantial but be of the much rarer āliving cadaver ā type if its physical appearance showed signs of decomposition.2 Luckily for Tomās state of mind he didnāt see a rotting corpse. Then again, an apparition might be as elusive and insubstantial as a cloud of steam,3 the typical representation being the wraithlike and shrouded āphantomā.
Other words available to describe the ghost were āspiritā and āpresenceā, and yet all these
terms in the manner in which they are used imply the same thing. In the words of Welsh philosopher
Henry Price,
4 rightly or wrongly Tomās friends are referring to the pre-scientific idea of a dead human being in a duplicate form to the human body still lingering on earth.
5 That idea is expressed in various ways, with degrees of additional information. For example, in the words of long-time ghost hunter
Andrew Green, a ghost specifically refers to the earth-bound essence of a deceased person that for whatever reason continues to haunt a particular location, and will do so until they are persuaded to āpass onā.
6 Indeed, by
Gary Schwartzā definition
a ghost is a combination of a spirit
and a presence;
ā¦. spirit is used to refer to the hypothesized continued existence of the consciousness and information (and associated energy) after physical deathā¦. [whereas] presence is used to refer the potential hypothesized localization of the consciousness, information, and energy/spirit of the deceased person.7
Ideas like āpassing onā (alongside āapparitionā, āspiritā and āenergyā) are intuitively understood, even if the mechanisms underlying these states, and how they could transpire, remain a mystery. A listener might even fill in the missing gaps in Tomās story, concluding that the ghost (or whatever label they use) was indeed someone who had died on the hotelās second floor at some undisclosed time in the past, perhaps tragically. Feasibly, he committed suicide in one of the end rooms because of a business decision or an affair gone-wrong, and has never āpassed onā to the afterlife. Thatās why the ghost was seen by Tomāhe needs assistance in the passing on process!
Taking this idea further, a ghost traipsing the corridor as a
man, albeit in a diminished form, is a sentient
active spirit presence.
8 This is arguably the most popular contemporary conception of what a ghost is. On the other hand, maybe weāre giving too much clout to Tomās ghost? The ghost-concept has been intensely studied for well over 100 years. Indeed the best work was done prior to (and just after) the turn of the twentieth century by illustrious names associated with
the Society for Psychical Research (SPR); Barrett, Sidgwick,
Myers, Gurney, Lang, Crookes, Rayleigh and Lodge. They each provided alternative (and creative) theories about what ghosts are, that donāt require them to be āactiveā. For instance, the seventh President of the Society,
Frederick Myers, suggested a ghost need not be sentient (or even partially sentient). Rather it is a
veridical after-image , meaning the entity doesnāt force its perception onto the witness. In Myerās words;
Instead of describing a āghostā as a dead person permitted to communicate with the living, let us define it as a manifestation of persistent personal energy, or as an indication that some kind of force is being exercised after death which is in some way connected with a person previously known on earth.9
And further;
ā¦there is strong evidence for the recurrence of the sameā¦.figures in the same localities, but weak evidence to indicate any purpose in most of these figures, or any connection with bygone individuals, or with such tragedies as are popularly supposed to start a ghost on its career. In some of these cases of frequent, meaningless recurrence of a figure in a given spot, we are driven to wonder whether it can be some deceased personās past frequentation of that spot, rather than any fresh action of his after deathāwhich has generated what I have termed the veridical after-image āveridical in the sense that it communicates information, previously unknown to the percipient, as to a former inhabitant of the haunted locality.10
Applied to Tomās encounter, his ghost is merely residual. It is the impressions of a former guest or worker imprinted onto the built environment through some habitual and emotion-charged activity they undertook when they were alive,11 and that can be visually āplayed backā to a living witness until the imprint of this energy has dried up. An alternative name for this notion is the stone-tape effect (or stone tape theory12), although in this case āwood-tapeā or āplaster-tapeā might be more appropriate in deference to the composition of the structure that the remnant is perceive...