
Converso Non-Conformism in Early Modern Spain
Bad Blood and Faith from Alonso de Cartagena to Diego VelĂĄzquez
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Converso Non-Conformism in Early Modern Spain
Bad Blood and Faith from Alonso de Cartagena to Diego VelĂĄzquez
About this book
This book examines the effects of Jewish conversions to Christianity in late medieval Spanish society. Ingram focuses on these converts and their descendants (known as conversos) not as Judaizers, but as Christian humanists, mystics and evangelists, who attempt to create a new society based on quietist religious practice, merit, and toleration. His narrative takes the reader on a journey from the late fourteenth-century conversions and the first blood purity laws (designed to marginalize conversos), through the early sixteenth-century Erasmian and radical mystical movements, to a Counter-Reformation environment in which conversos become the advocates for pacifism and concordance. His account ends at the court of Philip IV, where growing intolerance towards Madrid's converso courtiers is subtly attacked by Spain's greatest painter, Diego VelĂĄzquez, in his work, Los Borrachos. Finally, Ingram examines the historiography of early modern Spain, in which he argues the converso reform phenomenon continues to be underexplored.
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Information
Table of contents
- Cover
- Front Matter
- 1. Introduction
- 2. From Toledo to Alcala
- 3. From Alcala to Seville and Beyond
- 4. The Road Out of Trent
- 5. Four Humanists
- 6. Diego Velåzquez and the Subtle Art of Protest
- 7. The Converso Returns
- Back Matter