The Ethics of Teaching at Sites of Violence and Trauma
eBook - ePub

The Ethics of Teaching at Sites of Violence and Trauma

Student Encounters with the Holocaust

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eBook - ePub

The Ethics of Teaching at Sites of Violence and Trauma

Student Encounters with the Holocaust

About this book

This book chronicles a professor's experience with a group of US undergraduate students at Holocaust memorials, museums, and sites of remembrance as part of a yearly Holocaust study abroad program to Germany and Poland. Narrated through a series of personal encounters, The Ethics of Teaching at Sites of Violence and Trauma synthesizes a concrete experiential teaching account - on issues ranging from trauma tourism to the ethics of spectatorship - with contemporary debates on Holocaust education. In doing so, this book seeks to offer a critical assessment on the possibilities and limitations of teaching at sites that were central to the planning and execution of the Holocaust.

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Yes, you can access The Ethics of Teaching at Sites of Violence and Trauma by Natalie Bormann in PDF and/or ePUB format, as well as other popular books in Education & Education Theory & Practice. We have over one million books available in our catalogue for you to explore.

Information

Ā© The Author(s) 2018
Natalie BormannThe Ethics of Teaching at Sites of Violence and Traumahttps://doi.org/10.1057/978-1-137-59445-7_1
Begin Abstract

1. The Problem with ā€œBeing Thereā€

Natalie Bormann1
(1)
Department of Political Science, Northeastern University, Boston, MA, USA
Natalie Bormann
Abstract
Student visits to sites of trauma and violence are fundamentally based on the promise that there is an educational value of ā€œbeing thereā€; a direct encounter with history through seeing, hearing, and feeling. Over the course of three years of leading a Holocaust study abroad program, my observations would certainly align with the expectation of such promise. However, and as existing research shows, it is not often clear what the exact value, impact, or takeaway in fact is—or ought to be. Through an exploration of the opportunities and limits of visiting sites of trauma with groups of students, and here through the lens of the encounters with my own cohorts, I suggest that the first step to a deep engagement with historic sites and museums must be to prompt students to decode the ethical complexities of self-reflexivity, visual literacy, and the politics of spectatorship.
Keywords
EthicsBeing thereExperiential educationAutoethnography
End Abstract
How are we supposed to reflect on, learn, and teach about events that we never experienced directly? As educators, we often assume the answer lies in the concept of ā€œbeing there’’: The notion of experiencing history—through a direct encounter with the sites where history took place, and by way of seeing, hearing, and feeling. 1 Intimacy with the material, so the argument goes, facilitates interest, authenticates knowledge, and produces venues for personal growth and reflection—all of which promises to ensure a deep, personal engagement that is not only to stay with the learner but is also said to nurture ethical thinking, generate empathy , and reconfigure a person’s worldview. 2
Much of this goes back to Dewey’s seminal and much quoted work on experiential education that tasks educators with creating opportunities for students to ā€œactively engage in the learning process,ā€ and with providing hands-on, intentional experiences. 3 Holocaust education is perhaps at the forefront of implementing ideas of experiential learning in an attempt to engage students in more meaningful, interested, and purposeful ways—outside the classroom. Such opportunities are realized most fundamentally through the experience at the physical structures of historical sites that were once central to the organization and execution of the Holocaust. Scholars agree that the built environment, geography, ruins, and artefacts are powerful in augmenting other, existing, forms of methodology and analysis, namely narrative history or visual representations . 4
The encounters with my students at historical sites of trauma and violence, chronicled here, seem to suggest likewise; to begin with, there is indeed a widespread desire by the learner for experiencing and ā€œliving history,ā€ whereby a past and otherwise distant event such as the Holocaust can somehow be folded into a personal and local memory. 5 ā€œBeing there brought it home for me,ā€ is certainly one of the most popular expressions among my traveling students over the course of three years of leading a Holocaust study abroad program to Europe. This experience often culminated for the students in the visit to Auschwitz:
Auschwitz was important to see. It made me really think about the victims, it broke down the number barrier of not being able to fathom what eleven million people is. I can envision it now.
One of the curators at the Auschwitz Memorial Museum endorses the uniqueness of the experience of ā€œbeing thereā€ during our visit by stating: ā€œPeople come here to feel it, touch it, experience it.ā€
When I first began thinking about developing a Holocaust study abroad program I was already invested—personally and academically—in the phenomenon of memorials and museum sites as spaces of understanding and remembering the past; the ways in which memorials and museums are ā€œat workā€ and attract millions of people, or, more precisely, tourists; the ways in which societies such as mine (German) are continuously imbued with performances of remembrance and commemoration at those sites; and the ways in which those sites grapple with this interplay of practices of remembering and forgetting, of warning and teaching, of preserving and altering historical memory. How can it be that former killing sites such as Auschwitz-Birkenau attract millions of people each year?
Most fundamentally, ā€œbeing thereā€ is said to assist in, literally, envisaging the depth (and scale) of the event. 6 Students report, for instance, that seeing the large area of Auschwitz-Birkenau and ā€œthe immense collection of personal items, family photos, portraits, clothesā€ assists them to ā€œimagine the scaleā€ of systemic mass violence. With that come specific sensory features that accompany space—smells, sounds, and images . 7 Some students claim to notice that the lavatories in the old barracks at Auschwitz-Birkenau ā€œstill smell like human feces,ā€ or simply that ā€œthe sky was gray ā€ matching the ā€œsolemnness of the day,ā€ adding to their memory of the suffering endured at these sites.
More importantly—at least for me—are the accidental experiences of ā€œbeing thereā€; the things one cannot—but would expect to see; or the things one notices but would not expect to see. One student describes such an experience when approaching the site of Dachau: ā€œthe first thing that shocked me was the fact that there were residential areas so close to the memorial site of the camp.ā€ Such reflections complicate for students the ways in which they structure their knowledge of the Holocaust. In this case, it unsettles the often neat and tidy categorization of perpetrators, victims, witnesses, and bystanders; the lines between these actors become blurred. We meet residents of the town of Dachau whose balconies overlook the site of the former concentration camp; they tell my students that moving to the town of Dachau was for economic reasons—housing is much more affordable here for a family of four than in Munich , leaving an imprint with my cohort on the concepts of memory, forgetting, and moving on that cannot be gained in any meaningful way outside this personal encounter at the site. One of the most common reflections on the program is aptly described by one student as the importance of ā€œseeing shades of grey.ā€
ā€œBeing thereā€ (as opposed to ā€œhereā€ at home) means also that students often assume different identities, roles, and responsibilities. Students notice that they take on the different perspectives of local communities and experts (like the families of Dachau with whom they find themselves sympathizing), and that they are confronted with scenarios, questions, and approaches to learning about the Holocaust that only reveal themselves by being at the sites, places, and cities themselves. Students reflect on their role as global citizens with an awareness of conflicts today; as one student commented: ā€œthe world and conflicts make more sense to me now that I exposed myself to the Holocaust.ā€
Yet, how such encounters with past human suffering at sites are to be accomplished and structured exactly, what the modes of ā€œseeing, hearing, and feelingā€ of experiential learning ought to be, and what these experiences ultimately culminate to, is less clear. What should and should not, or can and cannot be seen, heard, and viewed? When is the exposure to the material on site perhaps too intimate, too emotional? How far is the role of the educator imbued in creating a productive encounter for the learner—and to what effect? And lastly, what exactly is being brought home? What kind of knowledge is being incubated by the cohort, and how the experiences of ā€œbeing thereā€ translate into concrete opportunities for attitude and activity today, is certainly less agreed upon.
The purpose of this book is not, and cannot be, to fill that gap by producing empirical data on the ways in which teaching my students at sites of trauma can yield specific, measurable, outcomes. Instead, the collection of stories and observations here seek to foreground those very moments when the value and impact of ā€œbeing thereā€ was rendered most challenging for me as an educator. I argue that this shift in focus has the potential to illuminate and query some of the assumptions we make regarding Holocaust education and its effects. Ultimately, I am interested in tracing an essential question: To what extent may there be a conflict between our ethical imperative to remember a catastrophic past, and the impetus to find ways to teach about it? 8

The Program

Every summer, twenty-five outstanding undergraduate students from across the campus of a private university in the northeast of the USA, travel to Germany and Poland, with the objective to learn about the Holocaust at the very sites where it occurred. We travel for five weeks in two countries and five cities (Munich , Nuremberg , Berlin, Warsaw, Krakow)—destinations that are deemed central to the rise of National Socialism and to the planning and execution of the Holocaust. The group explores three concentration camps (Dachau, Ravensbrück, Sachsenhausen ), and spends two days at Auschwitz with an overnight stay adjacent to the death camp. We visit memorials, museums, and documentation centers and participate in workshops, study days, and seminars at those sites, and with support of the educational programs offered on site. Students encounter local communities, experts, and survivors of the Holocaust in structured, as well as unstructured, activities.
Academically and pedagogically, this study abroad program rests on the commitment to what is termed ā€œdouble attentiveness .ā€ 9 The term, invoked by Simon and Eppert in the context of witnessing testimonies and the obligations of the bearer of such witnessing, is composed of two parts, or forms. One part of the attentiveness involves the ability to fold learned and observed information into specific procedures and templates of meaning that validate the historical information. For instance, the ...

Table of contents

  1. Cover
  2. Frontmatter
  3. 1. The Problem with ā€œBeing Thereā€
  4. 2. ā€œI Was There!ā€: The Conjunction of Study Abroad and Dark Tourism
  5. 3. ā€œAnd Now You Are Going to See Something Shockingā€: Atrocity Images in Holocaust Education
  6. 4. ā€œWe Didn’t Know There Was a Women’s Campā€: The Haunting Qualities of Ravensbrück
  7. 5. ā€œMy Therapist Told Me not to Visit Auschwitzā€: The Problem with crisis pedagogy
  8. 6. Conclusions: Looking Back at a Holocaust study abroad program
  9. Backmatter