Cosmopolitanism, Markets, and Consumption
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Cosmopolitanism, Markets, and Consumption

A Critical Global Perspective

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eBook - ePub

Cosmopolitanism, Markets, and Consumption

A Critical Global Perspective

About this book

This book addresses the complicated question of how markets and consumption create the possibilities for cross-cultural exchanges and the multicultural pleasures of omnivorous consumption, whilst at the same time building new boundaries and distinctions, paving the way for new exploitative relationships, and initiating novel modes of status and capital accumulation. The contributors identify that the divide between the economic and ethical dimensions of globalisation has never seemed in sharper relief. With the workings of global markets at odds with fostering cosmopolitan social change, this collection addresses the question of whether we should assume that market logics and consumptive practices conflict with cosmopolitan agendas. It also explores whether the imperatives of economic globalisation and individual consumption practices are opposed to cosmopolitan prospects for global solidarities.

Cosmopolitanism, Markets and Consumption will be of interest to students and scholars across a range of disciplines including in the social sciences, businesses and marketing studies.

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Yes, you can access Cosmopolitanism, Markets, and Consumption by Julie Emontspool, Ian Woodward, Julie Emontspool,Ian Woodward in PDF and/or ePUB format, as well as other popular books in Social Sciences & Labour Economics. We have over one million books available in our catalogue for you to explore.
Ā© The Author(s) 2018
J. Emontspool, I. Woodward (eds.)Cosmopolitanism, Markets, and Consumptionhttps://doi.org/10.1007/978-3-319-64179-9_1
Begin Abstract

1. Introduction

Julie Emontspool1 and Ian Woodward1
(1)
Department of Marketing and Management, University of Southern Denmark, Odense, Denmark
Julie Emontspool
Julie Emontspool
is Associate Professor at the Department of Marketing and Management of the University of Southern Denmark. She holds a PhD in Management Sciences from UniversitƩ Libre de Bruxelles, Belgium, and joined faculty in Denmark after a brief research stay at Schulich School of Business, Canada. Her main research interests relate to the market consequences of contact between cultures, in particular consumer acculturation, cosmopolitanism and globalisation. Her work about cosmopolitanism, globalisation and migration has among others been published in Consumption Markets and Culture, International Marketing Review, Advances in Consumer Research, European Journal of International Management and in various book chapters.
Ian Woodward
is Professor at the Department of Marketing and Management of the University of Southern Denmark. He has research interests in the sociology of consumption, aesthetics and material culture, and in the cultural dimensions of cosmopolitanism. His critical survey of the field of material culture studies, Understanding Material Culture, was published by Sage in 2007. With Gavin Kendall and Zlatko Skrbis, he is co-author of The Sociology of Cosmopolitanism (Palgrave, 2009) and with Zlatko Skrbis he published Cosmopolitanism, Uses of the Idea (Sage/TCS, 2013). Most recently he published the co-authored book Vinyl, The Analogue Record in the Digital Age (Bloomsbury, 2015, with Dominik Bartmanski) and co-edited a book titled The Festivalization of Culture with Andy Bennett and Jodie Taylor (Ashgate, 2014). He holds faculty adjunct positions at Griffith University, Australia, and the Yale University Center for Cultural Sociology, New Haven. Woodward is a member of numerous journal and book series boards.
End Abstract
The globally networked world, where many people have a shared sense of a planet as a whole and experience this through mobility, work, technologies and exposure to the media, seems perfectly suited to the proliferation of the idea of cosmopolitanism. The attractiveness of the concept is manifold and its implications compelling. Accordingly, cosmopolitanism today is made from a potent blend of ideology, social hope, self-narrative, social performance and social fact. Most contemporary commentators have concurred that cosmopolitanism is associated with a conscious openness to the world and the potential for a relational dialogue with people and things that are culturally different (Hannerz, 1990). The adoption of a cosmopolitan outlook involves ā€˜an everyday, historically alert, reflexive awareness of ambivalences in a milieu of blurring differentiations and cultural contradictions’ (Beck, 2006, p. 3). As summarised by Delanty, in broad terms ā€˜cosmopolitanism is about the extension of the moral and political horizons of people, societies, organisations and institutions’ (Delanty, 2012, p. 2). The cosmopolitanism question at the level of empirical inquiry concerning practices and individuals, then, is essentially whether or not people begin to develop feelings of responsibility for widening circles of strangers (Appiah, 2007). It asks how they seek to understand and be changed by incorporating others’ viewpoints and practices which are apparently very much unlike their own, and how they feel responsible for environments far away from them, including for nonhuman agents like ecological and climatic systems.
At the level of institutions and markets, the cosmopolitan question becomes one of network embeddedness and connectedness and how ā€˜the formation of cosmopolitanism is coterminous with the growth of attachments among humans and nonhumans in certain configurations. What configurations sustain cosmopolitanism? How do they grow?’ (Saito, 2011, p. 131). In this collection, we partly set ourselves and our authors the task of exploring the links between individual practices and meanings, and the networked attachments that find and structure them through explorations of markets and consumption practices.
This collection is in line with the empirical turn that has been embraced widely within contemporary cosmopolitanism studies. While researchers currently grapple not only with the abstract philosophical dimensions of the concept, they increasingly seek to understand how every day, vernacular forms of cosmopolitanism work, and how people acquire and learn cosmopolitan competencies and habits (Kendall, Woodward, & Skrbiś, 2009; Noble, 2013). In this context, it is not an exaggeration to observe that consumption opportunities and practices, whether mundane or ecstatic, constitute a large part of people’s engagements and encounters with diversity and cultural difference. Furthermore, these consumption practices connect networked topographies of capital with individuals, households, neighbourhoods and consumer tribes. In this collection, we assemble authors who address such connections, responding to the fundamental question of in what ways this consumption might matter for diffusing cosmopolitan cultures and in what ways it might complicate them, or even deform them. And, in what ways can scholarship from diverse disciplinary perspectives work with each other to shed light on these questions?
The purpose of this book is to examine the relational mediation and performance of cosmopolitan ideals and cosmopolitanisation processes for consumption and market practices. The book expands current perspectives on cosmopolitan consumption from a focus on Western-educated elites towards a global perspective, acknowledging the diversity of cosmopolitanisms in an increasingly mobile world. It combines social scientific and business and marketing approaches to cosmopolitanism, bringing the strongest and distinctive elements of both approaches to bear on the problem of how consumption relates to cosmopolitanism. Assembling a set of researchers from around the globe, it advocates an interdisciplinary approach to exploring the cosmopolitanism consequences of consumption by combining insights from research in sociology, anthropology, cultural studies and consumer research. By discussing not only the positive side of cosmopolitanism but also the problems and challenges related to it, such as environmental consequences, labour exploitation and cultural domination and the way these problems become cosmopolitan questions by way of consumption, this book takes a critical look at issues and practices of cosmopolitan consumption and marketisation.

Book Structure

The chapters in the book conceptualise a range of ways that consumption, materials and attachments matter for understanding possibilities for the diffusion and adoption of cosmopolitan sensibilities, lifestyles and cosmopolitics.
In Part I of the book, the authors address broadly the dimension of personal consumption and how it may help people think in cosmopolitan ways and indeed to perform a type of cosmopolitan identity, asking how and in what ways such consumption might matter for expanding universes of belonging and overcoming boundaries and barriers of cultural difference. This section of the book therefore outlines the research questions and problems addressed in the volume, as well as conceptualises and maps key debates and questions within the field. Chapter 2 by Woodward and Emontspool offers an overview of existing research linking cosmopolitanism and consumption and delineates current challenges and questions emerging from this construct in global marketplaces. Chapter 3 by Kipnis critically assesses current cosmopolitanism studies in consumer research, highlighting that they do not necessarily differentiate between foreign and global product preferences. On this basis, the chapter offers recommendations for improving the measurement of consumer cosmopolitanism in multicultural marketplaces. Chapter 4 by Cicchelli and Octobre studies how young consumer generations approach aesthetic cosmopolitanism given the widespread global connectivity of this generation in today’s marketplaces. Specifically, this chapter addresses the link between cosmopolitanism and status for those generations and proposes a sociological way for thinking through temporal changes in consumer patterns via their idea of the ā€˜cosmopolitan amateur’.
Part II of the book addresses the idea that cosmopolitanism is more than just ideas and values, but circulates through a symbolic, material and aesthetic economy related to styles, aesthetic forms , material surfaces and cultural performances available to particular publics who are able to transform them into things with cosmopolitan consequences. Accordingly, it illustrates how cosmopolitanism is expressed in and by spatial and material contexts in the marketplace. It also allows for discussion of the ways in which cosmopolitanism is constituted by a symbolic, material and aesthetic economy related to commercial and public spaces, and cultural performances. ...

Table of contents

  1. Cover
  2. Front Matter
  3. 1.Ā Introduction
  4. Part I. The Cosmopolitan Concept: Definition, Uses and Challenges
  5. Part II. Cosmopolitan Spaces
  6. Part III. Ethics for a Global Humanity
  7. Part IV. Concluding Perspectives
  8. Correction to: Cosmopolitanism and Its Sociomaterial Construction in the Servicescape
  9. Back Matter